Copper Magazine · Issue 76 · A free PS Audio publication
Issue 76 QUIBBLES AND BITS

Audiophile Haiku

A haiku is a traditional Japanese form of poetry, although it is now appreciated worldwide. A Haiku comprises three lines of verse structured around a 5-7-5 pattern of syllables. The first and last lines have 5 syllables, while the middle line has 7. A traditional haiku usually expresses a simple emotion, or an observation of nature, appeals to the senses, and contains a ‘trigger’ word which suggests a season of the year. In more modern haiku, the last line often makes its point by taking the subject matter in an ironic or unexpected direction. It is traditional to write a haiku in the middle of the page, forming a diamond pattern (since the middle line has two more syllables), although they are intended to be spoken rather than read. Japanese culture places great emphasis not only on tradition, but also on elegance, so a good Japanese haiku will have a perfect rhythmic meter, while making a profound and uplifting observation, all in 17 syllables.

Haiku do not rhyme, but instead rely on a rhythmic meter. Consequently, English translations of Japanese haiku rarely deliver a complete rendition of all aspects of the original, and original English haiku tend to be more ready to depart from the strict form in order to better express the point.

I have prepared a brief collection of audiophile haiku for your reading pleasure (or derision, however it ends up working out). One or two are pretty cool, others, as you’ll see, less so.  Still others descend close to parody. Japanese readers, if any, are advised to set their expectations to the lowest available setting.

Vacuum tubes glow red
warming my hands. While music
is warming my heart.

His wallet costs more
than the money he keeps there.
So too his Hi-Fi.

Silk tweeter.
Smaller than a woofer driver.
Size isn’t everything.

Kind spirit,
living in my cables,
blessing the sounds as they go by.

Have you no shame, sir?
Insult my clothes or my car,
but not my speakers!

——————————————————————–

Listen to silence.
Know that music is more than
the sum of its sounds.

CD – eighty grams.
Amplifier – eighty pounds.
Music floats on air.

So many bits.
So much music. So little time
to waste arguing.

Seasons turn.
With spring comes the season for change.
New preamp maybe?

If music soothes the
savage beast, how savage would
I be without it?

I am transported
each time I close my eyes and
hear a different place.

It was a dark day,
heavy with foreboding too,
when my tubes burned out.

——————————————————————–

Winter in Boulder,
cold and white with snow. But Leebs
is from Florida.

I agree with Keats.
Books, French wine, good weather, fruit.
Yes, and music too.

Negative feedback
won’t damp the differences
that still divide us.

I can’t describe the
depths of my emotions. But
Gustav Mahler can.

All good things must pass,
and we must pass with them. But
let it wait a while.

[Leebs grew up in Minnesota, for whatever that’s worth—Ed.]

More from Issue 76

View All Articles in Issue 76

Search Copper Magazine

Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

Audiophile Haiku

A haiku is a traditional Japanese form of poetry, although it is now appreciated worldwide. A Haiku comprises three lines of verse structured around a 5-7-5 pattern of syllables. The first and last lines have 5 syllables, while the middle line has 7. A traditional haiku usually expresses a simple emotion, or an observation of nature, appeals to the senses, and contains a ‘trigger’ word which suggests a season of the year. In more modern haiku, the last line often makes its point by taking the subject matter in an ironic or unexpected direction. It is traditional to write a haiku in the middle of the page, forming a diamond pattern (since the middle line has two more syllables), although they are intended to be spoken rather than read. Japanese culture places great emphasis not only on tradition, but also on elegance, so a good Japanese haiku will have a perfect rhythmic meter, while making a profound and uplifting observation, all in 17 syllables.

Haiku do not rhyme, but instead rely on a rhythmic meter. Consequently, English translations of Japanese haiku rarely deliver a complete rendition of all aspects of the original, and original English haiku tend to be more ready to depart from the strict form in order to better express the point.

I have prepared a brief collection of audiophile haiku for your reading pleasure (or derision, however it ends up working out). One or two are pretty cool, others, as you’ll see, less so.  Still others descend close to parody. Japanese readers, if any, are advised to set their expectations to the lowest available setting.

Vacuum tubes glow red
warming my hands. While music
is warming my heart.

His wallet costs more
than the money he keeps there.
So too his Hi-Fi.

Silk tweeter.
Smaller than a woofer driver.
Size isn’t everything.

Kind spirit,
living in my cables,
blessing the sounds as they go by.

Have you no shame, sir?
Insult my clothes or my car,
but not my speakers!

——————————————————————–

Listen to silence.
Know that music is more than
the sum of its sounds.

CD – eighty grams.
Amplifier – eighty pounds.
Music floats on air.

So many bits.
So much music. So little time
to waste arguing.

Seasons turn.
With spring comes the season for change.
New preamp maybe?

If music soothes the
savage beast, how savage would
I be without it?

I am transported
each time I close my eyes and
hear a different place.

It was a dark day,
heavy with foreboding too,
when my tubes burned out.

——————————————————————–

Winter in Boulder,
cold and white with snow. But Leebs
is from Florida.

I agree with Keats.
Books, French wine, good weather, fruit.
Yes, and music too.

Negative feedback
won’t damp the differences
that still divide us.

I can’t describe the
depths of my emotions. But
Gustav Mahler can.

All good things must pass,
and we must pass with them. But
let it wait a while.

[Leebs grew up in Minnesota, for whatever that’s worth—Ed.]

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: