COPPER

A PS Audio Publication

Issue 45 • Free Online Magazine

Issue 45 INDUSTRY NEWS

More Bad News for Sears and Gibson

We’ve previously written about the sad, seemingly-inevitable  decline of Sears. While it does not directly affect the audio biz, it certainly does affect the retail climate of America.

For many years, Sears was the world’s largest seller of major appliances, and the Whirlpool brand was a major part of that dominance —for over 100 years. That relationship is coming to an end, apparently due to the combination of Sears’ reduced sales volume and decreased credit-worthiness. The details can be found here and here.

Further evidence of Sears’ decline comes from the report that the company burned through $200M in loans in just the last month. Additionally, Sears Holdings just announced that 63 more Sears and Kmart stores will close after the first of the year—this on top of 332 stores closed, or soon to close, in 2017.

As it has for several years, the question remains: how long can this continue?

We’ve also previously written about Nashville-based Gibson Brands, whose mindbogglingly-broad holdings include several musical instrument companies including Gibson Guitars, and a number of companies in both pro and consumer audio, including Cerwin Vega, Stanton, a majority share of TEAC/Esoteric, and a sizable piece of Onkyo.

In August, credit-rating bureau Moody’s downgraded Gibson’s credit rating from Caa2 to Caa3 (Moody’s: “Obligations rated Caa are judged to be speculative of poor standing and are subject to very high credit risk”), based upon increased concerns that the company would be unable to make payments on notes totaling over half a billion dollars.

Memphis media recently reported that Gibson had put its 127,000 square foot factory near Beale Street up for sale. Gibson’s statement that the Memphis division  “is growing and achieving record profitability and sales levels” seems disingenuous in view of the property offering. Also this last week, Gibson’s ownership position in Onkyo was reported to have been reduced.

As in the case of Sears, it’s hard to imagine a happy ending to this story.

Gibson’s factory in Memphis, Tennessee.

More from Issue 45

View All Articles in Issue 45

Search Copper Magazine

#233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026

More Bad News for Sears and Gibson

We’ve previously written about the sad, seemingly-inevitable  decline of Sears. While it does not directly affect the audio biz, it certainly does affect the retail climate of America.

For many years, Sears was the world’s largest seller of major appliances, and the Whirlpool brand was a major part of that dominance —for over 100 years. That relationship is coming to an end, apparently due to the combination of Sears’ reduced sales volume and decreased credit-worthiness. The details can be found here and here.

Further evidence of Sears’ decline comes from the report that the company burned through $200M in loans in just the last month. Additionally, Sears Holdings just announced that 63 more Sears and Kmart stores will close after the first of the year—this on top of 332 stores closed, or soon to close, in 2017.

As it has for several years, the question remains: how long can this continue?

We’ve also previously written about Nashville-based Gibson Brands, whose mindbogglingly-broad holdings include several musical instrument companies including Gibson Guitars, and a number of companies in both pro and consumer audio, including Cerwin Vega, Stanton, a majority share of TEAC/Esoteric, and a sizable piece of Onkyo.

In August, credit-rating bureau Moody’s downgraded Gibson’s credit rating from Caa2 to Caa3 (Moody’s: “Obligations rated Caa are judged to be speculative of poor standing and are subject to very high credit risk”), based upon increased concerns that the company would be unable to make payments on notes totaling over half a billion dollars.

Memphis media recently reported that Gibson had put its 127,000 square foot factory near Beale Street up for sale. Gibson’s statement that the Memphis division  “is growing and achieving record profitability and sales levels” seems disingenuous in view of the property offering. Also this last week, Gibson’s ownership position in Onkyo was reported to have been reduced.

As in the case of Sears, it’s hard to imagine a happy ending to this story.

Gibson’s factory in Memphis, Tennessee.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: