COPPER

A PS Audio Publication

Issue 34 • Free Online Magazine

Issue 34 Opening Salvo

Wiser? Or Just Older?

Wiser? Or Just Older?
Welcome to the 34th issue of Copper! As I approach yet another birthday, I'm struck by the changes that come with age. Some have come with maturity (I think); others are clearly just signs of wear and tear. For example: in my younger days, I would agonize over any bit of criticism I received, especially if that criticism was of something I'd written. At this point, I'm pragmatic enough to know that I do the best I can, given the constraints of time and my own ability. Pretty much anything can be improved, given additional time, attention and tweaking...but just as in manufacturing, there comes a point at which a line must be drawn, changes cease, and (as our friend Seth Godin says) you have to ship it. For me, the ability to let go of something, anything---an essay, a relationship, or even a grudge---has been one of the hardest things to learn in life. I'd like to ascribe that ability to let go to maturity, not indifference. Wear and tear? A few years ago, I drove from Boston to Sarasota, non-stop. A day later I flew to Denmark for a week-long consulting gig, then flew home to Florida. I was okay within two days. My recent trip to Munich left me exhausted and foggy for a week. The difference a few years have made in my ability to recover from travel-abuse has been eye-opening, and more than a little frightening. The stories in this issue's Industry News seem to me to demonstrate aging without gaining wisdom. Sears and Radio Shack were among America's leading retailers for many decades---and then didn't respond to changing times. Can a business become senile? I think so. The rest of our columns are more upbeat: Professor Schenbeck looks at an element of music that we oh-so-serious musicophiles and audiophiles often overlook: is it FUN? Beatles acolyte Dan Schwartz offers his own unique take on the importance of Sgt. Pepper on its 50th anniversary; Richard Murison takes a side-trip into the bewildering world of patents; Duncan Taylor introduces us to still more amazing musicians; Anne E. Johnson introduces another unique indie artist, Andy Suzuki; Dan McCauley provides this issue's album review, the newbie from The Mountain Goats. I grumble about sleeplessness and music, and continue my look at horn speakers. Our friend Jim Smith discusses that audiophile ideal, the dedicated listening room. As promised in the last issue, I review my experiences at the Munich show---including the joy of the biergarten! The bottom half of our audio show doubleheader has Dan Schwartz doing a quick lap of the new LA Audio Show. Visit on Friday, write on Saturday, publish on Monday---how about that? We wrap up #34 with a chilly Parting Shot. Our friends Woody Woodward and Jay Jay French will be back soon, and we once again remind our readers that we welcome contributions for In My Room, our feature on reader's listening rooms. You could be next! Until next issue---enjoy! Cheers, Leebs.

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#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Wiser? Or Just Older?

Wiser? Or Just Older?
Welcome to the 34th issue of Copper! As I approach yet another birthday, I'm struck by the changes that come with age. Some have come with maturity (I think); others are clearly just signs of wear and tear. For example: in my younger days, I would agonize over any bit of criticism I received, especially if that criticism was of something I'd written. At this point, I'm pragmatic enough to know that I do the best I can, given the constraints of time and my own ability. Pretty much anything can be improved, given additional time, attention and tweaking...but just as in manufacturing, there comes a point at which a line must be drawn, changes cease, and (as our friend Seth Godin says) you have to ship it. For me, the ability to let go of something, anything---an essay, a relationship, or even a grudge---has been one of the hardest things to learn in life. I'd like to ascribe that ability to let go to maturity, not indifference. Wear and tear? A few years ago, I drove from Boston to Sarasota, non-stop. A day later I flew to Denmark for a week-long consulting gig, then flew home to Florida. I was okay within two days. My recent trip to Munich left me exhausted and foggy for a week. The difference a few years have made in my ability to recover from travel-abuse has been eye-opening, and more than a little frightening. The stories in this issue's Industry News seem to me to demonstrate aging without gaining wisdom. Sears and Radio Shack were among America's leading retailers for many decades---and then didn't respond to changing times. Can a business become senile? I think so. The rest of our columns are more upbeat: Professor Schenbeck looks at an element of music that we oh-so-serious musicophiles and audiophiles often overlook: is it FUN? Beatles acolyte Dan Schwartz offers his own unique take on the importance of Sgt. Pepper on its 50th anniversary; Richard Murison takes a side-trip into the bewildering world of patents; Duncan Taylor introduces us to still more amazing musicians; Anne E. Johnson introduces another unique indie artist, Andy Suzuki; Dan McCauley provides this issue's album review, the newbie from The Mountain Goats. I grumble about sleeplessness and music, and continue my look at horn speakers. Our friend Jim Smith discusses that audiophile ideal, the dedicated listening room. As promised in the last issue, I review my experiences at the Munich show---including the joy of the biergarten! The bottom half of our audio show doubleheader has Dan Schwartz doing a quick lap of the new LA Audio Show. Visit on Friday, write on Saturday, publish on Monday---how about that? We wrap up #34 with a chilly Parting Shot. Our friends Woody Woodward and Jay Jay French will be back soon, and we once again remind our readers that we welcome contributions for In My Room, our feature on reader's listening rooms. You could be next! Until next issue---enjoy! Cheers, Leebs.

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