The ultimate audiophile reference setup music disc
The ultimate audiophile reference setup music disc

A perfect companion for Paul McGowan’s book, The Audiophile’s Guide, unlocking the secrets to great sound. On the Audiophile’s Reference Music disc you’ll find channel and polarity checks, depth adjustment tracks, center imaging perfection, soundstaging, tuning the bottom end, a burn-in track, and adjusting for small, medium and large groups of musicians. From subtle to fireworks, it’s all here in the one remarkable Audiophile Master. Couple this disc with Paul’s book and together you’ll upgrade your system to new sonic heights you never thought possible.

Recorded in Pure DSD on the Sonoma system, this will be your ultimate reference disc. Comes complete with a 40-page booklet, SACD playable on any CD or DVD player, and a data disc with all the master files.

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About the Artists

Whether you are a beginning or an advanced audiophile, once you follow the setup steps in The Audiophile’s Guide, The Stereo, you too will be able to get closer to the sound of live music on the right recordings. Even if you’re blessed with golden ears, the difference between live and recorded music starts to vanish when you are listening on a system that has been properly set up. Between this reference disc and Paul's book, you can make magic with only a few hours of tweaking invested on a Saturday afternoon. The specially designed burn-in track can be used every time you get a new piece of equipment. And the last three tracks on the Reference Music Disc are alone worth the price of the disc. Whether you want to challenge your system, make certain it's working properly, spend a few hours tweaking it to perfection, The Audiophile's Reference Music Disc is a must-have component.This is one direct-to-master recording you don't want to miss out on. Each music track is a sonic treasure available as a direct-to-master exclusively from Octave Records.

Track Samples

Phase Check In
Phase Check Out
Room Bass Response
Purity Test
Center Channel Adjustment
Center Channel Soundstage
Depth Check 1
Depth Check 2
Depth Check 3
Small Ensemble
Simple and Detailed
Medium Ensemble
Big Synth
Drum Solo
Burn-In Track

Octave Audiophile Masters

The Recording
Album Features
Video
Recorded over four months, The Audiophile's Reference Music laid down tracks in Octave's Boulder studio, PS Audio's main warehouse (for BIG sound), and Lyons Colorado's Animal Lane Studio. Every effort was made to maintain not only the purity of recordings, but the accuracy of miking, distance, and purpose. The three depth tracks, for example, were recorded in PS Audio's warehouse with centimeter-precision so that when you listen at the three intervals: 3 feet, 6 feet, and 9 feet, you can be certain what you are hearing is precise. Another great example is the level of care and detail exemplified in the Drum Solo. Engineer Jay Elliott went all out to get the best from this amazing drum kit. The kit consists of a Ludwig 1970 Blue Sparkle 20” kick drum, 12” rack tom, 16x16” floor tom, 14 x 6.5” Ludwig Superphonic John Bonham LM 402 snare drum, Zildjian New Beats Hi-hat 70’s era 14”, Custom Dark Crash Kerope by Zildjian Crash 18”, and a Kerope by Zildjian 22” ride. To capture this kit, Jay employed his favorite setup for close miking: a Shure Beta 52 for the kick-in and a cardioid patterned, phantom powered, large diaphragm FET Soundelux U195 by David Bock for the kick-out. The top of the snare was handled by a Hypercardioid Beyerdynamic M201 with its phase flipped while the snare’s bottom was a Telefunken M80. The rack tom was captured by a Shure SM7B Cardioid dynamic microphone and the floor tom, an Audix D4 hypercardioid dynamic microphone. To capture the ambient room response, a careful combination of AKG C24, Grados, Sony C100s, were used for the overheads, and a Coles 4038 with flipped phase was placed twelve feet behind the drum kit for space recording. Using The Audiophile's Guide Reference book and this Reference disc, it's easy to follow the step-by-step instructions to obtain near-perfect depth, imaging, tonal balance and 3 dimensional sound where your speakers disappear and the musicians seem in the room with you.
  • One pressing Austrian gold pressed dual-layer SACD
  • Pure DSD + PROMastered CD layers
  • Separate DVD data disc with all masters
  • 40-page book
  • Pure DSD mastered by Gus Skinas on the Sonoma mastering system
  • DSD64, DSDDirect Mastered 192kHz 24 bit, 96kHz 24 bit, 44.1kHz 16 bit PCM download
  • No compression in the mastering process
  • CD layer of SACD playable on any CD player
  • Mastering monitored through the PS Audio DirectStream DAC
  • All tracks hand curated on the Infinity IRSV in PS Audio's Music Room Two
  • Limited edition one-pressing physical media
  • Bundle with Paul's Book and save
"When you hear the nearly eight-minute long blues guitar epic of Jimi Hendrix’s “Hey Joe”, the opening track off Otis Taylor’s latest record Hey Joe Opus/Red Meat, you’ll get just a taste of what you’re in for. And when the strings and horns kick in, adding an element of fantasy to this south western noir tale, the whole thing will explode like a vibrant sunset. A mix of old and new songs and cover songs, Taylor’s signature jam-heavy, psychedelic aesthetic feels fresher than ever. A fever dream of otherworldly and old west vibes, Hey Joe Opus/Red Meat is spontaneous and exciting, but also clean and controlled. Everything is where it should be, but you don’t see any of it coming." "Taylor masterfully weaves this all together with some intriguing instrumentals and creates for us a complete work of musical art. I will listen to this many more times this summer; with each listen I pick up a new twist. Taylors’ fans will likely love this and well they should. It is both captivating and musically intriguing. I enjoyed this thoroughly; it ranges from traditional in sound to psychedelic (and everything in between). It is Otis Taylor at his wildest and best. Most highly recommended!"

Reviews

Read what they are saying
When you hear the nearly eight-minute long blues guitar epic of Jimi Hendrix’s “Hey Joe”, the opening track off Otis Taylor’s latest record Hey Joe Opus/Red Meat, you’ll get just a taste of what you’re in for. And when the strings and horns kick in, adding an element of fantasy to this south western noir tale, the whole thing will explode like a vibrant sunset. A mix of old and new songs and cover songs, Taylor’s signature jam-heavy, psychedelic aesthetic feels fresher than ever.
READ MORE

Spontaneous and exciting!

Glide Magazine

Taylor masterfully weaves this all together with some intriguing instrumentals and creates for us a complete work of musical art. I will listen to this many more times this summer; with each listen I pick up a new twist. Taylors’ fans will likely love this and well they should. It is both captivating and musically intriguing. I enjoyed this thoroughly; it ranges from traditional in sound to psychedelic (and everything in between). It is Otis Taylor at his wildest and best. Most highly recommended!
READ MORE

Taylor's fans will love this!

Chicago Blues Guide

Hey Joe Opus/Red Meat takes the old-school concept album a step further, offering songs that “explore the decisions that we make and how they effect us” [sic], tying together the vocal tracks with mesmerizing instrumentals. Breathing new life into the ancient garage-rock tune like nobody since Jimi Hendrix, Taylor imbues “Hey Joe” with an uneasy malevolence, his anguished vocals punctuated by guest Warren Haynes’ shimmering fretwork and Anne Harris’s eerie, howling violin.
READ MORE

Breathing new life

That devil music

There’s always been an undercurrent and theme to Taylor’s albums, and that’s no exception here on his Hey Joe Opus, featuring the song made famous by Jimi Hendrix, and written years before by Billy Roberts. To my ears, the Hey Joe Opus sounds and comes across much like Neil Young’s soundtrack to “Deadman,” where Taylor visits and revisits “Hey Joe” twice, “Sunday Morning” three times, and filters the rest of the tracks out through the emotional embroidery these two numbers create.
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Old meets new

Psychedelic Baby

Octave Records

Honoring the Music and Those Who Make It

Our mission at Octave Records™ is simple – respect musicians by paying them fairly, and respect their music by bringing it to life in the highest-quality possible.

Too often, musicians have to absorb the costs of production, leaving them little or any earnings – or even putting them in debt. And the quality of their recordings end up in last place. We at PS Audio and Octave Records are dedicated to correcting these inequities.

To support musicians, Octave™ covers 100% of all studio, mixing, mastering, production, distribution, and marketing expenses so that artists may directly share in retail sales revenues – while retaining ownership of their music.

Octave Records is dedicated to offering the highest-quality recordings in high-resolution formats including pure DSD on SACD , as well as 192kHz PCM. Located in Boulder, Colorado, Octave utilizes the world’s finest studio equipment, based around the acclaimed Sonoma™ DSD recording, mixing, and mastering system. Gus Skinas, our world-renowned mastering engineer, has hundreds of album credits and helped design the Sonoma system.


Questions?

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Mon-Fri, 8:30am-5pm MST

4865 Sterling Dr.
Boulder, CO 80301
1-800-PSAUDIO

Join the hi-fi family

Stop by for a tour:
4865 Sterling Dr.
Boulder, CO 80301

Join the hi-fi family

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