COPPER

A PS Audio Publication

Issue 27 • Free Online Magazine

Issue 27 THE AUDIO CYNIC

Persistence of Memory

Uncle Jim was a chemist who worked for General Mills for over forty years, developing food products (I know, I know—the organic-eating Coloradan in me shudders a bit at that idea, but let’s move on).  I recall my professorial-looking unk ranting about “the kids”—probably PhDs in their 30’s and 40’s—who came up with brilliant ideas that, surprise, surprise, he had investigated and rejected decades before. And of course, “kids” being kids, they wouldn’t believe him, wouldn’t listen to “the Old Man”, couldn’t conceive that they weren’t the first to arrive at a particular insight.

As I was in my twenties when I heard Uncle Jim’s rant, I smiled and nodded sympathetically, and tried not to smirk while I secretly sided with “the kids”.

One of the countless corollaries of Leebens’ Law of Life (“Things Change”, in case you’ve forgotten) is, “Be careful what thou smirketh at, for yea verily, it shall return to biteth thou in thine behind.” —Okay, it isn’t normally stated in Shakespeare-speak. It’s just more fun that way.

Fast forward to a white-haired Leebs: sure enough, I’m in Uncle Jim’s spot. Those damn kids just won’t listen. Again, I smile— ruefully this time, amused by the arrogance that made me think that I would never be like that.

This came home to roost at CES a couple years back, when I found myself berating a potential client for pitching their product as the FIRST self-energizing electrostatic speaker….and I of course simply had to set the record straight, listing the lineage of such things back to the ’20’s in Germany and the Koss ‘stat speakers, and…and…

Is that twenty-something giving me the same fixed, tolerant smile I wore when Uncle Jim was ranting?

OMG.

No surprise then that I didn’t pick up a client that day. I’d like to think that I learned from that event, and that I now gently point out such historical missteps with patience, and not pit bull ferocity. It’s a work in progress, like all of life.

The truth is,  audio is a field with a truly lousy sense of its own history, more interested in advancement of the latest and greatest than in introspection or preservation of its past. The history is largely preserved in the minds and memories of those who have been involved in designing or selling the gear…and when those souls pass on, those memories are lost.

The AES has some historical archives, but much of the material available from them pertains more to the history of the society itself, than to the anecdotal and technical history of audio in general. Few biographies or autobios of audio notables are available, aside from the occasional oral history like this one from audio pioneer Harry F. Olson which makes books like those from The Absolute Sound and Ken Kessler even more valuable (a real cynic would point to the triple digit prices of those books, but I understand the issues of small-scale, research-intensive publishing).

I’ve attempted to do a tiny bit to preserve the history of a few innovators in the field with my Vintage Whine columns, but there’s an awful lot more to be done. I don’t know what to say about that, other than to encourage industry veterans to record their memories while they can: audio, video, on paper. Just do it.

This will probably result in me being involved in even more projects in the future. I’m okay with that—although  I suspect that statement will likely come back to biteth me in my behind. ;->

More from Issue 27

View All Articles in Issue 27

Search Copper Magazine

#226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025

Persistence of Memory

Uncle Jim was a chemist who worked for General Mills for over forty years, developing food products (I know, I know—the organic-eating Coloradan in me shudders a bit at that idea, but let’s move on).  I recall my professorial-looking unk ranting about “the kids”—probably PhDs in their 30’s and 40’s—who came up with brilliant ideas that, surprise, surprise, he had investigated and rejected decades before. And of course, “kids” being kids, they wouldn’t believe him, wouldn’t listen to “the Old Man”, couldn’t conceive that they weren’t the first to arrive at a particular insight.

As I was in my twenties when I heard Uncle Jim’s rant, I smiled and nodded sympathetically, and tried not to smirk while I secretly sided with “the kids”.

One of the countless corollaries of Leebens’ Law of Life (“Things Change”, in case you’ve forgotten) is, “Be careful what thou smirketh at, for yea verily, it shall return to biteth thou in thine behind.” —Okay, it isn’t normally stated in Shakespeare-speak. It’s just more fun that way.

Fast forward to a white-haired Leebs: sure enough, I’m in Uncle Jim’s spot. Those damn kids just won’t listen. Again, I smile— ruefully this time, amused by the arrogance that made me think that I would never be like that.

This came home to roost at CES a couple years back, when I found myself berating a potential client for pitching their product as the FIRST self-energizing electrostatic speaker….and I of course simply had to set the record straight, listing the lineage of such things back to the ’20’s in Germany and the Koss ‘stat speakers, and…and…

Is that twenty-something giving me the same fixed, tolerant smile I wore when Uncle Jim was ranting?

OMG.

No surprise then that I didn’t pick up a client that day. I’d like to think that I learned from that event, and that I now gently point out such historical missteps with patience, and not pit bull ferocity. It’s a work in progress, like all of life.

The truth is,  audio is a field with a truly lousy sense of its own history, more interested in advancement of the latest and greatest than in introspection or preservation of its past. The history is largely preserved in the minds and memories of those who have been involved in designing or selling the gear…and when those souls pass on, those memories are lost.

The AES has some historical archives, but much of the material available from them pertains more to the history of the society itself, than to the anecdotal and technical history of audio in general. Few biographies or autobios of audio notables are available, aside from the occasional oral history like this one from audio pioneer Harry F. Olson which makes books like those from The Absolute Sound and Ken Kessler even more valuable (a real cynic would point to the triple digit prices of those books, but I understand the issues of small-scale, research-intensive publishing).

I’ve attempted to do a tiny bit to preserve the history of a few innovators in the field with my Vintage Whine columns, but there’s an awful lot more to be done. I don’t know what to say about that, other than to encourage industry veterans to record their memories while they can: audio, video, on paper. Just do it.

This will probably result in me being involved in even more projects in the future. I’m okay with that—although  I suspect that statement will likely come back to biteth me in my behind. ;->

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment: