Copper Magazine · Issue 14 · A free PS Audio publication
Issue 14 BACK TO BASICS

Why separates?

I often wonder if more people aren’t willing to get involved with great sounding audio systems because they are intimidated by all the stuff. One look at the back of even a moderate stereo setup is enough to send many running for the hills. Wires, cables, connectors, oh my!

Receivers were no doubt popular because they contained it all in a single box. A set of speaker cables, the remote control, and you’re good to go. But then, you might want to connect the TV, perhaps a turntable, Sonos connect… you see where this can lead.

When I was in my twenties things were much simpler. Everyone I knew had a stereo setup, and those setups were simple. Mine’s a good example. Turntable, Kenwood integrated, Phased Array loudspeakers, two concrete building blocks—one underneath each side of a long wooden plank that served as the shelf. A bag of pot if I was lucky, a collection of albums.

Life was simple.

Then I heard my first high-end system and everything turned upside down. Music sounded live, it had dynamics I didn’t know were possible. Drummer Chuck Ruff’s licks on Edgar Winter’s Frankenstein pushed me back in the seat like the Maxell Tape ad and I was gobsmacked, smitten for life.

But that first high-end system had far more going on than my simple Kenwood integrated and two lengths of lamp cord connecting my speakers.

The exotic separates system had multiple boxes, cables, exotic looking accouterments. Frankly, it was as bewildering as it was exciting.

A new column for Copper

Editor Bill Leebens asked me to speak to our Copper readers who might be more music oriented than technical. Readers who want good sound but haven’t yet dipped their toe in the high-end waters. A column on the basics, starting from scratch, easy to understand.

Back To Basics will not appeal to everyone. For the well informed, it might be territory eliciting a yawn. For others it may be an easy refresher in how things work and why.

Why separates?

You don’t need separates to make great sound. A well setup integrated or receiver, even an all in one loudspeaker like B&W’s great MM-1 computer monitor produce terrific sound in small doses and in the right circumstances. And there are others as well.

The term separates comes from the idea of dividing up an all in one music player into separate pieces, each with a specific purpose.

Remember the all-in-one radios of many years ago? Maybe one sat on your mother’s kitchen counter, like this old General Electric beauty.

It’s an all-in-one music system from the 1950s. What’s inside? This radio has four basic elements that make it work.

  •  A radio tuner
  •  A power amplifier
  •  A loudspeaker
  •  A clock

Together this box tells you the time, wakes you up with music if you set the alarm, entertains you while you’re doing whatever it is people do.

When General Electric put this box together their mandate to their design team wasn’t likely, “take the best five elements in the world and put them together in one box”. No, chances are good they said, “we want to sell a clock radio for $19.95. Cobble together what it takes to make a profit and meet these minimum performance standards.”

In the 1950s, when this pink kitchen radio was sold, there were already excellent standalone radio tuners, power amplifiers, loudspeakers, and clocks too. Were you to have collected each of these separate items individually, connected them together, you would have made a significantly better sounding product.

Your mother would never have placed all those bits on her kitchen counter. More likely, she would have thrown you and your collection of kit to the garage.

Separates are for the obsessed

I suppose that sounds harsh. But if you’re obsessed with food, you buy the best you can. Obsessed with furniture, watches, music, cats, books, sports… the nature of the word suggests not a negative term, but rather explains a desire for improving that which interests you.

Good sound and good music interests me. I am obsessed, and my father was as well. I suppose the apple doesn’t fall far from the tree.

I’ll never forget the look of horror on my mother’s face when my dad cut a hole in the hall coat closet and mounted a subwoofer, explaining the volume within the small enclosure and the damping provided by the coats and sweaters was perfect for reproducing bass.

It’s ok to be obsessed with something. Keeps us mentally alive.

Separates can make better sound than all-in-one systems when care is taken to collect the right combination of separate equipment. And separates don’t have to be expensive to be good.

Germany’s ELAC speakers, designed by Andrew Jones, are a great example. They are only hundreds of dollars for the pair, yet make good sound when paired with a decent integrated.

ELAC speakers

How to decide which way to go

Should you think of separates?

The easiest answer is, maybe.

My mother would have chosen the pink General Electric radio without batting an eye. My father, not so much. Their goals were different. Mom wanted convenience and a small footprint, dad wanted sonic excellence within his economic means.

Not everyone wants excellence. I cringe when I witness someone listening to music on the built in speakers on their laptop. The tiny squawks passing as music are like nails on a blackboard to me, but bliss to others.

What are you trying to achieve and how close are you getting to that goal? That’s the real question you need to ask. happy with what you have? Or pining for something better? As I mentioned, there are excellent all-in-one solutions worth trying.

But if you find yourself fatigued after an hour’s listen to music, or perhaps just uninspired, maybe it’s time to step up and take a look at the world of separates.

A trip or call to your local dealer can often be a real ear opener.

More from Issue 14

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Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

Why separates?

I often wonder if more people aren’t willing to get involved with great sounding audio systems because they are intimidated by all the stuff. One look at the back of even a moderate stereo setup is enough to send many running for the hills. Wires, cables, connectors, oh my!

Receivers were no doubt popular because they contained it all in a single box. A set of speaker cables, the remote control, and you’re good to go. But then, you might want to connect the TV, perhaps a turntable, Sonos connect… you see where this can lead.

When I was in my twenties things were much simpler. Everyone I knew had a stereo setup, and those setups were simple. Mine’s a good example. Turntable, Kenwood integrated, Phased Array loudspeakers, two concrete building blocks—one underneath each side of a long wooden plank that served as the shelf. A bag of pot if I was lucky, a collection of albums.

Life was simple.

Then I heard my first high-end system and everything turned upside down. Music sounded live, it had dynamics I didn’t know were possible. Drummer Chuck Ruff’s licks on Edgar Winter’s Frankenstein pushed me back in the seat like the Maxell Tape ad and I was gobsmacked, smitten for life.

But that first high-end system had far more going on than my simple Kenwood integrated and two lengths of lamp cord connecting my speakers.

The exotic separates system had multiple boxes, cables, exotic looking accouterments. Frankly, it was as bewildering as it was exciting.

A new column for Copper

Editor Bill Leebens asked me to speak to our Copper readers who might be more music oriented than technical. Readers who want good sound but haven’t yet dipped their toe in the high-end waters. A column on the basics, starting from scratch, easy to understand.

Back To Basics will not appeal to everyone. For the well informed, it might be territory eliciting a yawn. For others it may be an easy refresher in how things work and why.

Why separates?

You don’t need separates to make great sound. A well setup integrated or receiver, even an all in one loudspeaker like B&W’s great MM-1 computer monitor produce terrific sound in small doses and in the right circumstances. And there are others as well.

The term separates comes from the idea of dividing up an all in one music player into separate pieces, each with a specific purpose.

Remember the all-in-one radios of many years ago? Maybe one sat on your mother’s kitchen counter, like this old General Electric beauty.

It’s an all-in-one music system from the 1950s. What’s inside? This radio has four basic elements that make it work.

  •  A radio tuner
  •  A power amplifier
  •  A loudspeaker
  •  A clock

Together this box tells you the time, wakes you up with music if you set the alarm, entertains you while you’re doing whatever it is people do.

When General Electric put this box together their mandate to their design team wasn’t likely, “take the best five elements in the world and put them together in one box”. No, chances are good they said, “we want to sell a clock radio for $19.95. Cobble together what it takes to make a profit and meet these minimum performance standards.”

In the 1950s, when this pink kitchen radio was sold, there were already excellent standalone radio tuners, power amplifiers, loudspeakers, and clocks too. Were you to have collected each of these separate items individually, connected them together, you would have made a significantly better sounding product.

Your mother would never have placed all those bits on her kitchen counter. More likely, she would have thrown you and your collection of kit to the garage.

Separates are for the obsessed

I suppose that sounds harsh. But if you’re obsessed with food, you buy the best you can. Obsessed with furniture, watches, music, cats, books, sports… the nature of the word suggests not a negative term, but rather explains a desire for improving that which interests you.

Good sound and good music interests me. I am obsessed, and my father was as well. I suppose the apple doesn’t fall far from the tree.

I’ll never forget the look of horror on my mother’s face when my dad cut a hole in the hall coat closet and mounted a subwoofer, explaining the volume within the small enclosure and the damping provided by the coats and sweaters was perfect for reproducing bass.

It’s ok to be obsessed with something. Keeps us mentally alive.

Separates can make better sound than all-in-one systems when care is taken to collect the right combination of separate equipment. And separates don’t have to be expensive to be good.

Germany’s ELAC speakers, designed by Andrew Jones, are a great example. They are only hundreds of dollars for the pair, yet make good sound when paired with a decent integrated.

ELAC speakers

How to decide which way to go

Should you think of separates?

The easiest answer is, maybe.

My mother would have chosen the pink General Electric radio without batting an eye. My father, not so much. Their goals were different. Mom wanted convenience and a small footprint, dad wanted sonic excellence within his economic means.

Not everyone wants excellence. I cringe when I witness someone listening to music on the built in speakers on their laptop. The tiny squawks passing as music are like nails on a blackboard to me, but bliss to others.

What are you trying to achieve and how close are you getting to that goal? That’s the real question you need to ask. happy with what you have? Or pining for something better? As I mentioned, there are excellent all-in-one solutions worth trying.

But if you find yourself fatigued after an hour’s listen to music, or perhaps just uninspired, maybe it’s time to step up and take a look at the world of separates.

A trip or call to your local dealer can often be a real ear opener.

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