This scheme actually works and takes advantage of the fact that in a live performance, the distance between the audience and the performers is great enough that there's a phase difference between them. Thus, the audience is out of phase with the performers and that difference is played on the rear speakers. When you play studio recordings there's always enough phase differences to light up the rears and you get a sense of surround sound.
It's more of a fun project than anything I recommend, but that's what we're here for.
4-channel audio
This scheme actually works and takes advantage of the fact that in a live performance, the distance between the audience and the performers is great enough that there's a phase difference between them. Thus, the audience is out of phase with the performers and that difference is played on the rear speakers. When you play studio recordings there's always enough phase differences to light up the rears and you get a sense of surround sound.
It's more of a fun project than anything I recommend, but that's what we're here for.
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