COPPER

A PS Audio Publication

Issue 75 • Free Online Magazine

Issue 75 THE AUDIO CYNIC

2018 Was Really Something

Over more decades in audio than I care to dwell upon, I’ve attended concerts and demos that assaulted not just my ears but my intellect and my emotional stability. Somehow those occasions have all-too-often involved people I like, folks I’m trying to encourage, or honest to God friends. Inevitably, the dreaded query comes:

“What did you think, Bill?”

I try to keep the friends friends, by being honest—tempered with as much gentle enthusiasm as I can muster out of my dark old soul. The other groups?

I fall back on several similar responses, which really say nothing, but allow the eager questioner to hear what they want:

The first and simplest involves nodding and looking pensive while muttering, “…interesting…interesting.” That one is the closest to being honest: I do find massive failures of artistic intent and violations of the laws of God, man, decency, and physics interesting….in the same way that I find unexpected entanglement in a massive cobweb interesting.

As long as I can breathe normally and suppress the urge to scream or panic, all is well. Easy-peasy. Next:

“Wow (shaking head)—I have never heard anything like that.”

Or its close cousin, which also involves shaking my  head—somehow that indicates sincerity. Remember Bart Simpson’s axiom, “Once you learn to fake sincerity, the rest is easy.” So:

“(Shaking head in silent reverence) now that-that was really something.”

I don’t know how it was for you—but for me, 2018 was really something. The year wasn’t as catastrophically destructive to the music world as the last few years have been, with dozens of top-tier talents dead and gone—but 2018 did take Aretha, Montserrat, and Aznavour, along with a lot of important musicians who never quite reached the one-name level of fame. Dolores O’Riordan, Roy Clark, Marty Balin, Nancy Wilson, Tony Joe White, and Hugh Masekala—all were immediately recognizable, once you’d heard them.

There are a zillion lists out there like this one from the NYT—but I’m not going to pick out notables, month by month–it’s too damned depressing. The good news is that a lot of  these folks had some serious age on them—101 for Nancy Sinatra (the wife and mom one, not her “Boots” daughter—although, HOLY CRAP, “Boots” is 78??)? 94 for Aznavour? And other than O’Riordan—God rest her troubled soul—I’m not aware of a cluster of well-known suicides, as we’ve seen in recent years. –Oh crap: Avicii. Never mind.

Outside of music, there were deaths of a number of notables who shaped the world for me and millions of others: Stan Lee. Paul Allen. Stephen Hawking. Pappy Bush. Not saying I understood, liked, or respected all of them, but they did change the world, for good or ill. And in the arts and the business world, a number of unique souls moved on.

This, combined with the chaos of the world in general (including aesthetic insults as seen in the header pic), contributed to making 2018 really something.

And yet, and yet: personally, it was a year in which I traveled once again to Munich, and to South America with my son. My daughter was married, and now, she and her husband are expecting their first child, my first grandchild. I have a loving girlfriend, work in a field with great people doing interesting and challenging things. I live in a beautiful place. And oh: I have two faithful, albeit insane, canine companions. Life is good. Really.

Maybe in 2019 I’ll have to change the name of this column. Somehow. “The Audio Softy” doesn’t have the same ring to it….

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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

2018 Was Really Something

Over more decades in audio than I care to dwell upon, I’ve attended concerts and demos that assaulted not just my ears but my intellect and my emotional stability. Somehow those occasions have all-too-often involved people I like, folks I’m trying to encourage, or honest to God friends. Inevitably, the dreaded query comes:

“What did you think, Bill?”

I try to keep the friends friends, by being honest—tempered with as much gentle enthusiasm as I can muster out of my dark old soul. The other groups?

I fall back on several similar responses, which really say nothing, but allow the eager questioner to hear what they want:

The first and simplest involves nodding and looking pensive while muttering, “…interesting…interesting.” That one is the closest to being honest: I do find massive failures of artistic intent and violations of the laws of God, man, decency, and physics interesting….in the same way that I find unexpected entanglement in a massive cobweb interesting.

As long as I can breathe normally and suppress the urge to scream or panic, all is well. Easy-peasy. Next:

“Wow (shaking head)—I have never heard anything like that.”

Or its close cousin, which also involves shaking my  head—somehow that indicates sincerity. Remember Bart Simpson’s axiom, “Once you learn to fake sincerity, the rest is easy.” So:

“(Shaking head in silent reverence) now that-that was really something.”

I don’t know how it was for you—but for me, 2018 was really something. The year wasn’t as catastrophically destructive to the music world as the last few years have been, with dozens of top-tier talents dead and gone—but 2018 did take Aretha, Montserrat, and Aznavour, along with a lot of important musicians who never quite reached the one-name level of fame. Dolores O’Riordan, Roy Clark, Marty Balin, Nancy Wilson, Tony Joe White, and Hugh Masekala—all were immediately recognizable, once you’d heard them.

There are a zillion lists out there like this one from the NYT—but I’m not going to pick out notables, month by month–it’s too damned depressing. The good news is that a lot of  these folks had some serious age on them—101 for Nancy Sinatra (the wife and mom one, not her “Boots” daughter—although, HOLY CRAP, “Boots” is 78??)? 94 for Aznavour? And other than O’Riordan—God rest her troubled soul—I’m not aware of a cluster of well-known suicides, as we’ve seen in recent years. –Oh crap: Avicii. Never mind.

Outside of music, there were deaths of a number of notables who shaped the world for me and millions of others: Stan Lee. Paul Allen. Stephen Hawking. Pappy Bush. Not saying I understood, liked, or respected all of them, but they did change the world, for good or ill. And in the arts and the business world, a number of unique souls moved on.

This, combined with the chaos of the world in general (including aesthetic insults as seen in the header pic), contributed to making 2018 really something.

And yet, and yet: personally, it was a year in which I traveled once again to Munich, and to South America with my son. My daughter was married, and now, she and her husband are expecting their first child, my first grandchild. I have a loving girlfriend, work in a field with great people doing interesting and challenging things. I live in a beautiful place. And oh: I have two faithful, albeit insane, canine companions. Life is good. Really.

Maybe in 2019 I’ll have to change the name of this column. Somehow. “The Audio Softy” doesn’t have the same ring to it….

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