COPPER

A PS Audio Publication

Issue 85 • Free Online Magazine

Issue 85 THE AUDIO CYNIC

Consolidation

Is there such a thing as economy of scale? If you put 10 similar companies together, can you succeed by offering, as a friend suggested, the VW variations? Audi, Skoda, VW, all mostly the same, but with different features and levels of luxury, at differing levels of profitability and filling slightly different market niches?

The whole idea of packing disparate companies together with vague hopes of “synergy” started back in the ’50s with a Dallas electrical contractor named Jimmy Ling. Ling put together a bunch of unrelated companies with the idea that as long as the profits exceeded the considerable debt required to assemble the conglomerate, everything was hunky-dory. At one point Ling’s Ling-Temco-Vought group included audio company Altec along with everything from aerospace contractors to meatpackers.

It worked for a while. Stock analysis in that period was not terribly sophisticated, but eventually the debt caught up with the group, Ling was out, and it all went to hell. Truth to be told, we’ve seen similar borderline-scam groups appear dozens of times since then—anyone remember Beatrice Foods?

The allure of a fast buck never gets old.

The opposite extreme is putting together a bunch of very similar companies, with the idea that suppliers can be shared along with distribution channels, and profit margins will be mo better. We’re seeing a lot of that in audio right now.

I don’t buy it.

Let’s say you buy up 5 previously independent companies that make very similar A/V receivers. How many different outlets do you think there are for such things? If each company had a presence in Best Buy/Magnolia, will the profitability and market share improve by having only one person to deal with the Minnesota folks, rather than five?

You might eliminate a few salaries, but any cross-competitive advantages vanish, and Big Blue has you by the short and curlies. Does this make sense? Is this worth accumulating hundreds of millions in debt—or more?

I am admittedly the child of Depression survivors, old-fashioned when it comes to notions of profitability and corporate structures, and I can’t read pre-IPO S-1 reports from companies like Sonos, Lyft, and Uber without wondering if I’ve landed in an alternate universe in which debt is the sole arbiter of success.

Hey, business is tough, and the audio business is particularly tough. I just don’t see how owning a whole bunch of very similar audio companies improves one’s chance of success. Beyond that, will those companies retain whatever individuality they have? I strongly doubt it. It’s like GM, once Chevy-Buick-Olds-Pontiac-Cadillac all had the same 350 Chevy engine. Where’s the beef?

I could very well be wrong. My dear old dad used to say, “if you’re so smart, how come you’re not rich?”

I guess it’s a valid question. Coming soon: Leebsy, with no physical assets and a very likely possibility of never turning a profit. All I need to do now is figure out how to rope in a couple billion in venture capital.

I’ll let you know how it goes.

More from Issue 85

View All Articles in Issue 85

Search Copper Magazine

#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

Consolidation

Is there such a thing as economy of scale? If you put 10 similar companies together, can you succeed by offering, as a friend suggested, the VW variations? Audi, Skoda, VW, all mostly the same, but with different features and levels of luxury, at differing levels of profitability and filling slightly different market niches?

The whole idea of packing disparate companies together with vague hopes of “synergy” started back in the ’50s with a Dallas electrical contractor named Jimmy Ling. Ling put together a bunch of unrelated companies with the idea that as long as the profits exceeded the considerable debt required to assemble the conglomerate, everything was hunky-dory. At one point Ling’s Ling-Temco-Vought group included audio company Altec along with everything from aerospace contractors to meatpackers.

It worked for a while. Stock analysis in that period was not terribly sophisticated, but eventually the debt caught up with the group, Ling was out, and it all went to hell. Truth to be told, we’ve seen similar borderline-scam groups appear dozens of times since then—anyone remember Beatrice Foods?

The allure of a fast buck never gets old.

The opposite extreme is putting together a bunch of very similar companies, with the idea that suppliers can be shared along with distribution channels, and profit margins will be mo better. We’re seeing a lot of that in audio right now.

I don’t buy it.

Let’s say you buy up 5 previously independent companies that make very similar A/V receivers. How many different outlets do you think there are for such things? If each company had a presence in Best Buy/Magnolia, will the profitability and market share improve by having only one person to deal with the Minnesota folks, rather than five?

You might eliminate a few salaries, but any cross-competitive advantages vanish, and Big Blue has you by the short and curlies. Does this make sense? Is this worth accumulating hundreds of millions in debt—or more?

I am admittedly the child of Depression survivors, old-fashioned when it comes to notions of profitability and corporate structures, and I can’t read pre-IPO S-1 reports from companies like Sonos, Lyft, and Uber without wondering if I’ve landed in an alternate universe in which debt is the sole arbiter of success.

Hey, business is tough, and the audio business is particularly tough. I just don’t see how owning a whole bunch of very similar audio companies improves one’s chance of success. Beyond that, will those companies retain whatever individuality they have? I strongly doubt it. It’s like GM, once Chevy-Buick-Olds-Pontiac-Cadillac all had the same 350 Chevy engine. Where’s the beef?

I could very well be wrong. My dear old dad used to say, “if you’re so smart, how come you’re not rich?”

I guess it’s a valid question. Coming soon: Leebsy, with no physical assets and a very likely possibility of never turning a profit. All I need to do now is figure out how to rope in a couple billion in venture capital.

I’ll let you know how it goes.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: