Copper Magazine · Issue 236 · A free PS Audio publication
Issue 236 Opening Salvo

Table of Contents – Issue 236

Table of Contents – Issue 236

“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” – Plato

In this issue: Composer and record label head David Chesky has some thoughts on groove, and the present-day orchestra. Octave Records has a spellbinding new record, Goodnight Moon from guitarist and cellist duo Acoustic Eidolon. B. Jan Montana says: never ignore your inner voice. From The Listening Chair begins a new series on audio tweaks. Joe Caplan talks with composer Joseph Bertolozzi about playing the world as a musical instrument. The Vinyl Beat goes dancing with 12-inch singles from Chicago, Musique, Michael Jackson, T-Connection and more. Ray Chelstowski discovers a sensational contemporary horn band, the Huntertones.

Wayne Robins talks with a mysterious member of the art-rockers the Residents. Paul McGowan and The Audiophile’s Guide have a dictionary for the modern high-end audio age. Frank Doris has advice for bands for working out new material. The Jimi Hendrix Experience plays a rediscovered live concert. We review new music and reissues from Jane Ira Bloom, microtonal harmonica player (!) Roni Eytan, and an expanded Frank Zappa Freak Out. Harris Fogel has a photo essay from CES 2026 (better late than…well, you know). PMA Magazine discovers a stunning new classical work, Les Quatre Saisons du Québec. PS Audio receives rave reviews on its PMG Signature Series and other components. We wrap up the penultimate issue of 2026 with prophecy, the forms of things unknown, and an eyeful.

******

Contributors to This Issue:
Joe Caplan, Ray Chelstowski, David Chesky, Frank Doris, Harris Fogel, Rich Isaacs, Howard Kneller, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, Rob Schryer, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The publisher reserves the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

More from Issue 236

Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered
Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered
Frank Doris
The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove?
The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove?
David Chesky
More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out
More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out
Frank Doris
An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it
An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it
Frank Doris
Never Ignore Your Inner Voice
Never Ignore Your Inner Voice
B. Jan Montana
Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One
Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One
Joe Caplan
View All Articles in Issue 236

Search Copper Magazine

#236 Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered by Frank Doris Nov 02, 2026 #236 The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove? by David Chesky Nov 02, 2026 #236 More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out by Frank Doris Nov 02, 2026 #236 An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it by Frank Doris Nov 02, 2026 #236 Never Ignore Your Inner Voice by B. Jan Montana Nov 02, 2026 #236 Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One by Joe Caplan Nov 02, 2026 #236 Transmission: A Powerful Horn-Loaded Album from the Huntertones by Ray Chelstowski Nov 02, 2026 #236 Les Quatre Saisons du Québec: a New “Four Seasons” on Tour and on ATMA Classique by Robert Schryer Nov 02, 2026 #236 From The Audiophile's Guide: A Glossary of Terms for Today's Audio Systems, A – M by Paul McGowan Nov 02, 2026 #236 From The Listening Chair: An Introduction to Audiophile Tweaks by Howard Kneller Nov 02, 2026 #236 The Vinyl Beat Grew Two Inches Since October! by Rudy Radelic Nov 02, 2026 #236 How to Play in a Rock Band, Part 29: Figuring Out How to Play the Songs by Frank Doris Nov 02, 2026 #236 The Return of the Residents: Eskimo is On the Road by Wayne Robins Nov 02, 2026 #236 PS Audio in the News by PS Audio Staff Nov 02, 2026 #236 The People Who Make Audio Happen – Fun In Las Vegas at…CES 2026? by Harris Fogel Nov 02, 2026 #236 The Forms of Things Unknown by Frank Doris Nov 02, 2026 #236 Prophetic by Peter Xeni Nov 02, 2026 #236 Here's Looking at You, Kid by Rich Isaacs Nov 02, 2026 Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026

Table of Contents – Issue 236

Table of Contents – Issue 236

“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” – Plato

In this issue: Composer and record label head David Chesky has some thoughts on groove, and the present-day orchestra. Octave Records has a spellbinding new record, Goodnight Moon from guitarist and cellist duo Acoustic Eidolon. B. Jan Montana says: never ignore your inner voice. From The Listening Chair begins a new series on audio tweaks. Joe Caplan talks with composer Joseph Bertolozzi about playing the world as a musical instrument. The Vinyl Beat goes dancing with 12-inch singles from Chicago, Musique, Michael Jackson, T-Connection and more. Ray Chelstowski discovers a sensational contemporary horn band, the Huntertones.

Wayne Robins talks with a mysterious member of the art-rockers the Residents. Paul McGowan and The Audiophile’s Guide have a dictionary for the modern high-end audio age. Frank Doris has advice for bands for working out new material. The Jimi Hendrix Experience plays a rediscovered live concert. We review new music and reissues from Jane Ira Bloom, microtonal harmonica player (!) Roni Eytan, and an expanded Frank Zappa Freak Out. Harris Fogel has a photo essay from CES 2026 (better late than…well, you know). PMA Magazine discovers a stunning new classical work, Les Quatre Saisons du Québec. PS Audio receives rave reviews on its PMG Signature Series and other components. We wrap up the penultimate issue of 2026 with prophecy, the forms of things unknown, and an eyeful.

******

Contributors to This Issue:
Joe Caplan, Ray Chelstowski, David Chesky, Frank Doris, Harris Fogel, Rich Isaacs, Howard Kneller, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, Rob Schryer, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The publisher reserves the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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