Copper Magazine · Issue 65 · A free PS Audio publication
Issue 65 MUSIC'AL NOTES

Sinai

The muezzin woke us up with the Adhan (The Muslim call to prayer). It was dawn in Jerusalem and we had spent the night in my favorite hotel, The American Colony in East Jerusalem. We rose early to join our group for the ride down to Eilat, in the south of Israel, where we would pick up our transport, a 6-wheeled command car for the journey into the Sinai desert. There were about eight couples and three guides and after brief introductions, we set off into the Sinai. This was 1979, before Israel returned the Sinai to Egypt. Sinai was a fairly safe area to explore.

Our first stop was Nuweiba, on the Red Sea. In those days it was a sleepy beachfront with minimal facilities and the most glorious beach. We camped (meaning, we laid out our sleeping bags) on the beach and watched the sun turn the mountains in Saudi Arabia ochre, crimson, and purple as it set behind us.

The next day we set off for Wadi Feiran, sometimes called “the endless wadi (dry river bed).” At about 80 miles long, it is the largest in Sinai and even though we were in an open but covered command car, it was a long and arduous drive. The temperature was around 110 degrees and the reflected sunlight was draining. We stopped for lunch at one of the few overhangs offering shade. After eating I strolled a little and on looking up saw some graffiti high up on a ridge. Horrified to see desecration in such a pristine place, I climbed up for a closer look. There were about three words, but in a language I couldn’t recognize. It wasn’t Hebrew or Latin or Arabic, so I called down to one of the guides and asked him to look at it. He started to laugh.

“It’s Syriac,” he said. “It’s the script used by the Nabataeans over two thousand years ago.”

Some fellow traveller, over two millennia before me, had left his mark.

A few miles later after setting up camp and eating supper, we heard a strange sound. It was a splash. We all ran up to see a pool of clear water with palm trees all around it. Swimming after a long hot day in the desert was a welcome and entirely unexpected delight.

At the far end of Wadi Feiran, where we had set up camp, is the Sinai’s largest oasis and is believed to be the spot where Moses struck a rock in anger and water poured out so the Hebrews could drink. During our orientation our guides encouraged us to drink large quantities of water throughout the day, for most illnesses in the desert were due to dehydration. They were not wrong; quite a few members of our group (including my wife) were taken ill the next day. After that, they all drank water like crazy. They also told us that the dryness of the desert preserves things for the longest time, so that when we went to the toilet we had to bring matches, so we could burn the toilet paper after use. If we didn’t it would litter the desert for eons to come. Matches aside, the eeriest aspect of relieving oneself was the absolute stillness and quiet of the desert. There were no birds or insects, no wind and no rustling of trees. The loudest sound was your heartbeat. I enjoyed this solitude, but many found it disconcerting.

The following morning we woke up at 3 AM for the long trek up Jebel Musa (Moses Mountain), which we know as Mount Sinai. This is the place where, according to the Old Testament, God gave Moses the 10 Commandments. It was still dark when we reached the summit but very soon the sky began to lighten. As this early morning white light washed over the rocks and slowly illuminated the landscape I felt that there certainly was something mysterious about the place. Perhaps it was the light, or maybe its significance, but as I thought of Moses spending 40 years here I began to understand how religion could have had its genesis in these hills.

We then started our descent towards the Monastery of Santa Katarina, which lies at the bottom of the mountain. Legend holds that Moses encountered the burning bush at this site. The burning bush is a type of local bramble. As no fire was erupting from it as I passed, I was unimpressed.

Entering the Monastery can be tricky, as the monks are fickle, but on this day they granted us admission. The monastery, which is over 1500 years old, has the second largest assemblage of old manuscripts in the world. Inside the church was a massive door covered in a rich dark patina. Even though it was said to be over 1000 years old, it was in beautiful condition. This is testament to the constant low humidity of the desert. We also were allowed to see the Chapel of St. Tryphon, which exhibits the skulls of deceased monks. The monastery also has a wonderful collection of icons, some of which also date back over a thousand years.

From the monastery, we headed east towards the Red Sea. At one point, the trail ended at a wall of earth about 7-8 feet high. For the first time I lost confidence in our guides as they seemed to be amazingly competent and never lost. Thinking that we may have to back up, I was startled when our driver put the vehicle in very low gear and proceeded to climb the wall. The command car had six enormous wheels and they effortlessly eased their way up the embankment and onto level ground. We were now in Dahab, a fishing village consisting of a collection of huts and lean-tos. It is famous for its coral reefs and the “blue hole”—a sinkhole over 300 feet deep. Against the vastness of the desert, the coolness and serenity of the water was a welcome break.

Before we left the desert I once again pondered on the mysteriousness and serenity of the Sinai. If I had wandered these hills for 40 years, thousands of years ago, would I have become religious? Would I have believed in a god…?

From Dahab, we headed north to Eilat, and then to the van that would take us back to Jerusalem.

Our first stop? The wonderfully clean toilets of the King David Hotel.

More from Issue 65

View All Articles in Issue 65

Search Copper Magazine

#236 Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered by Frank Doris Nov 02, 2026 #236 The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove? by David Chesky Nov 02, 2026 #236 More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out by Frank Doris Nov 02, 2026 #236 An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it by Frank Doris Nov 02, 2026 #236 Never Ignore Your Inner Voice by B. Jan Montana Nov 02, 2026 #236 Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One by Joe Caplan Nov 02, 2026 #236 Transmission: A Powerful Horn-Loaded Album from the Huntertones by Ray Chelstowski Nov 02, 2026 #236 Les Quatre Saisons du Québec: a New “Four Seasons” on Tour and on ATMA Classique by Robert Schryer Nov 02, 2026 #236 From The Audiophile's Guide: A Glossary of Terms for Today's Audio Systems, A – M by Paul McGowan Nov 02, 2026 #236 From The Listening Chair: An Introduction to Audiophile Tweaks by Howard Kneller Nov 02, 2026 #236 The Vinyl Beat Grew Two Inches Since October! by Rudy Radelic Nov 02, 2026 #236 How to Play in a Rock Band, Part 29: Figuring Out How to Play the Songs by Frank Doris Nov 02, 2026 #236 The Return of the Residents: Eskimo is On the Road by Wayne Robins Nov 02, 2026 #236 PS Audio in the News by PS Audio Staff Nov 02, 2026 #236 The People Who Make Audio Happen – Fun In Las Vegas at…CES 2026? by Harris Fogel Nov 02, 2026 #236 The Forms of Things Unknown by Frank Doris Nov 02, 2026 #236 Prophetic by Peter Xeni Nov 02, 2026 #236 Here's Looking at You, Kid by Rich Isaacs Nov 02, 2026 Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026

Sinai

The muezzin woke us up with the Adhan (The Muslim call to prayer). It was dawn in Jerusalem and we had spent the night in my favorite hotel, The American Colony in East Jerusalem. We rose early to join our group for the ride down to Eilat, in the south of Israel, where we would pick up our transport, a 6-wheeled command car for the journey into the Sinai desert. There were about eight couples and three guides and after brief introductions, we set off into the Sinai. This was 1979, before Israel returned the Sinai to Egypt. Sinai was a fairly safe area to explore.

Our first stop was Nuweiba, on the Red Sea. In those days it was a sleepy beachfront with minimal facilities and the most glorious beach. We camped (meaning, we laid out our sleeping bags) on the beach and watched the sun turn the mountains in Saudi Arabia ochre, crimson, and purple as it set behind us.

The next day we set off for Wadi Feiran, sometimes called “the endless wadi (dry river bed).” At about 80 miles long, it is the largest in Sinai and even though we were in an open but covered command car, it was a long and arduous drive. The temperature was around 110 degrees and the reflected sunlight was draining. We stopped for lunch at one of the few overhangs offering shade. After eating I strolled a little and on looking up saw some graffiti high up on a ridge. Horrified to see desecration in such a pristine place, I climbed up for a closer look. There were about three words, but in a language I couldn’t recognize. It wasn’t Hebrew or Latin or Arabic, so I called down to one of the guides and asked him to look at it. He started to laugh.

“It’s Syriac,” he said. “It’s the script used by the Nabataeans over two thousand years ago.”

Some fellow traveller, over two millennia before me, had left his mark.

A few miles later after setting up camp and eating supper, we heard a strange sound. It was a splash. We all ran up to see a pool of clear water with palm trees all around it. Swimming after a long hot day in the desert was a welcome and entirely unexpected delight.

At the far end of Wadi Feiran, where we had set up camp, is the Sinai’s largest oasis and is believed to be the spot where Moses struck a rock in anger and water poured out so the Hebrews could drink. During our orientation our guides encouraged us to drink large quantities of water throughout the day, for most illnesses in the desert were due to dehydration. They were not wrong; quite a few members of our group (including my wife) were taken ill the next day. After that, they all drank water like crazy. They also told us that the dryness of the desert preserves things for the longest time, so that when we went to the toilet we had to bring matches, so we could burn the toilet paper after use. If we didn’t it would litter the desert for eons to come. Matches aside, the eeriest aspect of relieving oneself was the absolute stillness and quiet of the desert. There were no birds or insects, no wind and no rustling of trees. The loudest sound was your heartbeat. I enjoyed this solitude, but many found it disconcerting.

The following morning we woke up at 3 AM for the long trek up Jebel Musa (Moses Mountain), which we know as Mount Sinai. This is the place where, according to the Old Testament, God gave Moses the 10 Commandments. It was still dark when we reached the summit but very soon the sky began to lighten. As this early morning white light washed over the rocks and slowly illuminated the landscape I felt that there certainly was something mysterious about the place. Perhaps it was the light, or maybe its significance, but as I thought of Moses spending 40 years here I began to understand how religion could have had its genesis in these hills.

We then started our descent towards the Monastery of Santa Katarina, which lies at the bottom of the mountain. Legend holds that Moses encountered the burning bush at this site. The burning bush is a type of local bramble. As no fire was erupting from it as I passed, I was unimpressed.

Entering the Monastery can be tricky, as the monks are fickle, but on this day they granted us admission. The monastery, which is over 1500 years old, has the second largest assemblage of old manuscripts in the world. Inside the church was a massive door covered in a rich dark patina. Even though it was said to be over 1000 years old, it was in beautiful condition. This is testament to the constant low humidity of the desert. We also were allowed to see the Chapel of St. Tryphon, which exhibits the skulls of deceased monks. The monastery also has a wonderful collection of icons, some of which also date back over a thousand years.

From the monastery, we headed east towards the Red Sea. At one point, the trail ended at a wall of earth about 7-8 feet high. For the first time I lost confidence in our guides as they seemed to be amazingly competent and never lost. Thinking that we may have to back up, I was startled when our driver put the vehicle in very low gear and proceeded to climb the wall. The command car had six enormous wheels and they effortlessly eased their way up the embankment and onto level ground. We were now in Dahab, a fishing village consisting of a collection of huts and lean-tos. It is famous for its coral reefs and the “blue hole”—a sinkhole over 300 feet deep. Against the vastness of the desert, the coolness and serenity of the water was a welcome break.

Before we left the desert I once again pondered on the mysteriousness and serenity of the Sinai. If I had wandered these hills for 40 years, thousands of years ago, would I have become religious? Would I have believed in a god…?

From Dahab, we headed north to Eilat, and then to the van that would take us back to Jerusalem.

Our first stop? The wonderfully clean toilets of the King David Hotel.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: