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Table of Contents – Issue 225

Table of Contents – Issue 225

All of us at Copper wish everyone a happy, healthy and wonderful holiday season and New Year. We appreciate your readership and support very much as we share our love of music and audio.

Our colleague and Copper contributor Howard Kneller has launched a new website, The Listening Chair (www.thelisteningchair.net). The site features a wide variety of equipment reviews, news reporting, features, videos, and more. We will continue to feature Howard’s photography, and welcome The Listening Chair as a new voice in audio and home theater.

In this issue: B. Jan Montana witnesses a Christmas miracle. Octave Records’ latest release, Otis Taylor and the Electrics, offers some very powerful music from the trance blues master. We’ve got a lot of show reporting,  as we conclude our coverage of T.H.E. Show New York 2025, offer our first installment on Capital Audiofest 2025, and Harris Fogel looks at CanJam SoCal 2025. Plus, I offer my tips on attending audio shows. The Vinyl Beat enjoys a lifetime of holiday music. Ray Chelstowski talks with Little Feat keyboardist Bill Payne about why The Last Farewell Tour isn’t goodbye. Wayne Robins sees that rock and roll is here to stay.

Rich Isaacs begins a new series on under-appreciated artists, starting with British singer/songwriter and musician Martin Briley. Frank Doris has advice about avoiding burnout when playing in a rock and roll band. The latest installment of Paul McGowan’s The Audiophile’s Guide offers tips on using bass traps for optimizing room acoustics, and even building your own. Our guest article from PMA Magazine visits listening bars in Chicago. Copper Classics finds Ken Kessler attending an Audio Jumble of reel-to-reel treasures. PS Audio wins some Editors’ Choice awards. We conclude the issue with holiday music, puppy prognostication, and living color.

 

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Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Ken Kessler, Paul McGowan, B. Jan Montana, Olivier Meunier-Plante, Rudy Radelic, Wayne Robins, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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