Copper Magazine · Issue 53 · A free PS Audio publication
Issue 53

The Big Rock Show

The Big Rock Show
Some friends of mine have been putting on a big rock show annually for the last few years, under the name Wild Honey, as a benefit for the Autism Think Tank . These are “tribute” shows, wherein local musicians and people who know, or in a couple cases were in, an old band gather on a stage to play the band’s songs. Wild Honey has done a couple shows each of Fabs and Beach Boys albums, fan-favorite Big Star (with Jody Stephens playing in the band), last year they did the Band with Garth Hudson playing, and this year the lucky target was Buffalo Springfield, with Richie Furay playing quite a bit. Generally, these nights are for the obsessive pop audience in town, and for a large pack of musicians to get a chance to be around each other. But I’ve only been to one show (“The White Album”) and have never had an interest in playing in one --- until this year. What got me out of the house? Claudia Lennear --- former Ikette, former Shelter Person (Leon Russell’s early band), allegedly the reason for the song "Brown Sugar" (and featured in “20 Feet from Stardom”). It was a chance to play with her. Any song she wanted to do, I was in.
The Dream Syndicate with Claudia Lennear and Susan Cowsill, during soundcheck.
Rob Laufer with Claudia Lennear.
The rehearsals were long, and they were noisy, but come time for the show, at least what I saw side-stage, it was a pretty good show --- especially the 2nd half; the overall energy was more up (and the first half was plagued with tech problems, I’m told). Your host for the evening, music journalist Chris Morris, pulled me aside for a moment to rave. There were 3 rehearsals: the first, just the band (stand-ins sang the lead parts) and the second two with Claudia. Aside from the long hours and all the waiting around, it was a lot of fun.
Backstage: Terry Reid, Elliot Easton of The Cars, Gary Myrick. Behind them is Don Randi, known for the Wrecking Crew.
Hey, hey, it's Micky Dolenz!
Andy Slater (l), former Capitol Records head, chats with Buffalo Springfield vet Richie Furay(r).
Here’s the set-list from the evening: Some of these folks you’ve heard of, some you haven’t. Some were good, some great, and all were sincere as hell. When our turn came--- for me, having never played on the stage and trapped behind a low wall of amps, things weren’t all that great. I enjoyed the rehearsals more. Other than the drums, and despite our volume, things sounded swimmy and vague.
Elliot Easton rocks out!
Syd Straw with Rob Laufer.
Richie Furay with his daughter and band at rehearsal.
But we soldiered on. My usual complaint about the immenseness of the stage applies here too --- but this time, it’s understandable. When, two songs later, everybody involved paraded out onto the stage to sing behind Furay and Mickey Dolenz on “For What It’s Worth”, we filled the stage to the wings: “Stop children What’s that sound Everybody look what’s going down”

More from Issue 53

View All Articles in Issue 53

Search Copper Magazine

Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

The Big Rock Show

The Big Rock Show
Some friends of mine have been putting on a big rock show annually for the last few years, under the name Wild Honey, as a benefit for the Autism Think Tank . These are “tribute” shows, wherein local musicians and people who know, or in a couple cases were in, an old band gather on a stage to play the band’s songs. Wild Honey has done a couple shows each of Fabs and Beach Boys albums, fan-favorite Big Star (with Jody Stephens playing in the band), last year they did the Band with Garth Hudson playing, and this year the lucky target was Buffalo Springfield, with Richie Furay playing quite a bit. Generally, these nights are for the obsessive pop audience in town, and for a large pack of musicians to get a chance to be around each other. But I’ve only been to one show (“The White Album”) and have never had an interest in playing in one --- until this year. What got me out of the house? Claudia Lennear --- former Ikette, former Shelter Person (Leon Russell’s early band), allegedly the reason for the song "Brown Sugar" (and featured in “20 Feet from Stardom”). It was a chance to play with her. Any song she wanted to do, I was in.
The Dream Syndicate with Claudia Lennear and Susan Cowsill, during soundcheck.
Rob Laufer with Claudia Lennear.
The rehearsals were long, and they were noisy, but come time for the show, at least what I saw side-stage, it was a pretty good show --- especially the 2nd half; the overall energy was more up (and the first half was plagued with tech problems, I’m told). Your host for the evening, music journalist Chris Morris, pulled me aside for a moment to rave. There were 3 rehearsals: the first, just the band (stand-ins sang the lead parts) and the second two with Claudia. Aside from the long hours and all the waiting around, it was a lot of fun.
Backstage: Terry Reid, Elliot Easton of The Cars, Gary Myrick. Behind them is Don Randi, known for the Wrecking Crew.
Hey, hey, it's Micky Dolenz!
Andy Slater (l), former Capitol Records head, chats with Buffalo Springfield vet Richie Furay(r).
Here’s the set-list from the evening: Some of these folks you’ve heard of, some you haven’t. Some were good, some great, and all were sincere as hell. When our turn came--- for me, having never played on the stage and trapped behind a low wall of amps, things weren’t all that great. I enjoyed the rehearsals more. Other than the drums, and despite our volume, things sounded swimmy and vague.
Elliot Easton rocks out!
Syd Straw with Rob Laufer.
Richie Furay with his daughter and band at rehearsal.
But we soldiered on. My usual complaint about the immenseness of the stage applies here too --- but this time, it’s understandable. When, two songs later, everybody involved paraded out onto the stage to sing behind Furay and Mickey Dolenz on “For What It’s Worth”, we filled the stage to the wings: “Stop children What’s that sound Everybody look what’s going down”

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: