COPPER

A PS Audio Publication

Issue 63 • Free Online Magazine

Issue 63 MUSIC

A Conversation

Well, conversation might not be the word.

I was going to write a bit about my bedroom system. But on Sunday I had an encounter so bizarre that I have to write a bit about it. Eventually, I’ll get to the bedroom set-up.

On Sunday I went late to a party for my pals’ collective birthday, born a few weeks apart and together since college: a nice event, though burdened by the oppressive heat wave we’ve been enduring in LA. At the party, I set up shop, so to speak, on the piano bench that was in the direct path of the air conditioning, and arriving late as I did, I had no competition for the Seat of Privilege. Said seat was also in the path from the kitchen to the living rom, so anybody passing was handy to say hello. No complaints.

And there he found me. I assume he didn’t know anything about me and I forgot his name instantly (I do that, though — he’s not unique in that).  But the talk we had will last in my memory for quite a while.

In the last month or so, our Glorious Leader, Paul M., wrote in his daily blog about all the hysteria his postings to YouTube seem to stir up.  “Who”, thought I (and probably you, too), “would bother?”

Well, folks, I met one.

I told him nothing about me, what I’ve done or do, and it wouldn’t have been irrelevant to a conversation about like subjects with another person. But it was here. Once he figured out that I knew a little about the subject (I was familiar with an amp he wants to sell, an old B&K), he was off. (By the way, I’m not a complete idiot — I would have avoided him at all costs had I known. But once done, it was a brief glimpse behind the curtain.)

Our conversation started innocuously enough, with the B&K, although I’m not sure why he even brought it up. I was able to praise it, which made him happy. But then it took a turn south. He got into talking about Hypex modules, and how the amp he built with them is undoubtedly one of the best amps there is or could be under $10,000. He was surprised I knew what they were, of course. I made the mistake of bringing up the PS website on my telephone and showing him the Stellar line, by way of example that I was familiar with the concept of a Class D amp — and that was it.

A tirade began, and took me a few minutes to understand he was talking about Paul McGowan, and how he was one of the people who argue with Paul on YouTube — he was quite proud of that, of his being argumentative. He informed me that Paul (and Arnie Nudell, of course) knew nothing about speaker design. His proof was the IRS V, on which one can see the heads of screws around each tweeter ribbon. (Everybody knows that wave-guides are de rigieur for a functional speaker, said he.)

So I asked if he’d ever heard a pair. And of course he hadn’t. I asked if he’d ever heard a line source — no. I asked if he’d ever heard the Dead’s mighty Wall of Sound. Oh yeah, dozens of times. Where? I asked. Turns out he didn’t see them til long after the Wall.

“So you don’t really have any experience with listening to that kind of speaker?”

He didn’t need it — his dirt cheap Genelecs were good enough. And here is where the rubber hit the road, so speak: “Anybody can get used to anything, even mp3s,” was his ultimate statement. So why were we talking? And what about?

I saw my moment — a chair had opened up in the living room next to an old college friend, and I seized the moment and that chair.

Whew.

I wouldn’t say I exactly dodged a bullet — I certainly didn’t dodge it. But having survived the experience, I got some distance and spent the rest of the time chatting with my pal about his astronomy images.

It’d be easy to say, “The guy’s an idiot.” And yeah, maybe — but how many times has one of us struggled to communicate how something sounds using only words? We rely on the most imperfect medium to communicate, and so often it falls short — or we fall short.

I have Copper as a platform, which I earned by virtue of my having had The Absolute Sound as a platform, which I earned by, I don’t know — impressing Harry and Sally? [The late Harry Pearson and Sally Reynolds, of course—not Billy Crystal and Meg Ryan—Ed.] Something like that. What I’m getting at is this: Harry and Gordon Holt developed a language — how, I don’t know. From stone knives and bearskins, I think. All of us, as writers and as listeners, are walking in their shoes. We try to learn the language and use it as best as we can to communicate with each other. It’s the wrong medium, although it’s the only one we have.

Occasionally we encounter someone like this guy at the party who didn’t speak the language and thus we didn’t have the ability to communicate — him with me, or me with him. He assumes that we all hear the same thing. I argued momentarily that this wasn’t the case, until I saw his lack of receptiveness to that idea. A couple more attempts, and I perceived it as hopeless. It seems to me that we occupy, not rarified air, but an exclusive club — one that anyone is welcome to join. They only have to be willing.

Next time, I’ll struggle with the language to describe my bedroom system….

More from Issue 63

View All Articles in Issue 63

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

A Conversation

Well, conversation might not be the word.

I was going to write a bit about my bedroom system. But on Sunday I had an encounter so bizarre that I have to write a bit about it. Eventually, I’ll get to the bedroom set-up.

On Sunday I went late to a party for my pals’ collective birthday, born a few weeks apart and together since college: a nice event, though burdened by the oppressive heat wave we’ve been enduring in LA. At the party, I set up shop, so to speak, on the piano bench that was in the direct path of the air conditioning, and arriving late as I did, I had no competition for the Seat of Privilege. Said seat was also in the path from the kitchen to the living rom, so anybody passing was handy to say hello. No complaints.

And there he found me. I assume he didn’t know anything about me and I forgot his name instantly (I do that, though — he’s not unique in that).  But the talk we had will last in my memory for quite a while.

In the last month or so, our Glorious Leader, Paul M., wrote in his daily blog about all the hysteria his postings to YouTube seem to stir up.  “Who”, thought I (and probably you, too), “would bother?”

Well, folks, I met one.

I told him nothing about me, what I’ve done or do, and it wouldn’t have been irrelevant to a conversation about like subjects with another person. But it was here. Once he figured out that I knew a little about the subject (I was familiar with an amp he wants to sell, an old B&K), he was off. (By the way, I’m not a complete idiot — I would have avoided him at all costs had I known. But once done, it was a brief glimpse behind the curtain.)

Our conversation started innocuously enough, with the B&K, although I’m not sure why he even brought it up. I was able to praise it, which made him happy. But then it took a turn south. He got into talking about Hypex modules, and how the amp he built with them is undoubtedly one of the best amps there is or could be under $10,000. He was surprised I knew what they were, of course. I made the mistake of bringing up the PS website on my telephone and showing him the Stellar line, by way of example that I was familiar with the concept of a Class D amp — and that was it.

A tirade began, and took me a few minutes to understand he was talking about Paul McGowan, and how he was one of the people who argue with Paul on YouTube — he was quite proud of that, of his being argumentative. He informed me that Paul (and Arnie Nudell, of course) knew nothing about speaker design. His proof was the IRS V, on which one can see the heads of screws around each tweeter ribbon. (Everybody knows that wave-guides are de rigieur for a functional speaker, said he.)

So I asked if he’d ever heard a pair. And of course he hadn’t. I asked if he’d ever heard a line source — no. I asked if he’d ever heard the Dead’s mighty Wall of Sound. Oh yeah, dozens of times. Where? I asked. Turns out he didn’t see them til long after the Wall.

“So you don’t really have any experience with listening to that kind of speaker?”

He didn’t need it — his dirt cheap Genelecs were good enough. And here is where the rubber hit the road, so speak: “Anybody can get used to anything, even mp3s,” was his ultimate statement. So why were we talking? And what about?

I saw my moment — a chair had opened up in the living room next to an old college friend, and I seized the moment and that chair.

Whew.

I wouldn’t say I exactly dodged a bullet — I certainly didn’t dodge it. But having survived the experience, I got some distance and spent the rest of the time chatting with my pal about his astronomy images.

It’d be easy to say, “The guy’s an idiot.” And yeah, maybe — but how many times has one of us struggled to communicate how something sounds using only words? We rely on the most imperfect medium to communicate, and so often it falls short — or we fall short.

I have Copper as a platform, which I earned by virtue of my having had The Absolute Sound as a platform, which I earned by, I don’t know — impressing Harry and Sally? [The late Harry Pearson and Sally Reynolds, of course—not Billy Crystal and Meg Ryan—Ed.] Something like that. What I’m getting at is this: Harry and Gordon Holt developed a language — how, I don’t know. From stone knives and bearskins, I think. All of us, as writers and as listeners, are walking in their shoes. We try to learn the language and use it as best as we can to communicate with each other. It’s the wrong medium, although it’s the only one we have.

Occasionally we encounter someone like this guy at the party who didn’t speak the language and thus we didn’t have the ability to communicate — him with me, or me with him. He assumes that we all hear the same thing. I argued momentarily that this wasn’t the case, until I saw his lack of receptiveness to that idea. A couple more attempts, and I perceived it as hopeless. It seems to me that we occupy, not rarified air, but an exclusive club — one that anyone is welcome to join. They only have to be willing.

Next time, I’ll struggle with the language to describe my bedroom system….

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: