COPPER

A PS Audio Publication

Issue 43 • Free Online Magazine

Issue 43 FEATURED

Classic Album Sundays

Classic Album Sundays

The heart of Classic Album Sundays is built around a deep love for music, involving listening to entire albums on vinyl and on an amazing hi-fi. We feature vinyl for the warmth of sound, its tangibility, and the ritual of flipping the record and reading the liner notes— it makes the learning experience so much more engaging. CAS gives real music fans a chance to truly immerse themselves in one of their favorite albums and discover new sonic details they never knew existed, thanks to our audiophile treatment. Our music-fanatic CAS hosts around the world love to share their record collections and knowledge with old and new friends every month, and we’re excited to bring that experience to Denver’s Rocky Mountain Audio Fest for a second year.

Colleen Murphy created Classic Album Sundays in 2010 with the desire to make these immersive album sessions accessible to music fans who were unaware that they could hear music in such an engaging and detailed way. After BBC Breakfast and BBC Worldwide broadcasted a feature on one of her early events, she sparked a cultural phenomenon and was contacted by friends and strangers to collaborate. Since then, CAS has built homes in four continents (North America, Europe, Asia and Australia) and has taken on many different forms, including music festival appearances, exclusive artist and producer interviews, event series hosted a significant cultural institutions, and collaborations with record labels to celebrate both catalogue and new album launches. In 2017, Murphy hosted the Sumer of Love series at the Royal Albert Hall, helped close the Pink Floyd exhibit at the V&A Museum with The Orb and Pink Floyd’s Nick Mason, and launched a CAS satellite in India with Beatles engineer and David Bowie producer Ken Scott.

As a passionate music fan, I was inspired me to create a headquarters for Classic Album Sundays in Chicago. CAS founder Colleen Murphy and a handful of other CAS satellites were spinning Radiohead’s Kid A as the album of the month in October 2015. Since its one of my favorite albums, I wanted to be a part of the magic, but there wasn’t a scheduled event in my home city. Instead of remaining despondent, I realized a local Classic Album Sundays could exist— I just needed to make the effort. After talking to Colleen and her right-hand man Alan, they gave me permission to host my own listening sessions and helped arrange an audio partner. CAS Chicago opened its doors to dedicated music fans in April 2016 and has continued since.

I gravitated towards the CAS ideology for the sake of closely connecting with an album’s lyrical content and musical message. The relaxed and educational setting at our events inspires listeners to focus and make more of an effort to fully take them in. Some poets spark revolution with their words, like Nina Simone and Kendrick Lamar, while others unburden their most personal thoughts and sensitive emotions within their lyrics, like Joni Mitchell or Mark Kozelek. I find this conversation between musician and listener to be a valuable way to learn about life, which is why CAS sessions are so important to me.

Rocky Mountain Audio Fest are huge supporters of Classic Album Sundays and have put together an incredible sound system in our own room, which will present several album sessions over the course of the weekend. Last year, we brought many albums to life, including Joni Mitchell’s Blue, Radiohead’s OK Computer, Stevie Wonder’s Innervisions, and Talking Heads’ Remain In the Light. Attendees felt the immersive experience was entertaining and educational. It was also refreshing for many audiophiles who spent the day testing and comparing products for their personal systems to finally kick back and experience what its all about— enjoying music. After the playback, listeners shared their new observations and personal stories (last year, we learned some insider stories from someone who worked with Stevie Wonder), making our guests feel even more welcome.

We’re excited to return to Rocky Mountain Audio Fest to share this experience, but, this time, in our own room and with the chance to spin more records! We’re featuring eight classic albums using top-notch pressings and another wonderful hi-fi setup. We are happy to welcome back Jeff Rowland Group, who will be installing their Super Integrated Daemon amplifier, and VPI, who will be bringing their Avenger Reference turntable equipped with Audio Technica AT-ART1000 Moving Coil Cartridge. The turntable is packed with three layers of acrylic and aluminum to absorb any impact generated by YG’s Sonja loudspeakers. Nordost (based in Colleen’s small New England hometown) will connect the components with their ultra high-definition cables to ensure precise playback.

This year, I hope festival attendees feel encouraged to absorb one or many of these albums in their entirety and treat the experience like watching a movie with phones turned off and no conversation. These records were diligently composed and recorded with innovative ideas and a range of emotions and were meant to be devoured in their entirety. The musicians and authors offer the beautiful and complicated parts of our world, and we’re putting them on the most detailed stage possible to broadcast their message.

Here’s what we’ll be playing in Room 2021 during the fest. There will also be a range of seminars between each listening session that will soon be announced.

Friday, October 6th

The Beatles- Sgt Pepper’s Lonely Hearts Club Band (2:00 pm)

John Coltrane- A Love Supreme (5:30 pm)

Saturday, October 7th

Carole King- Tapestry (12:00 pm)

Jeff Buckley- Grace (3:00 pm)

Radiohead- Kid A (4:30 pm)

Sunday, October 8th

Marvin Gaye- What’s Going On (10:00 am)

Massive Attack- Mezzanine (1:30 pm)

Pink Floyd- Dark Side of the Moon (3:00 pm)

 

We hope you can join us for a new album adventure!

More from Issue 43

View All Articles in Issue 43

Search Copper Magazine

#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

Classic Album Sundays

Classic Album Sundays

The heart of Classic Album Sundays is built around a deep love for music, involving listening to entire albums on vinyl and on an amazing hi-fi. We feature vinyl for the warmth of sound, its tangibility, and the ritual of flipping the record and reading the liner notes— it makes the learning experience so much more engaging. CAS gives real music fans a chance to truly immerse themselves in one of their favorite albums and discover new sonic details they never knew existed, thanks to our audiophile treatment. Our music-fanatic CAS hosts around the world love to share their record collections and knowledge with old and new friends every month, and we’re excited to bring that experience to Denver’s Rocky Mountain Audio Fest for a second year.

Colleen Murphy created Classic Album Sundays in 2010 with the desire to make these immersive album sessions accessible to music fans who were unaware that they could hear music in such an engaging and detailed way. After BBC Breakfast and BBC Worldwide broadcasted a feature on one of her early events, she sparked a cultural phenomenon and was contacted by friends and strangers to collaborate. Since then, CAS has built homes in four continents (North America, Europe, Asia and Australia) and has taken on many different forms, including music festival appearances, exclusive artist and producer interviews, event series hosted a significant cultural institutions, and collaborations with record labels to celebrate both catalogue and new album launches. In 2017, Murphy hosted the Sumer of Love series at the Royal Albert Hall, helped close the Pink Floyd exhibit at the V&A Museum with The Orb and Pink Floyd’s Nick Mason, and launched a CAS satellite in India with Beatles engineer and David Bowie producer Ken Scott.

As a passionate music fan, I was inspired me to create a headquarters for Classic Album Sundays in Chicago. CAS founder Colleen Murphy and a handful of other CAS satellites were spinning Radiohead’s Kid A as the album of the month in October 2015. Since its one of my favorite albums, I wanted to be a part of the magic, but there wasn’t a scheduled event in my home city. Instead of remaining despondent, I realized a local Classic Album Sundays could exist— I just needed to make the effort. After talking to Colleen and her right-hand man Alan, they gave me permission to host my own listening sessions and helped arrange an audio partner. CAS Chicago opened its doors to dedicated music fans in April 2016 and has continued since.

I gravitated towards the CAS ideology for the sake of closely connecting with an album’s lyrical content and musical message. The relaxed and educational setting at our events inspires listeners to focus and make more of an effort to fully take them in. Some poets spark revolution with their words, like Nina Simone and Kendrick Lamar, while others unburden their most personal thoughts and sensitive emotions within their lyrics, like Joni Mitchell or Mark Kozelek. I find this conversation between musician and listener to be a valuable way to learn about life, which is why CAS sessions are so important to me.

Rocky Mountain Audio Fest are huge supporters of Classic Album Sundays and have put together an incredible sound system in our own room, which will present several album sessions over the course of the weekend. Last year, we brought many albums to life, including Joni Mitchell’s Blue, Radiohead’s OK Computer, Stevie Wonder’s Innervisions, and Talking Heads’ Remain In the Light. Attendees felt the immersive experience was entertaining and educational. It was also refreshing for many audiophiles who spent the day testing and comparing products for their personal systems to finally kick back and experience what its all about— enjoying music. After the playback, listeners shared their new observations and personal stories (last year, we learned some insider stories from someone who worked with Stevie Wonder), making our guests feel even more welcome.

We’re excited to return to Rocky Mountain Audio Fest to share this experience, but, this time, in our own room and with the chance to spin more records! We’re featuring eight classic albums using top-notch pressings and another wonderful hi-fi setup. We are happy to welcome back Jeff Rowland Group, who will be installing their Super Integrated Daemon amplifier, and VPI, who will be bringing their Avenger Reference turntable equipped with Audio Technica AT-ART1000 Moving Coil Cartridge. The turntable is packed with three layers of acrylic and aluminum to absorb any impact generated by YG’s Sonja loudspeakers. Nordost (based in Colleen’s small New England hometown) will connect the components with their ultra high-definition cables to ensure precise playback.

This year, I hope festival attendees feel encouraged to absorb one or many of these albums in their entirety and treat the experience like watching a movie with phones turned off and no conversation. These records were diligently composed and recorded with innovative ideas and a range of emotions and were meant to be devoured in their entirety. The musicians and authors offer the beautiful and complicated parts of our world, and we’re putting them on the most detailed stage possible to broadcast their message.

Here’s what we’ll be playing in Room 2021 during the fest. There will also be a range of seminars between each listening session that will soon be announced.

Friday, October 6th

The Beatles- Sgt Pepper’s Lonely Hearts Club Band (2:00 pm)

John Coltrane- A Love Supreme (5:30 pm)

Saturday, October 7th

Carole King- Tapestry (12:00 pm)

Jeff Buckley- Grace (3:00 pm)

Radiohead- Kid A (4:30 pm)

Sunday, October 8th

Marvin Gaye- What’s Going On (10:00 am)

Massive Attack- Mezzanine (1:30 pm)

Pink Floyd- Dark Side of the Moon (3:00 pm)

 

We hope you can join us for a new album adventure!

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: