COPPER

A PS Audio Publication

Issue 43 • Free Online Magazine

Issue 43 THE AUDIO CYNIC

Plus Ça Change….



The full expression is of course, plus ça change, plus c’est la même chose. If your French is as bad as mine, that may be meaningless—but it translates literally (more or less) as “the more it changes, the more it’s the same thing”. More flowingly, perhaps, “the more things change, the more they stay the same”.

Or, in the succinct Southern English with which I grew up: “same ol’, same ol'”.

What prompted this? I’ve been talking to some folks in the money biz—and there will likely be a number of stories about those conversations, some day— and I was struck by their universal condemnation of print media. Magazines, newspapers, whatever: all tarred with the same brush. Stay away at all costs, pouring money down the drain, yadda yadda, IT”S DEAD.

Being a natural-born contrarian, I am distrustful of common wisdom; all too often, in my eyes, common wisdom  merely turns out to be shared stupidity. So when someone utters a simplistic truism, I immediately look for loopholes and counter-examples. Maybe that has to do with my time as an IRS tax-examiner, as well.

I digress.

Remember the whole “LPs are dead” pronouncement? While it will never be what it is in, say, 1967, vinyl as an industry is the strongest it’s been in thirty -some years, with existing pressing plants operating at max capacity and new pressing plants popping up all over the place. Did that turn-around just happen? Or is it the result of dilligent (some might say relentless) efforts on the part of people like Michael Fremer, Chad Kassem, and many others?

Maybe a little of both, but I’d lay my money on the latter. So—a decade or so ago, investing in LP production would’ve seemed insane, like putting money into Enron after it vaporized. But now? Guys like Mikey and Chad look prescient, positively VISIONARY (to use yet another overused  buzzword I hate).

I can’t help but think of print media as the analog form of reading media. I don’t see newspapers ever being what they once were, at least for breaking news snippets—that chunk of the market is locked up by digital media. But for in-depth reportage, or lightweight subway/beach reading? Paperbacks, hard covers, magazines definitely have a place. For many folks—like me—a preferred place.

A number of media empires are anchored by print properties, augmented by websites and other digital outposts like You Tube channels. Think of Robb Report, the New York Times, Wall Street Journal, Forbes: with each one there’s a magazine or newspaper at the core, nicely supplemented by online content. Is the tail wagging the dog? Maybe—but the combination of print and pixels is stronger than either would be alone.

So why the lack of love from venture capital and private equity folks? Is it because there’s no way of shorting their investments, of betting against an idea?

Whatever the reason, I think those folks are being short-sighted. Like an LP itself, spinning on the platter…what goes around, comes around. Mark my words: print ain’t dead. Not by a long shot. I’ll betcha that some savvy print investments will have their shareholders laughing all the way to the bank.

Check back with me in ten years—okay?

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#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Plus Ça Change….



The full expression is of course, plus ça change, plus c’est la même chose. If your French is as bad as mine, that may be meaningless—but it translates literally (more or less) as “the more it changes, the more it’s the same thing”. More flowingly, perhaps, “the more things change, the more they stay the same”.

Or, in the succinct Southern English with which I grew up: “same ol’, same ol'”.

What prompted this? I’ve been talking to some folks in the money biz—and there will likely be a number of stories about those conversations, some day— and I was struck by their universal condemnation of print media. Magazines, newspapers, whatever: all tarred with the same brush. Stay away at all costs, pouring money down the drain, yadda yadda, IT”S DEAD.

Being a natural-born contrarian, I am distrustful of common wisdom; all too often, in my eyes, common wisdom  merely turns out to be shared stupidity. So when someone utters a simplistic truism, I immediately look for loopholes and counter-examples. Maybe that has to do with my time as an IRS tax-examiner, as well.

I digress.

Remember the whole “LPs are dead” pronouncement? While it will never be what it is in, say, 1967, vinyl as an industry is the strongest it’s been in thirty -some years, with existing pressing plants operating at max capacity and new pressing plants popping up all over the place. Did that turn-around just happen? Or is it the result of dilligent (some might say relentless) efforts on the part of people like Michael Fremer, Chad Kassem, and many others?

Maybe a little of both, but I’d lay my money on the latter. So—a decade or so ago, investing in LP production would’ve seemed insane, like putting money into Enron after it vaporized. But now? Guys like Mikey and Chad look prescient, positively VISIONARY (to use yet another overused  buzzword I hate).

I can’t help but think of print media as the analog form of reading media. I don’t see newspapers ever being what they once were, at least for breaking news snippets—that chunk of the market is locked up by digital media. But for in-depth reportage, or lightweight subway/beach reading? Paperbacks, hard covers, magazines definitely have a place. For many folks—like me—a preferred place.

A number of media empires are anchored by print properties, augmented by websites and other digital outposts like You Tube channels. Think of Robb Report, the New York Times, Wall Street Journal, Forbes: with each one there’s a magazine or newspaper at the core, nicely supplemented by online content. Is the tail wagging the dog? Maybe—but the combination of print and pixels is stronger than either would be alone.

So why the lack of love from venture capital and private equity folks? Is it because there’s no way of shorting their investments, of betting against an idea?

Whatever the reason, I think those folks are being short-sighted. Like an LP itself, spinning on the platter…what goes around, comes around. Mark my words: print ain’t dead. Not by a long shot. I’ll betcha that some savvy print investments will have their shareholders laughing all the way to the bank.

Check back with me in ten years—okay?

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