| Physical | |
| Unit Weight | 30.3 lbs [13.61 kg] |
| Unit Dimensions | 14 3/4” x 17 1/2” x 4 3/8” (with feet) 375 mm x 445 mm x 112 mm (with feet) |
| Shipping Weight | 40.3 lbs [18.3 kg] |
| Shipping Dimensions | 20 1/2” x 24” x 10” 521 mm x 610 mm x 254 mm |
| Color Options | Black Silver |
| Power requirements | |
| Input Power | Auto Voltage: 120VAC or 230VAC 50 or 60Hz |
| Power Consumption | 30W |
| Digital audio inputs | |
| Inputs | I2S (2), Coax (2), XLR Balanced (2), Optical, USB |
| Sample Rates | Optical (TOSLink): PCM 16 and 24 bits at 44.1kHz, 48kHz, 88.2kHz and 96kHz S/PDIF (Coax and XLR): PCM 16 and 24 bits at 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz and 192kHz; DoP64 I2S: PCM 16 and 24 bits at 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz, 352.8kHz, and 705.6; DoP64, DoP128, DoP256, DSD64, DSD128, and DSD256 USB: PCM 16 and 24 bits at 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz, 352.8kHz, and 705.6; DoP64, DoP128, DoP256, DSD64, DSD128, and DSD256. |
| Analog Audio Output | |
| Connector | RCA single ended or balanced, XLR balanced |
| Output Level High, Maximum | 4 VRMS Balanced 2 VRMS Single Ended |
| Output Impedance | < 100Ω / 200Ω |
| Frequency Response | 20-20KHz +/- 0.25dB |
| THD+N @ 1KHz (full scale) |
<0.001% |
| Output Stage | High-speed op-amp with discrete buffers. |
| Data Handling | |
| Format | PCM or DSD |
|
PCM Input |
Up to 768KHz 32 bits |
| DSD Input | Up to DSD512 |
| DSD Output | DSD128, DSD256, DSD512 (user selectable) |
| Analog Conversion method | 64-bit FIR filter to low pass analog filter |
| I2S Digital Input | |
| Connector | HDMI |
| Format | PCM or DSD. DoP on all inputs as well as raw DSD on I2S inputs |
| USB Digital Input | |
| Connector | USB "B" Type |
| Format | PCM, DoP v1.1 (DSD over PCM), or Native DSD |
| Transfer Mode | Asynchronous |
| Streamer | |
| Connectivity |
Roon Ready |
| Network Support |
WiFi: IEEE 802.11 b/g/n/ac (2.4 & 5GHz dual band) |
PMG Signature 512 DAC
Design
Application
Overview
PureStream DSD512 engine
An inside look
Features
13 key featuresCLASS A BALANCED ANALOG OUTPUT STAGE
FULL FUNCTION DAC
FIXED OR VARIABLE DAC MODE
ANALOG VOLUME CONTROL
BALANCED XLR OUTPUT
DIGITAL LENS TECHNOLOGY
PURESTREAM DSD 8X ENGINE
SPECTRAWAVE 64-TAP SEQUENCER
HIGH-CURRENT OVERSIZED ANALOG POWER SUPPLY
SINAD EXCEEDING -100DB
NO TRANSFORMER IN OUTPUT SIGNAL PATH
QUAD RATE DSD
DSD DIRECT THROUGH I2S
Reviews
reviews
Whether I play poorly recorded music or really well recorded music, the musicality enhancement is quite real.
Read full review →But the resolution that I am now able to hear without effort is more than mind-bending. You and your team have knocked this one out of the park! I am hearing acoustic environments and timbres that I was simply not aware of.
"I was awestruck. Stability, imaging, clarity, soundstage width and depth, silence between notes, dynamic range, bass reproduction, and "musicality" were consistently outstanding. I own a very good DAC -- the ****** Designs' M21. I would say the new PS Audio PMG DAC is at least its match and perhaps even its better. Bottom line: if you are in the market for a new DAC , you must seriously consider the PS Audio PMG DAC
Maybe flabbergasted is too strong a word to describe what I heard, but I think it’ll do. There are no nuances. Everything is obvious, and better, and not in a small way. Instruments are precisely placed, not only across the soundstage but also front-to-back. I didn’t realize my DSD was smearing the size and placement and the actual sound of the sound until I heard the same pieces via the PMG. It’s as though there was always cloud of chaff, but I never noticed it until it was gone.
Vocals on the PMG 512 were clearer, more defined in space, and even more natural and human in tone and presence. Cymbals were less smeared, more refined and delicate, the soundstage was wider and dimensional. Now, despite my old man hearing, I can hear more distinct, intelligible vocals. The background singers and instruments that I previously had strained to hear. It has been very rewarding listening to the new PMG series.
I am using the PMG dac without a preamp, couldn’t do that with the MKII. The upgrade is fantastic. Go with the dac.
Maybe flabbergasted is too strong a word to describe what I heard, but I think it’ll do. There are no nuances. Everything is obvious, and better, and not in a small way. Instruments are precisely placed, not only across the soundstage but also front-to-back. I didn’t realize my DSD was smearing the size and placement and the actual sound of the sound until I heard the same pieces via the PMG.
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Specifications
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