COPPER

A PS Audio Publication

Issue 172 • Free Online Magazine

Issue 172 Octave Pitch

An Octave Records Trifecta: Augustus, Thom LaFond and Clandestine Amigo Now Available On Vinyl

An Octave Records Trifecta: Augustus, Thom LaFond and Clandestine Amigo Now Available On Vinyl

Vinyl fans, take note: Octave Records has added three titles to its growing roster of LP releases: Ragtime World by melodic rockers Augustus, The Moon Leans In by singer/songwriter Tom LaFond, and Things Worth Remembering from pop/rock band Clandestine Amigo. All are available in limited, numbered editions on Octave Records’ premium 180-gram vinyl.

All of the LPs are pressed on 180-gram virgin vinyl using the highest-quality Neotech vinyl compound, NiPro Optics electroplating, and GrooveCoated stampers from Gotta Groove Records. State-of-the-art temperature control is maintained during the manufacturing process using a closed-loop heating system. Each record is scrupulously hand-inspected and listening tests are conducted to ensure the ultimate in pressing quality. All of the LPs are cut from the original Octave Records Pure DSD high-resolution masters.

Ragtime World offers Augustus’ distinctive blend of melodic indie, alt-rock, post-rock and other not-quite-categorizable music. Their core two-guitars-bass-drums-vocals sound is spiced with a variety of electric and acoustic guitars and amps, lap steel guitar, mandolin and even a Mellotron. Featuring Colin Kelly (guitars, keyboards, vocals) and Jim Herlihy (guitars, mandolin, Mellotron) with John Demitro (bass, lap steel, percussion) and Forrest Raup (drums and percussion), Ragtime World offers an ear-catching and thoughtful variety of songs and moods, from the rockers “Carry All the Weight,” “Past Life” and “Leave the Lights On” to the spare, fingerpicked acoustic guitar of the title track and the ethereal “Daisies.”

 

Augustus, Ragtime World.

Augustus, Ragtime World.

 

As Colin Kelly noted, “Recording Ragtime World was eye-opening in terms of getting such a high quality of sound in capturing the music. A big part of our sound is working out guitar textures that are distinctive yet complement each other, and that really carried over into the sessions.”

Thom LaFond’s The Moon Leans In features a broad range of moods and styles, from stripped-down acoustic instrument-based songs to upbeat cuts, and even some early jazz and swing influences. Thom goes for a vocal-centered, conversational style, with Thom on electric guitar, vocals, synthesizer, piano and acoustic guitar, accompanied by Enion Pelta (6-string violin, backing vocals), Chris Duffy (5-string electric bass), Forrest Kelley (drums), Zea Stallings (backing vocals) and Katie Mintle (backing vocals). “To the Moon” and “So Busy in the Wild” showcase Thom and an acoustic swing quartet playing live in the studio, including Michelle Pietrafitta (drums), Octave’s Jeremy Mohney (alto sax), and John Heiland (acoustic bass).

 

Thom LaFond, The Moon Leans In, album cover.

Thom LaFond, The Moon Leans In.

 

“When I play acoustic guitar, I get more intricate with the arrangements, and when I’m on piano I tend to lean more towards a swing kind of improvised jamming feel,” said Thom. “Most record labels insist that you reign in your music to one ‘brand.’ Octave wasn’t interested in that, and encouraged us to experiment.” When asked how he came up with the album’s title, Thom noted, “On some nights, when the moon is close, it seems like it’s kind of coming in to listen. I like to play music for people, but sometimes I just like being alone, and playing music for the moon is something that feels good to me.”

Things Worth Remembering is the second album by pop/rock band Clandestine Amigo. The album finds singer/songwriter/pianist Jessica Carson, singer Giselle Collazo and the band stretching their musical and lyrical boundaries with the addition of vocalist Katie Mintle and an expanded ensemble sound. Carson notes, “when I’m writing, I usually start out with a feeling and try to find chords, music and lyrics that match that feeling. And people’s feelings and experiences are complex.”

Vocalist Katie Mintle adds a smooth, sultry element to Clandestine Amigo. “Her lead vocals really fit what the songs are trying to say,” said Carson. Mintle is featured on three tracks, “I Wish,” “Things Worth Remembering” and “Let It Be.” In addition to the core band of Jessica, Giselle, Michael Wooten (drums) and Kyle Donovan (acoustic and electric guitar), the record features guest appearances from Gabriel Mervine (trumpet), Bradley Morse (upright and electric bass), Tom Amend (organ, flute), Jonathan Sadler (vibraphone), Eben Grace (pedal steel) and Jay Elliott (tambourine).

 

Clandestine Amigo, Things Worth Remembering, album cover.

Clandestine Amigo, Things Worth Remembering.

 

Jessica recorded her piano parts on a Yamaha 7-1/2-foot concert grand piano. The album has a warm yet detailed, spacious, yet inviting sound that artfully combines her compelling songwriting with stunning audio quality.

All three albums are also available on gold SACD with a DSDDirect-mastered CD layer, and in a choice of download formats up to high-resolution 24-bit/352.8 kHz and DSD256.

 

Header image: Thom LaFond.

More from Issue 172

View All Articles in Issue 172

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

An Octave Records Trifecta: Augustus, Thom LaFond and Clandestine Amigo Now Available On Vinyl

An Octave Records Trifecta: Augustus, Thom LaFond and Clandestine Amigo Now Available On Vinyl

Vinyl fans, take note: Octave Records has added three titles to its growing roster of LP releases: Ragtime World by melodic rockers Augustus, The Moon Leans In by singer/songwriter Tom LaFond, and Things Worth Remembering from pop/rock band Clandestine Amigo. All are available in limited, numbered editions on Octave Records’ premium 180-gram vinyl.

All of the LPs are pressed on 180-gram virgin vinyl using the highest-quality Neotech vinyl compound, NiPro Optics electroplating, and GrooveCoated stampers from Gotta Groove Records. State-of-the-art temperature control is maintained during the manufacturing process using a closed-loop heating system. Each record is scrupulously hand-inspected and listening tests are conducted to ensure the ultimate in pressing quality. All of the LPs are cut from the original Octave Records Pure DSD high-resolution masters.

Ragtime World offers Augustus’ distinctive blend of melodic indie, alt-rock, post-rock and other not-quite-categorizable music. Their core two-guitars-bass-drums-vocals sound is spiced with a variety of electric and acoustic guitars and amps, lap steel guitar, mandolin and even a Mellotron. Featuring Colin Kelly (guitars, keyboards, vocals) and Jim Herlihy (guitars, mandolin, Mellotron) with John Demitro (bass, lap steel, percussion) and Forrest Raup (drums and percussion), Ragtime World offers an ear-catching and thoughtful variety of songs and moods, from the rockers “Carry All the Weight,” “Past Life” and “Leave the Lights On” to the spare, fingerpicked acoustic guitar of the title track and the ethereal “Daisies.”

 

Augustus, Ragtime World.

Augustus, Ragtime World.

 

As Colin Kelly noted, “Recording Ragtime World was eye-opening in terms of getting such a high quality of sound in capturing the music. A big part of our sound is working out guitar textures that are distinctive yet complement each other, and that really carried over into the sessions.”

Thom LaFond’s The Moon Leans In features a broad range of moods and styles, from stripped-down acoustic instrument-based songs to upbeat cuts, and even some early jazz and swing influences. Thom goes for a vocal-centered, conversational style, with Thom on electric guitar, vocals, synthesizer, piano and acoustic guitar, accompanied by Enion Pelta (6-string violin, backing vocals), Chris Duffy (5-string electric bass), Forrest Kelley (drums), Zea Stallings (backing vocals) and Katie Mintle (backing vocals). “To the Moon” and “So Busy in the Wild” showcase Thom and an acoustic swing quartet playing live in the studio, including Michelle Pietrafitta (drums), Octave’s Jeremy Mohney (alto sax), and John Heiland (acoustic bass).

 

Thom LaFond, The Moon Leans In, album cover.

Thom LaFond, The Moon Leans In.

 

“When I play acoustic guitar, I get more intricate with the arrangements, and when I’m on piano I tend to lean more towards a swing kind of improvised jamming feel,” said Thom. “Most record labels insist that you reign in your music to one ‘brand.’ Octave wasn’t interested in that, and encouraged us to experiment.” When asked how he came up with the album’s title, Thom noted, “On some nights, when the moon is close, it seems like it’s kind of coming in to listen. I like to play music for people, but sometimes I just like being alone, and playing music for the moon is something that feels good to me.”

Things Worth Remembering is the second album by pop/rock band Clandestine Amigo. The album finds singer/songwriter/pianist Jessica Carson, singer Giselle Collazo and the band stretching their musical and lyrical boundaries with the addition of vocalist Katie Mintle and an expanded ensemble sound. Carson notes, “when I’m writing, I usually start out with a feeling and try to find chords, music and lyrics that match that feeling. And people’s feelings and experiences are complex.”

Vocalist Katie Mintle adds a smooth, sultry element to Clandestine Amigo. “Her lead vocals really fit what the songs are trying to say,” said Carson. Mintle is featured on three tracks, “I Wish,” “Things Worth Remembering” and “Let It Be.” In addition to the core band of Jessica, Giselle, Michael Wooten (drums) and Kyle Donovan (acoustic and electric guitar), the record features guest appearances from Gabriel Mervine (trumpet), Bradley Morse (upright and electric bass), Tom Amend (organ, flute), Jonathan Sadler (vibraphone), Eben Grace (pedal steel) and Jay Elliott (tambourine).

 

Clandestine Amigo, Things Worth Remembering, album cover.

Clandestine Amigo, Things Worth Remembering.

 

Jessica recorded her piano parts on a Yamaha 7-1/2-foot concert grand piano. The album has a warm yet detailed, spacious, yet inviting sound that artfully combines her compelling songwriting with stunning audio quality.

All three albums are also available on gold SACD with a DSDDirect-mastered CD layer, and in a choice of download formats up to high-resolution 24-bit/352.8 kHz and DSD256.

 

Header image: Thom LaFond.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: