Great bass isn’t about boom—it’s about foundation. Too many systems try to impress with midbass punch while ignoring what lies below. But the real magic happens in the lower octaves,...
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Speaker placement is geometry, not guesswork. If you want your speakers to disappear and the music to appear in three dimensions, start by forming an equilateral triangle between the listening...
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The power coming out of your wall is not the power your HiFi system wants. Most people assume that once electricity reaches their house, it's good to go. But the...
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Vinyl records aren’t perfect, but their imperfections are part of the magic. One of the reasons is crosstalk. A phono cartridge, by design, allows a bit of left-channel signal to...
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Over the past few weeks we’ve taken quite a journey together. We began with the language of sound, exploring how we as audiophiles describe what we hear—tonality, air, ambience, dynamics,...
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No component in the audio chain has a greater influence on what we hear than the loudspeaker. Electronics may shape, refine, and control the signal, but the loudspeaker is where...
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We often repeat the mantra that less in the signal path is more. On the surface, it makes perfect sense. Every component, every connection, every circuit element has the potential...
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As audiophiles, we sometimes get caught up in evaluating components in isolation. A new DAC, a different amplifier, a better pair of cables—we judge each piece on its own merits....
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For many of us, imaging is the quality that keeps us glued to the listening chair. It’s the ability of a system to place voices and instruments in a precise,...
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As audiophiles, we spend much of our time listening for space—how wide, how deep, and how convincing a stereo image can be. One of the factors that directly affects that...
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As audiophiles, we go to extraordinary lengths to preserve the integrity of the musical signal, and one of the more subtle but fascinating areas of debate is absolute phase. On...
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Noise is the enemy of fidelity, and how we move signals from one component to another has a major effect on how much noise we let in. Most audio gear...
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Every component in an audio circuit leaves its mark, and few have been debated as much as capacitors. For decades, they were a necessary part of signal paths, blocking DC...
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In the early days of audio, clipping used to be one of the most damaging problems in audio, and it’s also one of the easiest to avoid if we understand...
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Numbers can look impressive, but they don’t always mean what we think they do. Audiophiles are often drawn to specifications because they seem like objective markers of quality. The trouble...
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A day or two ago, we were discussing power supplies, and I mentioned switched-mode devices. The high-end community has traditionally eschewed these, but over time, like digital audio, they have...
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One of the oldest debates in audio design is whether to couple signals magnetically, through transformers or inductors, or to pass them directly through wiring and capacitors. Both approaches have...
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At the heart of most amplifiers are transistors, and two of the most common types are field-effect transistors (FETs) and bipolar junction transistors (BJTs). On a schematic they may look...
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Every component in an audio system is at the mercy of its power supply. The circuits may handle the signal, but the signal itself rides on the back of the...
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Signal-to-noise ratio is one of the most misunderstood specifications in audio. It’s supposed to tell us how much louder the music is than the background noise of the system. On...
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