COPPER

A PS Audio Publication

Issue 34 • Free Online Magazine

Issue 34 Opening Salvo

Wiser? Or Just Older?

Wiser? Or Just Older?
Welcome to the 34th issue of Copper! As I approach yet another birthday, I'm struck by the changes that come with age. Some have come with maturity (I think); others are clearly just signs of wear and tear. For example: in my younger days, I would agonize over any bit of criticism I received, especially if that criticism was of something I'd written. At this point, I'm pragmatic enough to know that I do the best I can, given the constraints of time and my own ability. Pretty much anything can be improved, given additional time, attention and tweaking...but just as in manufacturing, there comes a point at which a line must be drawn, changes cease, and (as our friend Seth Godin says) you have to ship it. For me, the ability to let go of something, anything---an essay, a relationship, or even a grudge---has been one of the hardest things to learn in life. I'd like to ascribe that ability to let go to maturity, not indifference. Wear and tear? A few years ago, I drove from Boston to Sarasota, non-stop. A day later I flew to Denmark for a week-long consulting gig, then flew home to Florida. I was okay within two days. My recent trip to Munich left me exhausted and foggy for a week. The difference a few years have made in my ability to recover from travel-abuse has been eye-opening, and more than a little frightening. The stories in this issue's Industry News seem to me to demonstrate aging without gaining wisdom. Sears and Radio Shack were among America's leading retailers for many decades---and then didn't respond to changing times. Can a business become senile? I think so. The rest of our columns are more upbeat: Professor Schenbeck looks at an element of music that we oh-so-serious musicophiles and audiophiles often overlook: is it FUN? Beatles acolyte Dan Schwartz offers his own unique take on the importance of Sgt. Pepper on its 50th anniversary; Richard Murison takes a side-trip into the bewildering world of patents; Duncan Taylor introduces us to still more amazing musicians; Anne E. Johnson introduces another unique indie artist, Andy Suzuki; Dan McCauley provides this issue's album review, the newbie from The Mountain Goats. I grumble about sleeplessness and music, and continue my look at horn speakers. Our friend Jim Smith discusses that audiophile ideal, the dedicated listening room. As promised in the last issue, I review my experiences at the Munich show---including the joy of the biergarten! The bottom half of our audio show doubleheader has Dan Schwartz doing a quick lap of the new LA Audio Show. Visit on Friday, write on Saturday, publish on Monday---how about that? We wrap up #34 with a chilly Parting Shot. Our friends Woody Woodward and Jay Jay French will be back soon, and we once again remind our readers that we welcome contributions for In My Room, our feature on reader's listening rooms. You could be next! Until next issue---enjoy! Cheers, Leebs.

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#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

Wiser? Or Just Older?

Wiser? Or Just Older?
Welcome to the 34th issue of Copper! As I approach yet another birthday, I'm struck by the changes that come with age. Some have come with maturity (I think); others are clearly just signs of wear and tear. For example: in my younger days, I would agonize over any bit of criticism I received, especially if that criticism was of something I'd written. At this point, I'm pragmatic enough to know that I do the best I can, given the constraints of time and my own ability. Pretty much anything can be improved, given additional time, attention and tweaking...but just as in manufacturing, there comes a point at which a line must be drawn, changes cease, and (as our friend Seth Godin says) you have to ship it. For me, the ability to let go of something, anything---an essay, a relationship, or even a grudge---has been one of the hardest things to learn in life. I'd like to ascribe that ability to let go to maturity, not indifference. Wear and tear? A few years ago, I drove from Boston to Sarasota, non-stop. A day later I flew to Denmark for a week-long consulting gig, then flew home to Florida. I was okay within two days. My recent trip to Munich left me exhausted and foggy for a week. The difference a few years have made in my ability to recover from travel-abuse has been eye-opening, and more than a little frightening. The stories in this issue's Industry News seem to me to demonstrate aging without gaining wisdom. Sears and Radio Shack were among America's leading retailers for many decades---and then didn't respond to changing times. Can a business become senile? I think so. The rest of our columns are more upbeat: Professor Schenbeck looks at an element of music that we oh-so-serious musicophiles and audiophiles often overlook: is it FUN? Beatles acolyte Dan Schwartz offers his own unique take on the importance of Sgt. Pepper on its 50th anniversary; Richard Murison takes a side-trip into the bewildering world of patents; Duncan Taylor introduces us to still more amazing musicians; Anne E. Johnson introduces another unique indie artist, Andy Suzuki; Dan McCauley provides this issue's album review, the newbie from The Mountain Goats. I grumble about sleeplessness and music, and continue my look at horn speakers. Our friend Jim Smith discusses that audiophile ideal, the dedicated listening room. As promised in the last issue, I review my experiences at the Munich show---including the joy of the biergarten! The bottom half of our audio show doubleheader has Dan Schwartz doing a quick lap of the new LA Audio Show. Visit on Friday, write on Saturday, publish on Monday---how about that? We wrap up #34 with a chilly Parting Shot. Our friends Woody Woodward and Jay Jay French will be back soon, and we once again remind our readers that we welcome contributions for In My Room, our feature on reader's listening rooms. You could be next! Until next issue---enjoy! Cheers, Leebs.

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