COPPER

#170 World Music by Frank Doris Aug 26, 2022 #170 Under My Skin: An Interview With Journalist Elise Krentzel by Andrew Daly Aug 26, 2022 #170 The Colors of Music: Synesthetic Artist Melissa McCracken Sees and Paints What She Hears, Part One by Alón Sagee Aug 26, 2022 #170 The Times They Are a-Changin’! by Tom Gibbs Aug 26, 2022 #170 Confessions of a CD Addict, Circa 1986 by Larry Jaffee Aug 26, 2022 #170 Breaking News: HD Vinyl Enters Bankruptcy (and Some Thoughts On Vinyl Manufacturing) by J.I. Agnew Aug 26, 2022 #170 High-Quality Audio In Clubland by Tom Methans Aug 26, 2022 #170 T.H.E. Show 2022 Report, Part Two by Harris Fogel Aug 26, 2022 #170 Back to My Reel-to-Reel Roots, Part 21: The Best Private Members Club…Ever by Ken Kessler Aug 26, 2022 #170 Duncan Sheik: From Barely Breathing to Broadway and Beyond by Ray Chelstowski Aug 26, 2022 #170 Floating Over CES by Ken Sander Aug 26, 2022 #170 On The Road: Recording The Stars in a Golden Era of Live Music, By David W. Hewitt by John Seetoo Aug 26, 2022 #170 Digital in an Analog World Aug 26, 2022 #170 Pure Distortion by Peter Xeni Aug 26, 2022 #170 Timing Error by James Whitworth Aug 26, 2022 #170 Where the Streets Have No Name by Rich Isaacs Aug 26, 2022 #170 My Retail Customers: Of Chalk and Cheese by Russ Welton Aug 26, 2022 #170 Octave Records Releases The Complete Bach Cello Suites by Zuill Bailey on Vinyl LP Aug 26, 2022 #170 Pilgrimage to Sturgis, Part 28 by B. Jan Montana Aug 26, 2022 #170 Around the World In 80 Lathes, Part 20 by J.I. Agnew Aug 26, 2022 #170 Talk Talk Talking About the Psychedelic Furs by Anne E. Johnson Aug 26, 2022 #170 Lemons Rally: Rust Belt Ramble, Part Two by Rudy Radelic Aug 26, 2022 #170 Orlande de Lassus: Magnificent Music for Voice by Anne E. Johnson Aug 26, 2022 #170 Tape Versus Vinyl by Adrian Wu Aug 26, 2022