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Taking the leap
There’s something comforting about a system you know, and it’s easy to say, “If it ain’t broke, don’t fix it.” And that’s not bad advice—there’s real value in living with...
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Working together
We’ve all been tempted by numbers. Lower noise, higher damping factor, vanishingly low distortion. It’s easy to assume that if each piece of gear performs well on its own, the...
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Headroom
You swap in a new DAC or preamp and it immediately sounds better. Clearer, more dynamic. Then you realize: it’s louder. And louder almost always sounds better. That’s where gain...
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Direct connect
You’ve probably heard the term “direct-coupled” in descriptions of preamps or amps—especially ours at PS Audio, which are almost all directly coupled, input to output. So what does “direct-coupled” actually...
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The floor
Most of us spend a lot of time thinking about the back wall, the front wall, the ceiling. But one of the most underrated parts of the listening space is...
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Reflections
We all know how direct sound works—speaker fires, you hear it. But the real challenge in any room comes from reflected sound. Especially the first bounce off the side wall....
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Mona Lisa
Want a better stereo image? Put something visual in the middle of the front wall between the speakers. It can be a painting. A piece of art. A diffuser. Even...
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Height
Sometimes you’re listening to a track you know like the back of your hand. The vocal is supposed to lock dead center, right between the speakers. But instead, it’s kind...
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Sweet spot
You’re in the sweet spot. The vocalist is dead center. Then you lean to the left, and suddenly the singer jumps into the left speaker. Or you sit down with...
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Corners
Corners look harmless. A little molding, a houseplant, maybe a lamp. But sonically? They’re landmines. Corners reinforce bass. Every room mode—the low-frequency pressure waves that build up between walls, floor,...
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The perfect triangle
We all want that perfect triangle—speakers spread out just right, listening chair set back, toe-in dialed to a hair’s width. But what happens when your room doesn’t play nice? Maybe...
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Damper
We all want tight bass. That quick, punch-you-in-the-chest kind of bass that starts and stops on a dime. And somewhere along the way, a lot of folks started chasing big...
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Smearing
Negative feedback is one of those engineering tools that’s both brilliant and dangerous. It lowers distortion, flattens gain, extends bandwidth. It can also make things sound worse—if you use too...
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On or off axis
We all love that moment when the speakers disappear. A stage opens up between—and beyond—the boxes, and musicians snap into place like holograms. Pinpoint imaging and an expansive stage. But...
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Imaging vs. Soundstage
They’re not the same. Imaging is precision. That violin is right there, not two inches left or right. The voice stays put, locked in space. Soundstage is size. Width. Depth....
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The power of quiet
We talk a lot about volume—power, headroom, slam. But for me, the real magic often starts with quiet. Not silence. Music needs silence like a photo needs contrast. It’s the...
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Our kind of trouble
Yesterday I was reminded of my father's lie detector and how, as kids, we got into plenty of trouble. Orange fights. Dummy pranks. Jail time, even. But the kind of...
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The lie detector
When I was a kid, my dad built a lie detector out of a Heathkit. He tested it on me and my sisters, certain one of us was pilfering quarters...
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When wrong is right
Sometimes, being “wrong” sounds better. That was a tough pill to swallow when I fist started out on this audio journey. I’d spend hours chasing distortion figures only to sometimes...
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Chasing the illusion
What's the goal of high-end audio? Strip away all the technical talk and what are we really after? The answer is simple: we want to create an illusion so convincing...
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