Hey Joe Opus/Red Meat is Otis Taylor’s 14th album, originally released as a CD (and vinyl) on his Trance Blues Festival label and now for the first time available in pure full high-def DSD direct from the master recording. Joined by Warren Haynes, Ron Miles, Langhorne Slim, violinist Anne Harris, among others, Otis has created a psychedelic suite of 10 continuous songs threaded with urging motifs, dynamic textures, and hypnotic passages interplaying with Otis’ signature lyrics and vocal style. Recorded exclusively on the Sonoma DSD Multitrack recording system and remastered by Gus Skinas for this limited direct-to-master SACD release, this single-pressing includes a hybrid stereo SACD with DSD Pure as well as a DSDDirect Mastered CD layer, playable in any CD transport. Tracks 11-20 on the SACD layer are an exclusive vinyl needle drop to DSD from the original 45 RPM DMM (Direct Metal Master) release from in-akustik GmbH. Only 1,300 SACDs will be released for collectors. Get yours before they’re gone. Ships worldwide.
| Hey Joe (A) | |
| Sunday Morning (A) | |
| The Heart is a Muscle | |
| Red Meat | |
| Peggy Lee | |
| They Wore Blue | |
| Hey Joe (B) | |
| Sunday Morning (B) | |
| Cold at Midnight | |
| Sunday Morning (C) |
Otis Taylor was born in Chicago in 1948 and was raised in Denver’s historic Five Points neighborhood. His father worked as a Pullman porter. Both parents were jazz fans. As a teenager, Taylor drew musical inspiration from the Denver Folklore Center, where he first heard blues artists like Muddy Waters and John Lee Hooker. There he learned to play banjo, guitar, and harmonica and then formed a band called the Butterscotch Fire Department and later the Otis Taylor Blues Band. Taylor moved to Boulder when the 1960s counterculture movement was going strong. After a 20-year hiatus from performing to work at selling art and antiques, Taylor returned to music in 1995 and immediately began to garner attention as a unique voice in the blues genre. Press coverage in Rolling Stone, The New Yorker, NPR, CNN and other media validated him as an important songwriter and producer. He earned a fellowship to the Sundance Composers Laboratory in 2001 and followed up in 2002 with a Blues Music Award for Best New Artist Debut. Taylor helped raise awareness of the African roots of the banjo with his collaborative 2008 recording Recapturing the Banjo. With a total of 5 Downbeat critics awards among his many honors as well as his music featured in major motion pictures, perhaps his most rewarding recognition was being included in the inaugural exhibition at the Smithsonian National Museum of African American History and Culture in 2016. Recently he was inducted into the Colorado Music Hall of Fame. A resident of Boulder since 1967, Taylor gives back to the community with his annual Trance Blues Festival. While establishing his trademark Trance Blues style, Otis Taylor has become one of the few musicians in the world to address serious issues including racial injustice with a passionate and original voice.
Honoring the Music and Those Who Make ItOur mission at Octave Records® is simple – respect musicians by paying them fairly, and respect their music by bringing it to life in the highest-quality possible.
Too often, musicians have to absorb the costs of production, leaving them little or any earnings – or even putting them in debt. And the quality of their recordings end up in last place. We at PS Audio and Octave Records are dedicated to correcting these inequities.
To support musicians, Octave™ covers 100% of all studio, mixing, mastering, production, distribution, and marketing expenses so that artists may directly share in retail sales revenues – while retaining ownership of their music.
Octave Records is dedicated to offering the highest-quality recordings in high-resolution formats including pure DSD on SACD , as well as 192kHz PCM. Located in Boulder, Colorado, Octave utilizes the world’s finest studio equipment, based around the acclaimed Sonoma™ DSD recording, mixing, and mastering system. Gus Skinas, our world-renowned mastering engineer, has hundreds of album credits and helped design the Sonoma system.
