COPPER

A PS Audio Publication

Issue 42 • Free Online Magazine

Issue 42 THE AUDIO CYNIC

Immersion

You’ve probably already figured this out, but I am innately distrustful of fads, buzzwords, and whatevers du jour. I never read a book while it’s on the NYT bestsellers list. If it still holds up after a couple years, maybe I’ll read it then. But not while it’s on that damn list.

One of the buzzwords I distrust is “immersive”. Yes, I’ve used it myself, describing how better audio gear makes for “a more immersive listening experience”—and it’s true, it does indeed. But at the same time: what the hell?

Going back a ways to my Memphis years, the only time I heard the term “immersive” was in reference to baptism—the dunkers versus the sprinklers. If you don’t know what that means, that’s just fine; in fact, count yourself as lucky. But just imagine a swimming pool: when you plop yourself into it, you are immersed in the water—right? Submerged, enclosed, enveloped, covered up. Immersed.

Usage of “immersive” and “immersion” these days is  mostly figurative, meaning to become deeply involved in something: that whole “immersive experience” thing. I guess that’s in contrast to…the lack of engagement that marks everyday life?

See, that’s the part I find disturbing. It says to me that our daily lives are spent in superficial non-involvement with everyone and everything we encounter. Given that the people I meet can barely tear themselves away from their phone screens to acknowledge my presence, much less actually engage in a conversation with me, I would agree that such seems to be the case. That makes me sad, and it pisses me off.

We skate along through life like the puck in an air hockey game, gliding above everything, assiduously avoiding any contact, either  physical or emotional. Anything beyond a carefully-timed handshake is battery, and any too-personal question or comment is assault. God help you if you look someone in the eye for more than a couple seconds.

Are we that fragile? Honestly? I don’t think so.

Another buzzword that has paralleled the rise of “immersion” is “passion”. Every business book, blog, website, whatever, trots out that hoary term to describe any level of interest beyond cursory curiosity. We read of entrepreneurs who proclaim their passion for, oh, reusable diapers. Or organically-grown kale. Or car polish. Pretty much any item you can think of, SOMEbody out there has a passion for it.

My objection with that multiplicity of passions is that, just like immersive everything, it diminishes the meaning of the word. It creates an all-or-nothing world, in which emotions consist only of flattened affect or reality-show rage, with no middle ground. It also encourages trite usage of  the same words over and over, rather than encouraging development of a broader vocabulary. It’s rather like the way that “awesome” has become the all-purpose adjective for any positive experience, event, or item.

Sorry, but not everything is AWESOME. No matter what The Lego Movie says.

As I’ve mentioned before, my daughter Emily is far wiser than I. I suspect this is one of those times when she’d say, “Dad, I think this is more a YOU issue than a THEM issue.” And she would likely be correct.

I tend to obsess over meaning, and lack thereof. I like the fine shades and gradations of meaning that can be created by use of just the right word, and am dismayed by the posterized, polarizing language that dominates common speech in these times. For one who can be horribly crass and in-your-face, I do demand a certain subtlety in communication.

But the problem is mine, really, and not the problem of those immersive, passionate types who dominate our pages and airwaves with their pep-squad prose and relentless fervor.

When I was a kid, I didn’t understand how someone could be, say, a lepidopterist who devoted his life to the study of one particular family of butterflies. In the blue-collar meatpacking town in which I was born, such a person would’ve been viewed with amusement and a little concern, and likely labeled a “weirdo”…the same way that we kids viewed the male neighbor who dressed in full witch’s attire at Halloween. But: while collecting butterflies and pinning them to a board for a school project, I began to understand the appeal of the subject, the allure of order and the understanding of a big picture beyond oneself. Later on, it gave me a little more understanding of one of my high school biology teachers, a PhD who specialized in lepidoptera.

Did we still think he was weird? Yes, but that was due more to his personality than his specialty. After all, most of the kids in the class had parents who were college teachers or researchers; by then, we were well-acquainted with adults with obsessions.

Later, as a college student studying mechanical engineering, I was baffled by the EE students, whose interests seemed so much more ephemeral and theoretical than the pumps and gear-drives and camshafts I studied. I came to realize that for many EE students, as with mathematicians,  that was much of the appeal of the subject. It could be carried with them at all times, worked on and puzzled over…all in their heads.

Convenient. And indicative of a real passion, not the hysterically-hyped infomercial variety, and of a mind truly immersed in its subject.

Now—something like that, I have no problem with.

More from Issue 42

View All Articles in Issue 42

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Immersion

You’ve probably already figured this out, but I am innately distrustful of fads, buzzwords, and whatevers du jour. I never read a book while it’s on the NYT bestsellers list. If it still holds up after a couple years, maybe I’ll read it then. But not while it’s on that damn list.

One of the buzzwords I distrust is “immersive”. Yes, I’ve used it myself, describing how better audio gear makes for “a more immersive listening experience”—and it’s true, it does indeed. But at the same time: what the hell?

Going back a ways to my Memphis years, the only time I heard the term “immersive” was in reference to baptism—the dunkers versus the sprinklers. If you don’t know what that means, that’s just fine; in fact, count yourself as lucky. But just imagine a swimming pool: when you plop yourself into it, you are immersed in the water—right? Submerged, enclosed, enveloped, covered up. Immersed.

Usage of “immersive” and “immersion” these days is  mostly figurative, meaning to become deeply involved in something: that whole “immersive experience” thing. I guess that’s in contrast to…the lack of engagement that marks everyday life?

See, that’s the part I find disturbing. It says to me that our daily lives are spent in superficial non-involvement with everyone and everything we encounter. Given that the people I meet can barely tear themselves away from their phone screens to acknowledge my presence, much less actually engage in a conversation with me, I would agree that such seems to be the case. That makes me sad, and it pisses me off.

We skate along through life like the puck in an air hockey game, gliding above everything, assiduously avoiding any contact, either  physical or emotional. Anything beyond a carefully-timed handshake is battery, and any too-personal question or comment is assault. God help you if you look someone in the eye for more than a couple seconds.

Are we that fragile? Honestly? I don’t think so.

Another buzzword that has paralleled the rise of “immersion” is “passion”. Every business book, blog, website, whatever, trots out that hoary term to describe any level of interest beyond cursory curiosity. We read of entrepreneurs who proclaim their passion for, oh, reusable diapers. Or organically-grown kale. Or car polish. Pretty much any item you can think of, SOMEbody out there has a passion for it.

My objection with that multiplicity of passions is that, just like immersive everything, it diminishes the meaning of the word. It creates an all-or-nothing world, in which emotions consist only of flattened affect or reality-show rage, with no middle ground. It also encourages trite usage of  the same words over and over, rather than encouraging development of a broader vocabulary. It’s rather like the way that “awesome” has become the all-purpose adjective for any positive experience, event, or item.

Sorry, but not everything is AWESOME. No matter what The Lego Movie says.

As I’ve mentioned before, my daughter Emily is far wiser than I. I suspect this is one of those times when she’d say, “Dad, I think this is more a YOU issue than a THEM issue.” And she would likely be correct.

I tend to obsess over meaning, and lack thereof. I like the fine shades and gradations of meaning that can be created by use of just the right word, and am dismayed by the posterized, polarizing language that dominates common speech in these times. For one who can be horribly crass and in-your-face, I do demand a certain subtlety in communication.

But the problem is mine, really, and not the problem of those immersive, passionate types who dominate our pages and airwaves with their pep-squad prose and relentless fervor.

When I was a kid, I didn’t understand how someone could be, say, a lepidopterist who devoted his life to the study of one particular family of butterflies. In the blue-collar meatpacking town in which I was born, such a person would’ve been viewed with amusement and a little concern, and likely labeled a “weirdo”…the same way that we kids viewed the male neighbor who dressed in full witch’s attire at Halloween. But: while collecting butterflies and pinning them to a board for a school project, I began to understand the appeal of the subject, the allure of order and the understanding of a big picture beyond oneself. Later on, it gave me a little more understanding of one of my high school biology teachers, a PhD who specialized in lepidoptera.

Did we still think he was weird? Yes, but that was due more to his personality than his specialty. After all, most of the kids in the class had parents who were college teachers or researchers; by then, we were well-acquainted with adults with obsessions.

Later, as a college student studying mechanical engineering, I was baffled by the EE students, whose interests seemed so much more ephemeral and theoretical than the pumps and gear-drives and camshafts I studied. I came to realize that for many EE students, as with mathematicians,  that was much of the appeal of the subject. It could be carried with them at all times, worked on and puzzled over…all in their heads.

Convenient. And indicative of a real passion, not the hysterically-hyped infomercial variety, and of a mind truly immersed in its subject.

Now—something like that, I have no problem with.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: