Octave Radio streams as MP3. That often raises eyebrows, especially from those who know how seriously we take sound quality at Octave Records. After all, we record at some of...
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When I talk about Octave Records, I usually bring up how we record at some of the highest bit depths and sample rates in the world. We don’t compress the...
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Yesterday, we talked about the preamplifier as the system's gatekeeper—and how, perhaps surprisingly, it's the power supply that makes or breaks the whole design. At its core, a preamp is...
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While we’re on the subject of preamplifiers, let’s take a moment to consider the new PMG Signature Preamplifier—a revolution in preamp design. We’ve been building preamps for a long time....
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While we're on the subject of words and how they impact our thought processes and opinions on high-end audio, another instance occurred to me. In our new PMG Signature 512...
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In yesterday’s post, I talked about cables and the common myth that they can “add” sonic flavors—like brightness, warmth, or thickness. The only reason that the additive myth even has...
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Cables don’t add. They only take away. That’s the big myth we audiophiles often wrestle with—this idea that a cable has a sonic personality, a character it imparts onto the...
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…you just have to skirt the rules and step up to the plate (and I'll get to the meat of that comment in a moment), but what inspired this post...
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Some things in high-end audio don’t make sense—until they do. Or don't. Take burn-in. You’ve heard the arguments. Some folks insist it’s snake oil, others swear by it. Even after...
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If you're running your DAC straight into a power amplifier, and you're not using it at full volume, you're not hearing all it can do. Let’s revisit the problem we've...
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Yesterday, I told you about Chris Brunhaver's suggestion to replace the digital volume control in our new DAC, the PMG Signature 512, with an analog stepped attenuator at its output. ...
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Sometimes big things start with a throwaway line. We were deep in development on our upcoming reference DAC, the PMG Signature 512, working out the particulars every new technology demands:...
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Audio problems are like rabbits—solve one, and two more pop up. A few days ago, we were going on about balanced interconnects and why we don't need balanced speaker cables:...
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We audiophiles love to chase neutrality. We want our systems to be a perfect window into the recording, free of colorations or biases. But here’s the thing: true neutrality doesn’t...
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We all know that pulling the speakers away from the front wall improves imaging. But not everyone has the space—or the domestic negotiation skills—to do it. If your speakers must...
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It’s easy to get lost chasing specs, topologies, and cable types. Happens to the best of us, right? Balanced or single-ended. Differential or ground-referenced. Small signal, big signal. It’s enough...
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Not all power amplifiers are created equal. In yesterday's post, we touched on the idea of a balanced power amplifier, known to us engineering nerds as a bridged amplifier. Here's...
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In the last couple of posts, I've explained why a balanced small signal from source to preamp matters. A balanced signal can enjoy the benefits of CMR (common mode rejection)...
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In yesterday's post, we discussed how balanced vs. single ended signals work. But what we are going to touch on today is where size matters. Balanced is important to small...
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I've been an advocate of balanced audio connections for many, many years. Readers of my blog posts no doubt have heard me wax enthusiastically about the virtues of going with...
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