COPPER

A PS Audio Publication

Issue 81 • Free Online Magazine

Issue 81 MUSIC

The Qobuz Diaries

I spent a week, since the last issue, in the hospital. (Don’t ask! I’ll tell soon enough.)

This is the second week in just over a month that I’ve had to while away the time in lockup. Just before the first “visit”, I received a 12.9-inch iPad Pro as a gift. Oh my god — it’s exactly what I thought it was when first released. It’s a TV, among many other things.

That first week, I caught up on all kinds of movies and shows, including the ever-wordy The Newsroom. (I tried to make it through the latest Avengers movie — twice!) Of course, I rarely, if ever, used the iPad’s internal speakers. I had also just bought, via MassDrop, a pair of HIFIMAN HE4XX (400) headphones. I hadn’t heard them before, but I figured they were cheep enough ($170) that if I hated them I could get rid of them.

I love them.

Open-sounding; just snug enough on my numbskull, not too heavy — kind of perfect. They provide a different presentation than any of my other ‘phones — and maybe it’s the “shock” of the new, but they’re currently my “top of the list”.

So I got a bit better, came out of the hospital — and a month later was right back in.

Oy.

But this time was different — I went in armed with Qobuz. And let me tell you, it WAS different! This time I had much of the music of the world with me.

Yeah, you could get a lot of it some other way, but not sounding like this. I have a Studio subscription, to go along with Roon and a PS DirectStream. But that’s at home.

What struck me as worth commenting on, was that hooked up to the hospital Wi-Fi, with the iPad’s internal DAC and audio, and my HIFIMAN headphones, I found myself very much enjoying music familiar and strange to me. I mean, I know this is not a strange scenario, but think about it — there I am in a hospital bed (in the ICU, even!), anchored by an IV drip, but in my grubby mitts is a device apparently connected to nothing, and in comes all kinds of music — not just of YouTube-video quality, but for real decent 16-bit 44.1k audio, playing into planar magnetic ‘phones. Maybe I’m a cheap date, but I was impressed!

I listened to a lot of ’70s Joni Mitchell, beginning with The Hissing of Summer Lawns. I listened to a lot of Glenn Gould and recent solo disks by my other favorite pianist, Keith Jarrett. I heard Qobuz’s playlist “Traditional Eastern Music”. I heard some Grateful Dead. I spent a lot of time listening to English folk: Martin Carthy, Steeleye Span, Fairport Convention, etc. Nick Drake, too.

By now, many of you know whether it would be worth it for you, but as I anticipate some future hospitalizations to come, I can’t imagine doing without it — at home, I suppose I’d live, though the very idea of real music with real audio-quality coming into my living room on a whim is it’s own kind of kick — but the idea that I can go into a hospital armed with these two seemingly simple devices, an iPad and headphones, and have access to SO MUCH MUSIC makes it all so much more palatable.

To quote one of the Four Yorkshiremen: “Luxury.”

And it really was.

More from Issue 81

View All Articles in Issue 81

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

The Qobuz Diaries

I spent a week, since the last issue, in the hospital. (Don’t ask! I’ll tell soon enough.)

This is the second week in just over a month that I’ve had to while away the time in lockup. Just before the first “visit”, I received a 12.9-inch iPad Pro as a gift. Oh my god — it’s exactly what I thought it was when first released. It’s a TV, among many other things.

That first week, I caught up on all kinds of movies and shows, including the ever-wordy The Newsroom. (I tried to make it through the latest Avengers movie — twice!) Of course, I rarely, if ever, used the iPad’s internal speakers. I had also just bought, via MassDrop, a pair of HIFIMAN HE4XX (400) headphones. I hadn’t heard them before, but I figured they were cheep enough ($170) that if I hated them I could get rid of them.

I love them.

Open-sounding; just snug enough on my numbskull, not too heavy — kind of perfect. They provide a different presentation than any of my other ‘phones — and maybe it’s the “shock” of the new, but they’re currently my “top of the list”.

So I got a bit better, came out of the hospital — and a month later was right back in.

Oy.

But this time was different — I went in armed with Qobuz. And let me tell you, it WAS different! This time I had much of the music of the world with me.

Yeah, you could get a lot of it some other way, but not sounding like this. I have a Studio subscription, to go along with Roon and a PS DirectStream. But that’s at home.

What struck me as worth commenting on, was that hooked up to the hospital Wi-Fi, with the iPad’s internal DAC and audio, and my HIFIMAN headphones, I found myself very much enjoying music familiar and strange to me. I mean, I know this is not a strange scenario, but think about it — there I am in a hospital bed (in the ICU, even!), anchored by an IV drip, but in my grubby mitts is a device apparently connected to nothing, and in comes all kinds of music — not just of YouTube-video quality, but for real decent 16-bit 44.1k audio, playing into planar magnetic ‘phones. Maybe I’m a cheap date, but I was impressed!

I listened to a lot of ’70s Joni Mitchell, beginning with The Hissing of Summer Lawns. I listened to a lot of Glenn Gould and recent solo disks by my other favorite pianist, Keith Jarrett. I heard Qobuz’s playlist “Traditional Eastern Music”. I heard some Grateful Dead. I spent a lot of time listening to English folk: Martin Carthy, Steeleye Span, Fairport Convention, etc. Nick Drake, too.

By now, many of you know whether it would be worth it for you, but as I anticipate some future hospitalizations to come, I can’t imagine doing without it — at home, I suppose I’d live, though the very idea of real music with real audio-quality coming into my living room on a whim is it’s own kind of kick — but the idea that I can go into a hospital armed with these two seemingly simple devices, an iPad and headphones, and have access to SO MUCH MUSIC makes it all so much more palatable.

To quote one of the Four Yorkshiremen: “Luxury.”

And it really was.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: