COPPER

A PS Audio Publication

Issue 76 • Free Online Magazine

Issue 76 TWISTED SYSTEMS

You Know It Ain’t Easy, Part 2

….unless you really wanted to meet John & Yoko.

New York City, 1979

This one really came out of left field as Doug Kleiman, the person whose story it is, is also a friend. Doug casually mentioned to me one afternoon that he and a friend snuck into The Dakota several months before Lennon was killed.

In 1979, New Yorker Doug Kleiman was 14 years old. Doug and his friend Joe snuck in to The Dakota on 72nd Street and Central Park West across from Central Park, one of the city’s most storied apartment buildings, and the home of John & Yoko. Legend has it that it was nicknamed and then formally named “The Dakota” because at the time it was built (1884) there were no apartment buildings above 42nd Street, and if you lived there you were so far away from everything that you may as well live in Dakota!

Doug and his friend were interested in meeting John because they thought that he could provide answers to the many questions that they had about life, religion, spirituality, politics, Beatles, and more…answers that their teachers, friends, and family were not really able to provide. —Or, they were more willing to hear and accept them from John Lennon!

Doug explained that they wore suits and looked like rich private school kids who should be there. They snuck past the guards at the gate and roamed the building for a couple of hours trying to figure out what apartment John & Yoko lived in.

They hit paydirt when John emerged to walk a friend to the elevator and saw them standing in the hallway.

John asked them what they were doing there and after they explained that they came to meet him, he invited them into the apartment

JJF: Was the experience what you imagined?

DK: It was beyond what I imagined. He was as cool, inspiring, poetic, and witty as the world came to know…he was also funny, kind, encouraging, and was generous with his time and advice to us.

JJF: How much time total were you with them?

DK: We were with John for about two hours, and then Yoko joined us later for another 45 minutes to an hour, or so.

JJF: Thinking back now, would you say that they had a kind of hippie like trust vibe about how you were treated?

DK: John trusted us enough to invite us into their apartment. Yoko was initially more protective and wary. Of course we were young, slight, and certainly not intimidating. Our intentions were pure, so I assume that our vibes were rather “hippie trusting” too. Looking back, the irony of what was to happen to John a little more than a year later is haunting.

JJF: Did you ask any questions, or did John surprise you with his comments?

DK: Both! We asked John a lot of questions, and he answered them thoroughly. He also asked us a lot of questions about what we were interested in, where we went to school, etc. I believe that at least part of his reason for asking these questions, was to learn more about what kids close to Julian’s age were into. We asked questions that generally required a lot of explanation, and he really took his time to answer them carefully and thoughtfully. He most certainly surprised us with words of advice, inspiration, and wisdom…he was also quite poetic at times.

We did ask questions about the Beatles…as in, would they ever get back together?

John said: “Well, never say never, but probably not”. I asked why not? He said: “Because that was then and this is now.” I told him that I had heard a reporter say that he was the only Beatle that didn’t want to get back together for a performance. He replied: “Yeah, is that what you heard? Well, that’s funny because I haven’t spoken to any reporters about it for a very long time…it’s important to know that people write a lot of rubbish to sell newspapers and magazines, and that you can’t believe everything that you read and hear.”

I asked if he would consider doing it if it was for charity. He said, “Concerts for charities are great in theory, but the problem is that they don’t always get the money to the people or causes that they’re intended for…there’s always someone taking a percentage of this and a piece of that…and by the time it’s all done, there’s barely enough money left to buy a cup a coffee.”

JJF: Did you walk away feeling that the experience brought you closer to knowing what kind of person John was?

DK: Yes, absolutely. But equally and perhaps more importantly, we learned about ourselves, too. The time we spent with him instilled us with a new self confidence. After all, if John Lennon says you’re cool, it goes a long way as an adolescent and beyond! From that point on, high school got a little easier. John and Yoko were very kind, generous, and hospitable to allow us into their home. They gave us wholesome and practical advice, too: to stay away from drugs, to follow our dreams and passions. In fact, when I told John that I was interested in becoming a photographer, John said:

“Photography is great you know…there are many different kinds of photography you can do; artistic, journalism, portraits. I have some friends that are photographers. Some photographers tend to be very compulsive…constantly taking pictures of everything. If you become a photographer, remember to put the camera down sometimes, and just look at the subject, a sunset or whatever. If you don’t put the camera down at least some of the time, then at the end of your life you will have a million pictures of everything, but you will have seen nothing.”

JJF: Lastly, did your friends believe you when you told them what happened?

DK: John and Yoko asked us not to tell many friends about our meeting because they didn’t want to encourage more people to sneak into the building. So, I only told a few select friends and family. After John was killed, I told more people. I was grieving so deeply that I felt compelled to explain why.

More from Issue 76

View All Articles in Issue 76

Search Copper Magazine

#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

You Know It Ain’t Easy, Part 2

….unless you really wanted to meet John & Yoko.

New York City, 1979

This one really came out of left field as Doug Kleiman, the person whose story it is, is also a friend. Doug casually mentioned to me one afternoon that he and a friend snuck into The Dakota several months before Lennon was killed.

In 1979, New Yorker Doug Kleiman was 14 years old. Doug and his friend Joe snuck in to The Dakota on 72nd Street and Central Park West across from Central Park, one of the city’s most storied apartment buildings, and the home of John & Yoko. Legend has it that it was nicknamed and then formally named “The Dakota” because at the time it was built (1884) there were no apartment buildings above 42nd Street, and if you lived there you were so far away from everything that you may as well live in Dakota!

Doug and his friend were interested in meeting John because they thought that he could provide answers to the many questions that they had about life, religion, spirituality, politics, Beatles, and more…answers that their teachers, friends, and family were not really able to provide. —Or, they were more willing to hear and accept them from John Lennon!

Doug explained that they wore suits and looked like rich private school kids who should be there. They snuck past the guards at the gate and roamed the building for a couple of hours trying to figure out what apartment John & Yoko lived in.

They hit paydirt when John emerged to walk a friend to the elevator and saw them standing in the hallway.

John asked them what they were doing there and after they explained that they came to meet him, he invited them into the apartment

JJF: Was the experience what you imagined?

DK: It was beyond what I imagined. He was as cool, inspiring, poetic, and witty as the world came to know…he was also funny, kind, encouraging, and was generous with his time and advice to us.

JJF: How much time total were you with them?

DK: We were with John for about two hours, and then Yoko joined us later for another 45 minutes to an hour, or so.

JJF: Thinking back now, would you say that they had a kind of hippie like trust vibe about how you were treated?

DK: John trusted us enough to invite us into their apartment. Yoko was initially more protective and wary. Of course we were young, slight, and certainly not intimidating. Our intentions were pure, so I assume that our vibes were rather “hippie trusting” too. Looking back, the irony of what was to happen to John a little more than a year later is haunting.

JJF: Did you ask any questions, or did John surprise you with his comments?

DK: Both! We asked John a lot of questions, and he answered them thoroughly. He also asked us a lot of questions about what we were interested in, where we went to school, etc. I believe that at least part of his reason for asking these questions, was to learn more about what kids close to Julian’s age were into. We asked questions that generally required a lot of explanation, and he really took his time to answer them carefully and thoughtfully. He most certainly surprised us with words of advice, inspiration, and wisdom…he was also quite poetic at times.

We did ask questions about the Beatles…as in, would they ever get back together?

John said: “Well, never say never, but probably not”. I asked why not? He said: “Because that was then and this is now.” I told him that I had heard a reporter say that he was the only Beatle that didn’t want to get back together for a performance. He replied: “Yeah, is that what you heard? Well, that’s funny because I haven’t spoken to any reporters about it for a very long time…it’s important to know that people write a lot of rubbish to sell newspapers and magazines, and that you can’t believe everything that you read and hear.”

I asked if he would consider doing it if it was for charity. He said, “Concerts for charities are great in theory, but the problem is that they don’t always get the money to the people or causes that they’re intended for…there’s always someone taking a percentage of this and a piece of that…and by the time it’s all done, there’s barely enough money left to buy a cup a coffee.”

JJF: Did you walk away feeling that the experience brought you closer to knowing what kind of person John was?

DK: Yes, absolutely. But equally and perhaps more importantly, we learned about ourselves, too. The time we spent with him instilled us with a new self confidence. After all, if John Lennon says you’re cool, it goes a long way as an adolescent and beyond! From that point on, high school got a little easier. John and Yoko were very kind, generous, and hospitable to allow us into their home. They gave us wholesome and practical advice, too: to stay away from drugs, to follow our dreams and passions. In fact, when I told John that I was interested in becoming a photographer, John said:

“Photography is great you know…there are many different kinds of photography you can do; artistic, journalism, portraits. I have some friends that are photographers. Some photographers tend to be very compulsive…constantly taking pictures of everything. If you become a photographer, remember to put the camera down sometimes, and just look at the subject, a sunset or whatever. If you don’t put the camera down at least some of the time, then at the end of your life you will have a million pictures of everything, but you will have seen nothing.”

JJF: Lastly, did your friends believe you when you told them what happened?

DK: John and Yoko asked us not to tell many friends about our meeting because they didn’t want to encourage more people to sneak into the building. So, I only told a few select friends and family. After John was killed, I told more people. I was grieving so deeply that I felt compelled to explain why.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: