COPPER

A PS Audio Publication

Issue 32 • Free Online Magazine

Issue 32 Opening Salvo

It’s a Big, Big World

It’s a Big, Big World

Welcome to Copper #32!  If you're a reader of fine print (and who amongst our readers is not?), you've probably noticed that the legend on our cover has morphed from "Journal of Music & Audio" to "Music, Audio & the Good Stuff".  Fear not, faithful reader: we're not abandoning our focus upon audio technology and history and in-depth looks at all kinds of music-making---we're just going to occasionally look at other fields of endeavor where artisans strive for excellence. We all know dedicated audiophiles who are equally devoted to cars, watches, pens, wine...we're going to have expert introductions to those kinds of specialist, high-end interests.

Our first piece along those lines is about CHEESE, Gromit! Our new contributor Chloe Olewitz is a widely-published freelance writer based in New York--- who also happens to be a cheesemonger. Among other things, Chloe will explain just what a cheesemonger is (and no, it's not a cheese-eating dog, like Nipper on our cover---that would be a cheeseMONGREL).  I hope you enjoy her piece, and are inspired to  branch out from your cheese-comfort zone a bit.

Our regular crew has once again produced a strong issue. Professor Schenbeck leads off with a look at musical exiles; Dan Schwartz looks at Bernie Leadon ; Richard Murison examines a different type of digital phenomenon;  Jay Jay French tells us about his other life, as a high-end audio salesman; Duncan Taylor introduces a supergroup trio that is not Cream; Anne E. Johnson introduces the extraordinary Irish indie artist Hannah McPhillimy; Woody Woodward turns his unique perspective to 'That's all, folks!"; and I write about being nice (ME??), and horn speakers.

Something Old/Something New looks at two recent releases, from Thurston Moore and Father John Misty. Don't worry, Anne E. Johnson will be back with the "old" next issue, with a survey of recordings of the music of Antonio Caldara. Industry News has more news from Neil Young (Neil 9.0?): can you say, "streaming"? Sure ya can. In our features, we have Jim Smith back with Audiophile Therapy; Chloe Olewitz  presents that aforementioned piece on cheese; and reader-turned-writer Rudy Radelic tells us about his experiences at Axpona. As usual, we close with a reader's system In My Room, and a lovely Parting Shot.

We'll be back next issue with a number of surprises, including another interesting John Seetoo interview---this one with Chad Kassem.

Oops: so much for surprises!

Cheers, Leebs.

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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

It’s a Big, Big World

It’s a Big, Big World

Welcome to Copper #32!  If you're a reader of fine print (and who amongst our readers is not?), you've probably noticed that the legend on our cover has morphed from "Journal of Music & Audio" to "Music, Audio & the Good Stuff".  Fear not, faithful reader: we're not abandoning our focus upon audio technology and history and in-depth looks at all kinds of music-making---we're just going to occasionally look at other fields of endeavor where artisans strive for excellence. We all know dedicated audiophiles who are equally devoted to cars, watches, pens, wine...we're going to have expert introductions to those kinds of specialist, high-end interests.

Our first piece along those lines is about CHEESE, Gromit! Our new contributor Chloe Olewitz is a widely-published freelance writer based in New York--- who also happens to be a cheesemonger. Among other things, Chloe will explain just what a cheesemonger is (and no, it's not a cheese-eating dog, like Nipper on our cover---that would be a cheeseMONGREL).  I hope you enjoy her piece, and are inspired to  branch out from your cheese-comfort zone a bit.

Our regular crew has once again produced a strong issue. Professor Schenbeck leads off with a look at musical exiles; Dan Schwartz looks at Bernie Leadon ; Richard Murison examines a different type of digital phenomenon;  Jay Jay French tells us about his other life, as a high-end audio salesman; Duncan Taylor introduces a supergroup trio that is not Cream; Anne E. Johnson introduces the extraordinary Irish indie artist Hannah McPhillimy; Woody Woodward turns his unique perspective to 'That's all, folks!"; and I write about being nice (ME??), and horn speakers.

Something Old/Something New looks at two recent releases, from Thurston Moore and Father John Misty. Don't worry, Anne E. Johnson will be back with the "old" next issue, with a survey of recordings of the music of Antonio Caldara. Industry News has more news from Neil Young (Neil 9.0?): can you say, "streaming"? Sure ya can. In our features, we have Jim Smith back with Audiophile Therapy; Chloe Olewitz  presents that aforementioned piece on cheese; and reader-turned-writer Rudy Radelic tells us about his experiences at Axpona. As usual, we close with a reader's system In My Room, and a lovely Parting Shot.

We'll be back next issue with a number of surprises, including another interesting John Seetoo interview---this one with Chad Kassem.

Oops: so much for surprises!

Cheers, Leebs.

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