COPPER

A PS Audio Publication

Issue 32 • Free Online Magazine

Issue 32 THE AUDIO CYNIC

Cynically Yours

I won’t beat around the bush: putting Copper together is a lot of work. I don’t recall my exact response when the idea of the magazine was pitched to me by Ye Olde Publisher, but I’m pretty sure it included the phrase, “are you INSANE?” Or something close to it, anyway.

While there is a lot of effort involved, especially as we continue to add contributors and content, there isn’t the stark terror, the flying-without-a-net feeling of the early days. At this point there is a certain certainty in the process, a bit of a routine. For me, the biggest angst after the launch came from the addition of comments directly on the site…and I’ll tell you why.

This column took its name from my reputation as a snarky analyst of the passing parade. While I am rarely shocked by the human ability to screw up a good thing, I never try to hurt anyone, and only say things in print that I would say to a person’s face. I am aware of my dark side, and am strongly aware that pretty much everyone has a dark side.

Because of that, when I became active online nearly twenty years ago, I decided that I would always, always, always use my real name. It’s not like my name is ‘John Smith’; having been a field manager for the Census a couple of lifetimes ago, I can state with reasonable certainty that there is one and only one ‘Bill Leebens’ in the United States. (My son is also named William, but he doesn’t go by ‘Bill’.)

My point is that I have nowhere to hide. If I say something hurtful or hateful or irredeemably boneheaded, I am accountable, and I sure as hell will hear about it from somebody. Do I feel constrained by that? Yes, but in a positive way: it acts as an extension of my conscience. I assure you that I hesitate before hitting SEND. If that’s not evident, just imagine how much worse I would be without that constraint.

Which brings me to that big angst. I think I understand why monikers and noms de pixel are needed. The unfortunate part is that anonymity seems to liberate the aforementioned dark side of many 3 AM posters, who often mistake “I can” for “I should”. Two renowned social scientists have commented apropos of this: Ron White spoke of his infamous “Tater Salad” arrest, saying, “I had the right to remain silent, but I didn’t have the ability.” And I have often quoted Louis CK to friends who had to deal with comments on their sites: “As soon as you crack your knuckles and open up a comments page, you just canceled your subscription to being a good person.”

As it turns out, my fears were largely groundless; aside from an isolated crank or two, comments on Copper have been unfailingly civil, and largely complimentary and appreciative. Phew.

It could be that our audience is simply mature, and mostly devoid of social maladroits. Or it could be fear of The Wrath of Leebs. I don’t know why our commenters are well-behaved, but I’m grateful.

In the bigger picture, however, I’m dismayed by the rise of incivility in America. Blame has largely replaced sincere discussion in public forums, so I suppose it would be ironic to direct blame at something for this degeneration. If I were to blame something/anything, it would be the rise and dominance of “reality” TV. Anthropologists are aware that being watched changes behaviors, so can anyone believe that such staged programs genuinely represent “reality”? Mimicking the non-star stars of reality TV, we have become a nation of ranters and whiners, seeking to inflame at all costs with verbal Molotov cocktails. The immediacy of response on the internet only fans those flames.

In my pretentious teenage years I formulated a string of  “Leebens’ Laws”, one of which was “Leebens’ Law of Inverse Availability”. I’d noted that back when messages took a great while to deliver—say, from a sailor at sea for a year—the messages tended to be articulate, eloquent, and heartfelt. As communication became more rapid—think telegrams, TV news, and now the internet—there seemed to be less and less to say, less mulling over and more mugging for the camera. In Future Shock, Alvin Toffler indicated that our entire society suffered from PTSD, tied to the rapid rate of societal change. That was in 1970: the last half-century has not exactly seen things slow down in our world.

In our own  insular little world of audio discussion forums, the nastiest flames I’ve ever witnessed have been on digital audio boards. You’d think that the “bits is bits” set would be hyper-rational and careful in their discourse, but discussion sometimes devolves to the “I’m right, you’re wrong, I’m brilliant, you’re a scheisskopf” level of kindergarten-speak.

Maybe our mothers were right: if you can’t say something nice….

More from Issue 32

View All Articles in Issue 32

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Cynically Yours

I won’t beat around the bush: putting Copper together is a lot of work. I don’t recall my exact response when the idea of the magazine was pitched to me by Ye Olde Publisher, but I’m pretty sure it included the phrase, “are you INSANE?” Or something close to it, anyway.

While there is a lot of effort involved, especially as we continue to add contributors and content, there isn’t the stark terror, the flying-without-a-net feeling of the early days. At this point there is a certain certainty in the process, a bit of a routine. For me, the biggest angst after the launch came from the addition of comments directly on the site…and I’ll tell you why.

This column took its name from my reputation as a snarky analyst of the passing parade. While I am rarely shocked by the human ability to screw up a good thing, I never try to hurt anyone, and only say things in print that I would say to a person’s face. I am aware of my dark side, and am strongly aware that pretty much everyone has a dark side.

Because of that, when I became active online nearly twenty years ago, I decided that I would always, always, always use my real name. It’s not like my name is ‘John Smith’; having been a field manager for the Census a couple of lifetimes ago, I can state with reasonable certainty that there is one and only one ‘Bill Leebens’ in the United States. (My son is also named William, but he doesn’t go by ‘Bill’.)

My point is that I have nowhere to hide. If I say something hurtful or hateful or irredeemably boneheaded, I am accountable, and I sure as hell will hear about it from somebody. Do I feel constrained by that? Yes, but in a positive way: it acts as an extension of my conscience. I assure you that I hesitate before hitting SEND. If that’s not evident, just imagine how much worse I would be without that constraint.

Which brings me to that big angst. I think I understand why monikers and noms de pixel are needed. The unfortunate part is that anonymity seems to liberate the aforementioned dark side of many 3 AM posters, who often mistake “I can” for “I should”. Two renowned social scientists have commented apropos of this: Ron White spoke of his infamous “Tater Salad” arrest, saying, “I had the right to remain silent, but I didn’t have the ability.” And I have often quoted Louis CK to friends who had to deal with comments on their sites: “As soon as you crack your knuckles and open up a comments page, you just canceled your subscription to being a good person.”

As it turns out, my fears were largely groundless; aside from an isolated crank or two, comments on Copper have been unfailingly civil, and largely complimentary and appreciative. Phew.

It could be that our audience is simply mature, and mostly devoid of social maladroits. Or it could be fear of The Wrath of Leebs. I don’t know why our commenters are well-behaved, but I’m grateful.

In the bigger picture, however, I’m dismayed by the rise of incivility in America. Blame has largely replaced sincere discussion in public forums, so I suppose it would be ironic to direct blame at something for this degeneration. If I were to blame something/anything, it would be the rise and dominance of “reality” TV. Anthropologists are aware that being watched changes behaviors, so can anyone believe that such staged programs genuinely represent “reality”? Mimicking the non-star stars of reality TV, we have become a nation of ranters and whiners, seeking to inflame at all costs with verbal Molotov cocktails. The immediacy of response on the internet only fans those flames.

In my pretentious teenage years I formulated a string of  “Leebens’ Laws”, one of which was “Leebens’ Law of Inverse Availability”. I’d noted that back when messages took a great while to deliver—say, from a sailor at sea for a year—the messages tended to be articulate, eloquent, and heartfelt. As communication became more rapid—think telegrams, TV news, and now the internet—there seemed to be less and less to say, less mulling over and more mugging for the camera. In Future Shock, Alvin Toffler indicated that our entire society suffered from PTSD, tied to the rapid rate of societal change. That was in 1970: the last half-century has not exactly seen things slow down in our world.

In our own  insular little world of audio discussion forums, the nastiest flames I’ve ever witnessed have been on digital audio boards. You’d think that the “bits is bits” set would be hyper-rational and careful in their discourse, but discussion sometimes devolves to the “I’m right, you’re wrong, I’m brilliant, you’re a scheisskopf” level of kindergarten-speak.

Maybe our mothers were right: if you can’t say something nice….

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: