COPPER

A PS Audio Publication

Issue 65 • Free Online Magazine

Issue 65 FEATURED

Customers Behaving Badly

Customer: “There’s a violin in it.”

Sales Manager: “What did you say?”

“I just heard a beautiful piece of music on the radio. It had a violin in it. I want to buy it.”

“Do you remember the name of the radio station? Was it the classical music station? If so, we can look it up on their playlist or call the station…”

“I don’t know. There was a violin in it.”

“OK. Was it a solo violin?”

“I don’t remember.”

“Was it a violin with another instrument? Perhaps a piano?”

“I’m not sure.”

“Was it part of a small group of instruments? A violin with an orchestra?

“There was a violin in it.”

“Without more information I can’t really help you…”

“I guess you don’t have it. Thanks for checking.”

After working as the sales manager at a classical music store for 17 years I’ve met wonderful customers and had the satisfaction of helping many enthusiasts find the recordings they were looking for.

I’ve also had to deal with arrogant customers, litigious customers, and customers who think they are entitled to impose their own rules on everyone else. Like the customer who raced into the store and announced that her husband had presented her with a gift certificate to the classical music store even though she had told him she didn’t want to shop there. After finding some discs to buy she threatened to sue me personally because I wouldn’t stop what I was doing to ring up her sale (I was still helping the customer ahead of her). I explained that only one employee works in the store during each shift and I would be happy to help her in a moment. She positioned herself near the counter, phone in hand with her lawyer’s number prominently displayed, and complained in a loud voice to anyone who would listen how she was being forced to wait while I finished helping the person who preceded her.

One customer who always behaves badly asked me to look up a very esoteric recording. After searching about a half hour I located it and asked her if she wanted me to order the disc. “Oh, no, I just wanted the information. I’ll buy it on Amazon. Do you have a pen and paper?” Another time I was playing a popular disc of arias and show tunes sung by an opera singer. The same customer screamed at me from the only place in the store that doesn’t have an acoustic dead spot: “You’re crazy! That music and singer you’re playing is horrible! You should see a psychiatrist!” Of course everyone in the store turned around to look at me—the guy with such poor taste in music he was in desperate need of therapy. I now make sure to play the disc every time I see her enter the store.

Then there was the customer who grabbed a handful of CDs and took them out of the store to show her friend who was sitting at a nearby café. She didn’t ask if she could borrow the merchandise. I didn’t say anything because I was able to watch her from the counter. When she returned she replaced the CDs and grabbed some more merchandise to show her friend. At that point I intervened and explained in a friendly manner (a major accomplishment since I hadn’t been to see a psychiatrist yet) that merchandise had to stay in the store until it was paid for. Nothing personal. It was a store policy. She admitted she knew the policy, apologized for removing the discs without asking, and had her friend come into the store to look at other selections.

A week later a “letter to the editor” written by that customer appeared in a local paper. She said she would never return to a certain music store because one of the managers accused her of stealing. She neglected to mention in her letter that she had told me she was aware of our policies and was wrong not to talk with me first. Or that I trusted her when she removed discs the first time. Or how I politely explained our policies without accusing her of anything.

We have customers who gather an armful of discs, decide they don’t want any of them, and drop them anyplace. It’s hard to locate a Mozart quartet if it has been filed under Stravinsky. Kind of like finding broccoli mixed in with the breakfast cereals. Decided against a disc? Hand it to anyone who works in the store and we’ll file it for you. And there are customers who seem to enjoy the hunt more than the catch. They ask for a particular disc, start inquiring about other CDs before I’ve had a chance to show them the first disc they asked for, race around the store looking for the next title they think of, find but don’t examine it because they’re already asking if we carry yet another CD (repeat this action several times)… then exit without considering any of the discs they were so anxious to look at.

My most entertaining customers are the ones who are intimidated by classical music. They march into the store eager to buy music and stop dead in their tracks. You can see them thinking “Whoa! It’s classical music! Which circle of hell is this?” When they realize we only sell classical music they pivot and run out, horror-struck, looking as if they had just seen an alien burst out of an astronaut’s stomach.

And so it goes. Come visit us anytime. Buy a disc of show tunes and you, too, can terrorize your family and friends. Looking for something else? Just remember to tell me if it has a violin in it.

More from Issue 65

View All Articles in Issue 65

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Customers Behaving Badly

Customer: “There’s a violin in it.”

Sales Manager: “What did you say?”

“I just heard a beautiful piece of music on the radio. It had a violin in it. I want to buy it.”

“Do you remember the name of the radio station? Was it the classical music station? If so, we can look it up on their playlist or call the station…”

“I don’t know. There was a violin in it.”

“OK. Was it a solo violin?”

“I don’t remember.”

“Was it a violin with another instrument? Perhaps a piano?”

“I’m not sure.”

“Was it part of a small group of instruments? A violin with an orchestra?

“There was a violin in it.”

“Without more information I can’t really help you…”

“I guess you don’t have it. Thanks for checking.”

After working as the sales manager at a classical music store for 17 years I’ve met wonderful customers and had the satisfaction of helping many enthusiasts find the recordings they were looking for.

I’ve also had to deal with arrogant customers, litigious customers, and customers who think they are entitled to impose their own rules on everyone else. Like the customer who raced into the store and announced that her husband had presented her with a gift certificate to the classical music store even though she had told him she didn’t want to shop there. After finding some discs to buy she threatened to sue me personally because I wouldn’t stop what I was doing to ring up her sale (I was still helping the customer ahead of her). I explained that only one employee works in the store during each shift and I would be happy to help her in a moment. She positioned herself near the counter, phone in hand with her lawyer’s number prominently displayed, and complained in a loud voice to anyone who would listen how she was being forced to wait while I finished helping the person who preceded her.

One customer who always behaves badly asked me to look up a very esoteric recording. After searching about a half hour I located it and asked her if she wanted me to order the disc. “Oh, no, I just wanted the information. I’ll buy it on Amazon. Do you have a pen and paper?” Another time I was playing a popular disc of arias and show tunes sung by an opera singer. The same customer screamed at me from the only place in the store that doesn’t have an acoustic dead spot: “You’re crazy! That music and singer you’re playing is horrible! You should see a psychiatrist!” Of course everyone in the store turned around to look at me—the guy with such poor taste in music he was in desperate need of therapy. I now make sure to play the disc every time I see her enter the store.

Then there was the customer who grabbed a handful of CDs and took them out of the store to show her friend who was sitting at a nearby café. She didn’t ask if she could borrow the merchandise. I didn’t say anything because I was able to watch her from the counter. When she returned she replaced the CDs and grabbed some more merchandise to show her friend. At that point I intervened and explained in a friendly manner (a major accomplishment since I hadn’t been to see a psychiatrist yet) that merchandise had to stay in the store until it was paid for. Nothing personal. It was a store policy. She admitted she knew the policy, apologized for removing the discs without asking, and had her friend come into the store to look at other selections.

A week later a “letter to the editor” written by that customer appeared in a local paper. She said she would never return to a certain music store because one of the managers accused her of stealing. She neglected to mention in her letter that she had told me she was aware of our policies and was wrong not to talk with me first. Or that I trusted her when she removed discs the first time. Or how I politely explained our policies without accusing her of anything.

We have customers who gather an armful of discs, decide they don’t want any of them, and drop them anyplace. It’s hard to locate a Mozart quartet if it has been filed under Stravinsky. Kind of like finding broccoli mixed in with the breakfast cereals. Decided against a disc? Hand it to anyone who works in the store and we’ll file it for you. And there are customers who seem to enjoy the hunt more than the catch. They ask for a particular disc, start inquiring about other CDs before I’ve had a chance to show them the first disc they asked for, race around the store looking for the next title they think of, find but don’t examine it because they’re already asking if we carry yet another CD (repeat this action several times)… then exit without considering any of the discs they were so anxious to look at.

My most entertaining customers are the ones who are intimidated by classical music. They march into the store eager to buy music and stop dead in their tracks. You can see them thinking “Whoa! It’s classical music! Which circle of hell is this?” When they realize we only sell classical music they pivot and run out, horror-struck, looking as if they had just seen an alien burst out of an astronaut’s stomach.

And so it goes. Come visit us anytime. Buy a disc of show tunes and you, too, can terrorize your family and friends. Looking for something else? Just remember to tell me if it has a violin in it.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: