Dynamics aren’t just about loud—they’re about contrast. I remember visiting a friend’s room where everything sounded big, but nothing stood out. It was as if the music had been flattened...
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Some systems are technically perfect—but emotionally flat. We always build systems focused on specs: low distortion, flat response, perfect alignment. But that's just the starting point. From there, the listening...
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They're not about deeper bass. Most people add a subwoofer to get more bass or extend their speakers' low-frequency range. But that's backwards. The real reason to use subwoofers in...
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The end of a note tells you just as much as the beginning. Attack gets all the attention in audio reviews—how fast the transient is, how crisp the edge. But...
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Low frequencies accumulate where walls meet. Room corners are bass magnets. Low-frequency waves reflect off walls and pile up where boundaries intersect, creating areas of excessive bass energy. This is...
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...it’s what surrounds the note that gives it life. Any given pitch is built from a fundamental frequency and a series of overtones. That harmonic structure is what defines the...
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First reflections matter most. When sound leaves your speakers, some of it travels straight to your ears—that's the direct sound, the one that carries the music's essential information. But sound...
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The best systems don't just play music—they let it breathe. I was recently listening to a recording of Bill Evans at the Village Vanguard I found on Qobuz. Nothing dramatic,...
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Texture is what tells us how something feels—not just what it sounds like. When I listen to a bowed double bass, I want to hear the friction of the bow,...
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One inch makes a difference in quite a number of respects, especially in loudspeakers. The angle of your speakers—whether they point straight ahead or aim directly at your ears—controls far...
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High frequencies give us space. But it’s the air around the notes that gives us presence. Years ago, I was auditioning tweeters for a loudspeaker design, and one candidate stood...
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Move it forward three inches. Most people position their listening chair where it feels comfortable in the room—against the back wall, centered between the speakers, maybe with a nice view...
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Timbre is what lets us tell a violin from a flute, even if they’re playing the same note. I remember the first time I sat down in the old Music...
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Furniture is acoustic treatment. Every object in your listening room affects the sound, whether you planned it that way or not. Your couch absorbs midrange and treble. That glass coffee...
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Geometry matters more than you think. Your listening setup should form a triangle—left speaker, right speaker, and your seat. If your speakers are ten feet apart, you should sit about...
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Your speakers need breathing room. I've walked into countless living rooms where beautiful speakers sit pressed against the wall like furniture. The owners wonder why their system sounds flat and...
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Music isn’t just made of notes—it’s made of pauses. In live performance, silence sets the stage for impact. The decay of a piano note, the hush before a symphonic climax,...
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Silence is part of the music. In all my years of listening, designing, and tweaking systems, one of the most profound realizations I've had is this: the space between notes—the...
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The best speakers are the ones you forget are there. We spend so much time comparing specs, materials, designs. But when a speaker is truly right, it stops calling attention...
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As I have pointed out over the past few days, measurement and perception don’t always walk hand in hand. It’s tempting to believe the oscilloscope or AP over your own...
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