For many of us, imaging is the quality that keeps us glued to the listening chair. It’s the ability of a system to place voices and instruments in a precise,...
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As audiophiles, we spend much of our time listening for space—how wide, how deep, and how convincing a stereo image can be. One of the factors that directly affects that...
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As audiophiles, we go to extraordinary lengths to preserve the integrity of the musical signal, and one of the more subtle but fascinating areas of debate is absolute phase. On...
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Noise is the enemy of fidelity, and how we move signals from one component to another has a major effect on how much noise we let in. Most audio gear...
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Every component in an audio circuit leaves its mark, and few have been debated as much as capacitors. For decades, they were a necessary part of signal paths, blocking DC...
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In the early days of audio, clipping used to be one of the most damaging problems in audio, and it’s also one of the easiest to avoid if we understand...
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Numbers can look impressive, but they don’t always mean what we think they do. Audiophiles are often drawn to specifications because they seem like objective markers of quality. The trouble...
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A day or two ago, we were discussing power supplies, and I mentioned switched-mode devices. The high-end community has traditionally eschewed these, but over time, like digital audio, they have...
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One of the oldest debates in audio design is whether to couple signals magnetically, through transformers or inductors, or to pass them directly through wiring and capacitors. Both approaches have...
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At the heart of most amplifiers are transistors, and two of the most common types are field-effect transistors (FETs) and bipolar junction transistors (BJTs). On a schematic they may look...
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Every component in an audio system is at the mercy of its power supply. The circuits may handle the signal, but the signal itself rides on the back of the...
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Signal-to-noise ratio is one of the most misunderstood specifications in audio. It’s supposed to tell us how much louder the music is than the background noise of the system. On...
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Resolution and musicality are often set in tension, but they don’t have to be opposites. Resolution refers to how much detail a system can reveal—the ability to hear every strand...
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Here are two terms we often use when describing the performance of a system, despite the fact they have nothing to do with temperature. Warmth and coolness are two sides...
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Speed in audio isn’t about tempo, it’s about how quickly a system responds to musical events. Every note begins with a transient, the initial burst of energy that defines its...
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As we continue our delve into the linguistic treasures of Audiophile-speak, one word comes up often. Coherence. Coherence is the sense that music flows as a single, unified whole. It’s...
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Precise imaging is what allows us to point to where each sound is coming from in a stereo field. It’s more than left, right, or center—it’s about focus. Does the...
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Don't get all excited about today's post's headline. We're on a roll about Audiophile terms, not the beginnings of a steamy novel. Presence is the quality that makes performers feel...
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No, that's not the way we spell a cautionary yell that a tree is falling. Timbre is the essence of musical realism is timbre. It’s what allows us to distinguish...
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Music without dynamics is like speech without inflection, while music with dynamics is one of the more exhilarating experiences one can find. Really. Dynamics are the variations in loudness that...
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