COPPER

A PS Audio Publication

Issue 32 • Free Online Magazine

Issue 32 IN MY ROOM

A Joyful Experience

A Joyful Experience

A friend and I would walk into hi-fi stores back in the day, and hope to be left alone in the big demo rooms where we could listen to Supertramp’s Crime of the Century on all the speakers via the switching network.  We’d quickly determine the best, then turn it up.  Usually a salesman would respond quickly, trotting into the room with his right hand extended in a ‘turn it down’ twist.

My buddy had Klipsch Cornwalls.  His condo must have had perfect dimensions because, with only a little tweaking, the powerful huge amazing sound would thump your chest.  I auditioned a set of those speakers in my home and they sounded about as warm and involving as a .38 pistol shot.  I also heard them after he sold them, and in that room, the magic was also lost.

I had ESS AMT-1 towers.  NOW the air motion transformer is popular.  The towers, despite a line transmission woof, had thin bass, especially compared to the efficient Klipsches.  And they ate power.

I had ADS rear speakers and a space generator.  I had twin CROWN DC-300As and a CROWN DL-2 pre, all of which I got in trade for voicework for a TV station.  Denon TT, Shure V-15Type 5 (?)  Yes, I know the Crowns didn’t let the Cornwalls sing.

Eventually I added a pair of JBL 4311s (Studio monitors) again, traded for voiceover work.

Flash forward decades.  I had a house built with a RIVES-designed listening room.  It sounded good, but for some reason I never liked being in that room, never knew why – I think it was too dark.  But we sold the house as we divorced and my new home has a room which would serve my audio purpose…  I reused many acoustic panels and guessed where they should go.  Bass traps too.

I feel I’ve finally got a great sound… As you can see, I have mostly PS Audio gear, the BHK Signature  300 mono amps (now tube rolled to BHK’s suggested NOS tubes), A BHK Sig Pre (same rolled tubes), the DirectStream Memory Player transport, The DirectStream DAC, twin P10 Power Plants, Audience Power filter and mostly Audience power cables and interconnects.  There are 17 RPG panels, 5 Vicoustic Omega diffusers and 2 GIK membrane-based bass corner traps.  I upgraded speakers to Wilson Sasha IIs.  Interestingly, after dealer setup, there was still something not quite right.  I discovered that moving my chair forward about 3 or 4 inches snapped it all into nirvana.

Depending on what I choose to listen to,  I can enjoy the joyful experience for days after!

More from Issue 32

View All Articles in Issue 32

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

A Joyful Experience

A Joyful Experience

A friend and I would walk into hi-fi stores back in the day, and hope to be left alone in the big demo rooms where we could listen to Supertramp’s Crime of the Century on all the speakers via the switching network.  We’d quickly determine the best, then turn it up.  Usually a salesman would respond quickly, trotting into the room with his right hand extended in a ‘turn it down’ twist.

My buddy had Klipsch Cornwalls.  His condo must have had perfect dimensions because, with only a little tweaking, the powerful huge amazing sound would thump your chest.  I auditioned a set of those speakers in my home and they sounded about as warm and involving as a .38 pistol shot.  I also heard them after he sold them, and in that room, the magic was also lost.

I had ESS AMT-1 towers.  NOW the air motion transformer is popular.  The towers, despite a line transmission woof, had thin bass, especially compared to the efficient Klipsches.  And they ate power.

I had ADS rear speakers and a space generator.  I had twin CROWN DC-300As and a CROWN DL-2 pre, all of which I got in trade for voicework for a TV station.  Denon TT, Shure V-15Type 5 (?)  Yes, I know the Crowns didn’t let the Cornwalls sing.

Eventually I added a pair of JBL 4311s (Studio monitors) again, traded for voiceover work.

Flash forward decades.  I had a house built with a RIVES-designed listening room.  It sounded good, but for some reason I never liked being in that room, never knew why – I think it was too dark.  But we sold the house as we divorced and my new home has a room which would serve my audio purpose…  I reused many acoustic panels and guessed where they should go.  Bass traps too.

I feel I’ve finally got a great sound… As you can see, I have mostly PS Audio gear, the BHK Signature  300 mono amps (now tube rolled to BHK’s suggested NOS tubes), A BHK Sig Pre (same rolled tubes), the DirectStream Memory Player transport, The DirectStream DAC, twin P10 Power Plants, Audience Power filter and mostly Audience power cables and interconnects.  There are 17 RPG panels, 5 Vicoustic Omega diffusers and 2 GIK membrane-based bass corner traps.  I upgraded speakers to Wilson Sasha IIs.  Interestingly, after dealer setup, there was still something not quite right.  I discovered that moving my chair forward about 3 or 4 inches snapped it all into nirvana.

Depending on what I choose to listen to,  I can enjoy the joyful experience for days after!

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: