COPPER

A PS Audio Publication

Issue 43 • Free Online Magazine

Issue 43 THE AUDIO CYNIC

Plus Ça Change….



The full expression is of course, plus ça change, plus c’est la même chose. If your French is as bad as mine, that may be meaningless—but it translates literally (more or less) as “the more it changes, the more it’s the same thing”. More flowingly, perhaps, “the more things change, the more they stay the same”.

Or, in the succinct Southern English with which I grew up: “same ol’, same ol'”.

What prompted this? I’ve been talking to some folks in the money biz—and there will likely be a number of stories about those conversations, some day— and I was struck by their universal condemnation of print media. Magazines, newspapers, whatever: all tarred with the same brush. Stay away at all costs, pouring money down the drain, yadda yadda, IT”S DEAD.

Being a natural-born contrarian, I am distrustful of common wisdom; all too often, in my eyes, common wisdom  merely turns out to be shared stupidity. So when someone utters a simplistic truism, I immediately look for loopholes and counter-examples. Maybe that has to do with my time as an IRS tax-examiner, as well.

I digress.

Remember the whole “LPs are dead” pronouncement? While it will never be what it is in, say, 1967, vinyl as an industry is the strongest it’s been in thirty -some years, with existing pressing plants operating at max capacity and new pressing plants popping up all over the place. Did that turn-around just happen? Or is it the result of dilligent (some might say relentless) efforts on the part of people like Michael Fremer, Chad Kassem, and many others?

Maybe a little of both, but I’d lay my money on the latter. So—a decade or so ago, investing in LP production would’ve seemed insane, like putting money into Enron after it vaporized. But now? Guys like Mikey and Chad look prescient, positively VISIONARY (to use yet another overused  buzzword I hate).

I can’t help but think of print media as the analog form of reading media. I don’t see newspapers ever being what they once were, at least for breaking news snippets—that chunk of the market is locked up by digital media. But for in-depth reportage, or lightweight subway/beach reading? Paperbacks, hard covers, magazines definitely have a place. For many folks—like me—a preferred place.

A number of media empires are anchored by print properties, augmented by websites and other digital outposts like You Tube channels. Think of Robb Report, the New York Times, Wall Street Journal, Forbes: with each one there’s a magazine or newspaper at the core, nicely supplemented by online content. Is the tail wagging the dog? Maybe—but the combination of print and pixels is stronger than either would be alone.

So why the lack of love from venture capital and private equity folks? Is it because there’s no way of shorting their investments, of betting against an idea?

Whatever the reason, I think those folks are being short-sighted. Like an LP itself, spinning on the platter…what goes around, comes around. Mark my words: print ain’t dead. Not by a long shot. I’ll betcha that some savvy print investments will have their shareholders laughing all the way to the bank.

Check back with me in ten years—okay?

More from Issue 43

View All Articles in Issue 43

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Plus Ça Change….



The full expression is of course, plus ça change, plus c’est la même chose. If your French is as bad as mine, that may be meaningless—but it translates literally (more or less) as “the more it changes, the more it’s the same thing”. More flowingly, perhaps, “the more things change, the more they stay the same”.

Or, in the succinct Southern English with which I grew up: “same ol’, same ol'”.

What prompted this? I’ve been talking to some folks in the money biz—and there will likely be a number of stories about those conversations, some day— and I was struck by their universal condemnation of print media. Magazines, newspapers, whatever: all tarred with the same brush. Stay away at all costs, pouring money down the drain, yadda yadda, IT”S DEAD.

Being a natural-born contrarian, I am distrustful of common wisdom; all too often, in my eyes, common wisdom  merely turns out to be shared stupidity. So when someone utters a simplistic truism, I immediately look for loopholes and counter-examples. Maybe that has to do with my time as an IRS tax-examiner, as well.

I digress.

Remember the whole “LPs are dead” pronouncement? While it will never be what it is in, say, 1967, vinyl as an industry is the strongest it’s been in thirty -some years, with existing pressing plants operating at max capacity and new pressing plants popping up all over the place. Did that turn-around just happen? Or is it the result of dilligent (some might say relentless) efforts on the part of people like Michael Fremer, Chad Kassem, and many others?

Maybe a little of both, but I’d lay my money on the latter. So—a decade or so ago, investing in LP production would’ve seemed insane, like putting money into Enron after it vaporized. But now? Guys like Mikey and Chad look prescient, positively VISIONARY (to use yet another overused  buzzword I hate).

I can’t help but think of print media as the analog form of reading media. I don’t see newspapers ever being what they once were, at least for breaking news snippets—that chunk of the market is locked up by digital media. But for in-depth reportage, or lightweight subway/beach reading? Paperbacks, hard covers, magazines definitely have a place. For many folks—like me—a preferred place.

A number of media empires are anchored by print properties, augmented by websites and other digital outposts like You Tube channels. Think of Robb Report, the New York Times, Wall Street Journal, Forbes: with each one there’s a magazine or newspaper at the core, nicely supplemented by online content. Is the tail wagging the dog? Maybe—but the combination of print and pixels is stronger than either would be alone.

So why the lack of love from venture capital and private equity folks? Is it because there’s no way of shorting their investments, of betting against an idea?

Whatever the reason, I think those folks are being short-sighted. Like an LP itself, spinning on the platter…what goes around, comes around. Mark my words: print ain’t dead. Not by a long shot. I’ll betcha that some savvy print investments will have their shareholders laughing all the way to the bank.

Check back with me in ten years—okay?

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: