Some things in high-end audio don’t make sense—until they do. Or don't. Take burn-in. You’ve heard the arguments. Some folks insist it’s snake oil, others swear by it. Even after...
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If you're running your DAC straight into a power amplifier, and you're not using it at full volume, you're not hearing all it can do. Let’s revisit the problem we've...
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Yesterday, I told you about Chris Brunhaver's suggestion to replace the digital volume control in our new DAC, the PMG Signature 512, with an analog stepped attenuator at its output. ...
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Sometimes big things start with a throwaway line. We were deep in development on our upcoming reference DAC, the PMG Signature 512, working out the particulars every new technology demands:...
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Audio problems are like rabbits—solve one, and two more pop up. A few days ago, we were going on about balanced interconnects and why we don't need balanced speaker cables:...
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We audiophiles love to chase neutrality. We want our systems to be a perfect window into the recording, free of colorations or biases. But here’s the thing: true neutrality doesn’t...
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We all know that pulling the speakers away from the front wall improves imaging. But not everyone has the space—or the domestic negotiation skills—to do it. If your speakers must...
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It’s easy to get lost chasing specs, topologies, and cable types. Happens to the best of us, right? Balanced or single-ended. Differential or ground-referenced. Small signal, big signal. It’s enough...
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Not all power amplifiers are created equal. In yesterday's post, we touched on the idea of a balanced power amplifier, known to us engineering nerds as a bridged amplifier. Here's...
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In the last couple of posts, I've explained why a balanced small signal from source to preamp matters. A balanced signal can enjoy the benefits of CMR (common mode rejection)...
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In yesterday's post, we discussed how balanced vs. single ended signals work. But what we are going to touch on today is where size matters. Balanced is important to small...
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I've been an advocate of balanced audio connections for many, many years. Readers of my blog posts no doubt have heard me wax enthusiastically about the virtues of going with...
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How big is a grand piano? About 9 feet long and 1,000 pounds. Yet, in a great recording, it fits perfectly in a listening room. High-end audio is all about...
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Some recordings are just plain rough. We’ve all got a few—albums we love, but the sound? Compressed, edgy, flat. It shouldn’t be enjoyable on a good system. And yet… sometimes...
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We spend so much time chasing the big moments. The slam of a drum. The attack of a piano note. The crescendo of Mahler’s Fifth. But what about the quiet?...
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Direct-coupled designs—those that connect one circuit stage to the next without a capacitor—are often praised for their clarity, immediacy, and openness. And for good reason. Anytime we put a component...
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We often hear about the ubiquitous voltage regulator. It's everywhere in our circuits and we bandy about the term as if it is a known entity. And yet, unless you're...
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We talk about warmth, brightness, darkness, air, and weight. These are more than just audiophile jargon—they’re communication terms rooted in how sound feels. A cello has a dark, woody tone....
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Assembling a world-class high-end audio system is like putting together a tasty meal. Think of a dish where everything works together—sweet balancing sour, a bit of heat offsetting richness. That’s...
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We all go nose blind to our own cologne. Same thing happens with our systems. Live with a setup long enough, and even its flaws start sounding “normal.” A dip...
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