COPPER

A PS Audio Publication

Issue 222 • Free Online Magazine

Issue 222 Featured

The Legend of the King's Shipwright

The Legend of the King's Shipwright

Once upon a time many years ago in a land far away, there lived a king in a large castle which had a great hall. Every month, the king would invite his nobles to a big ball.

As it became popular, attendance grew. That’s when the problems started. The floor of the great hall was made of wood, and when too many nobles were dancing, the arm of the royal turntable would dance also, which upset both the music and the nobles.

The king was also annoyed, so he called in the royal furniture maker. “Build me a stable table!” he demanded. So, he built a heavy table with thick legs and a marble top. But that only mitigated the problem, it didn’t stop it.

"That’s because the floor still shakes, my Lord, and the table along with it,” the furniture maker explained.

Then the king called in the royal architect. “Fix this floor!” he demanded.

"To do that, I would have to support the floor joists with posts going to the ground underneath,” he responded, “which would make it impossible to park the royal carriages there.”

The king was frustrated and called in the royal carpenter. “Build me a shelf secured to the wall,” he commanded.

The carpenter built a beautiful shelf out of polished walnut and secured it to the wall with decorative iron brackets obtained from the royal blacksmith. That seemed to do the job and the king was jubilant.

During the next royal ball in the Great Room, everyone else was jubilant too. But then a new problem appeared.

On certain passages, the cartridge would distort as if it wasn’t tracking properly. He recalled the royal carpenter and demanded, “What the hell is going on now!”

He calmly explained that with all the people filling the room, the royal disc jockey had had felt it necessary to turn up the volume. That made the walls vibrate, which transferred the vibration to the brackets and back into the turntable.

Now the king was apoplectic. “What a royal pain in the ass!” He exclaimed, and offered a 1,000 guinea reward to anyone who could solve the problem. No one responded for fear of failing and incurring the wrath of the king.

When the royal shipwright heard about it, he approached the king and stated, “Your grace, the royal sailors sleep soundly even when the sea is choppy.” The king didn’t know what to make of this, so he asked, “What are you suggesting?”

“If you suspend the turntable from the ceiling instead of the wall – like a sailor’s hammock – you’ll have the heavy roof trusses to support it instead of the wooden walls.”

“Build it!” the king ordered. The shipbuilder built a platter of 4-inch thick hardwood, the same material used for rudders, and suspended it from the ceiling using chains from the blacksmith shop and straps of elastic material the Spanish called latex, which they had brought over from the New World. Then he placed a soft damping pad between the platform and the turntable.

At the next big ball, the music didn’t distort no matter how loud the royal disc jockey turned it up or how many danced. Everyone was astonished.



If you build it, they will dance. Courtesy of Pexels.com/Oswaldo López.

 

The king was delighted, and promoted the shipwright to the position of Royal Minister of Big Balls.

And that’s the allegory of how I stopped feedback to my Thorens TD125 turntable, SME arm, and Grace F9E cartridge with a ruby stylus.

However, I wasn’t able to stop feedback from the Royal Canadian Mounted Police during big balls.

A Thorens TD 125 MKII turntable with SME 3009 arm similar to B. Jan Montana's. Courtesy of TONEAudio.

 

Header image courtesy of Pexels.com/Alhim Hossain.

More from Issue 222

View All Articles in Issue 222

Search Copper Magazine

#228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026

The Legend of the King's Shipwright

The Legend of the King's Shipwright

Once upon a time many years ago in a land far away, there lived a king in a large castle which had a great hall. Every month, the king would invite his nobles to a big ball.

As it became popular, attendance grew. That’s when the problems started. The floor of the great hall was made of wood, and when too many nobles were dancing, the arm of the royal turntable would dance also, which upset both the music and the nobles.

The king was also annoyed, so he called in the royal furniture maker. “Build me a stable table!” he demanded. So, he built a heavy table with thick legs and a marble top. But that only mitigated the problem, it didn’t stop it.

"That’s because the floor still shakes, my Lord, and the table along with it,” the furniture maker explained.

Then the king called in the royal architect. “Fix this floor!” he demanded.

"To do that, I would have to support the floor joists with posts going to the ground underneath,” he responded, “which would make it impossible to park the royal carriages there.”

The king was frustrated and called in the royal carpenter. “Build me a shelf secured to the wall,” he commanded.

The carpenter built a beautiful shelf out of polished walnut and secured it to the wall with decorative iron brackets obtained from the royal blacksmith. That seemed to do the job and the king was jubilant.

During the next royal ball in the Great Room, everyone else was jubilant too. But then a new problem appeared.

On certain passages, the cartridge would distort as if it wasn’t tracking properly. He recalled the royal carpenter and demanded, “What the hell is going on now!”

He calmly explained that with all the people filling the room, the royal disc jockey had had felt it necessary to turn up the volume. That made the walls vibrate, which transferred the vibration to the brackets and back into the turntable.

Now the king was apoplectic. “What a royal pain in the ass!” He exclaimed, and offered a 1,000 guinea reward to anyone who could solve the problem. No one responded for fear of failing and incurring the wrath of the king.

When the royal shipwright heard about it, he approached the king and stated, “Your grace, the royal sailors sleep soundly even when the sea is choppy.” The king didn’t know what to make of this, so he asked, “What are you suggesting?”

“If you suspend the turntable from the ceiling instead of the wall – like a sailor’s hammock – you’ll have the heavy roof trusses to support it instead of the wooden walls.”

“Build it!” the king ordered. The shipbuilder built a platter of 4-inch thick hardwood, the same material used for rudders, and suspended it from the ceiling using chains from the blacksmith shop and straps of elastic material the Spanish called latex, which they had brought over from the New World. Then he placed a soft damping pad between the platform and the turntable.

At the next big ball, the music didn’t distort no matter how loud the royal disc jockey turned it up or how many danced. Everyone was astonished.



If you build it, they will dance. Courtesy of Pexels.com/Oswaldo López.

 

The king was delighted, and promoted the shipwright to the position of Royal Minister of Big Balls.

And that’s the allegory of how I stopped feedback to my Thorens TD125 turntable, SME arm, and Grace F9E cartridge with a ruby stylus.

However, I wasn’t able to stop feedback from the Royal Canadian Mounted Police during big balls.

A Thorens TD 125 MKII turntable with SME 3009 arm similar to B. Jan Montana's. Courtesy of TONEAudio.

 

Header image courtesy of Pexels.com/Alhim Hossain.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: