COPPER

A PS Audio Publication

Issue 80 • Free Online Magazine

Issue 80 VINTAGE WHINE

Vintage, Vintage Whine

There was a time in my life, not so long ago, when I spoke to longtime writers and editors who described the experience of cranking out an article in a rush of passion and excitement, convinced they’d produced something singular—only to discover they’d written a piece on the exact same subject, a year or two before. Back then, I laughed at those people.

Now—as the saying goes—now I are one. I have to review what I’ve already written about to ensure that I don’t blindly do it again. Somewhere, someone or something is laughing at the cockiness of the young Leebs who mercilessly mocked his elders…..

Reviewing the past can be a good thing. After all, that’s the basis of this column and all history, no?

But: looking back on the companies and characters that I’ve written about over the last three years of Vintage Whine makes me a little sad, as so many of the stories deserve more research and a more-complete telling of their tales. Some companies are so fundamental to, so inextricably intertwined with, the development of audio as a whole that they really require a multi-volume magnum opus to do them justice: the early days of Bell Labs and its commercial arm Western Electric are such a story waiting to be told. I wrote about Bell/WE back in issues 2 and 3, and barely scratched the surface.

Yes, there are books out there about Bell Labs, and I’ve read a few of them. Most are like Jon Gertner’s The Idea Factory, in that they don’t cover the early years of the Lab when it was undertaking research and development in sound—-the important stuff, as far as I’m concerned. Thanks to the American History Radio website, which I’ve mentioned before, you can actually ready important papers and articles from the Bell Labs Record. For me, and for any audio history geek, this is a treasure trove and a massive time-sink.

Another story waiting to be told is that of the whole Fairchild saga. The four articles I wrote (in issues 757677, and 78) barely scratched the surface of that remarkable group of companies. Their pro audio side alone is worthy of a book.

Sticking strictly to hi-fi, Acoustic Research—AR—deserves a book all its own. Just as Fairchild did later in the semiconductor world, AR was an incubator that developed talent and was directly connected to the birth of dozens of companies, and was largely responsible for the Cambridge area once being the hotbed of loudspeaker development. It’s unfortunate that so many of the principals— Edgar Villchur, Henry Kloss, and Roy Allison amongst them— have passed on. We need to get Copper contributor Ken Kantor’s AR stories down while we still can. The coverage in Whine (issues 5, 6, and 7) just covered the high points. [FYI: the first AR piece in Copper #5 is mislabeled. Keep reading!-–Ed.]

So what companies would readers like to know more about? I’m afraid that limitations on available source material would force me to stick to US-based companies. Don’t bother with McIntosh—our friend Ken Kessler’s already written the book on that company. I’m thinking Marantz, Fisher and Dynaco deserve a closer look, as well as the many permutations of companies associated with Irving M. “Bud” Fried. Maybe even Audio Research.

What do you think?

Thanks for reading for the past three years, and for all your feedback!

More from Issue 80

View All Articles in Issue 80

Search Copper Magazine

#230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026 #229 The People Who Make Audio Happen: Supreme Acoustics Systems’ Las Vegas Grand Opening by Harris Fogel Apr 06, 2026 #229 Blue Öyster Cult: Tyranny and Expectations by Wayne Robins Apr 06, 2026 #229 Guitarist Rick Vito’s Cinematic New Album, Slidemaster by Ray Chelstowski Apr 06, 2026 #229 Measurements and Observational Listening by Paul McGowan Apr 06, 2026 #229 PS Audio in the News by PS Audio Staff Apr 06, 2026 #229 Back to My Reel-to-Reel Roots, Part 28: The Cassette Strikes Back by Ken Kessler Apr 06, 2026 #229 Are You Receiving Me? by Frank Doris Apr 06, 2026 #229 Hospitality by Peter Xeni Apr 06, 2026 #229 Cantina Gateway by James Schrimpf Apr 06, 2026 #228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026

Vintage, Vintage Whine

There was a time in my life, not so long ago, when I spoke to longtime writers and editors who described the experience of cranking out an article in a rush of passion and excitement, convinced they’d produced something singular—only to discover they’d written a piece on the exact same subject, a year or two before. Back then, I laughed at those people.

Now—as the saying goes—now I are one. I have to review what I’ve already written about to ensure that I don’t blindly do it again. Somewhere, someone or something is laughing at the cockiness of the young Leebs who mercilessly mocked his elders…..

Reviewing the past can be a good thing. After all, that’s the basis of this column and all history, no?

But: looking back on the companies and characters that I’ve written about over the last three years of Vintage Whine makes me a little sad, as so many of the stories deserve more research and a more-complete telling of their tales. Some companies are so fundamental to, so inextricably intertwined with, the development of audio as a whole that they really require a multi-volume magnum opus to do them justice: the early days of Bell Labs and its commercial arm Western Electric are such a story waiting to be told. I wrote about Bell/WE back in issues 2 and 3, and barely scratched the surface.

Yes, there are books out there about Bell Labs, and I’ve read a few of them. Most are like Jon Gertner’s The Idea Factory, in that they don’t cover the early years of the Lab when it was undertaking research and development in sound—-the important stuff, as far as I’m concerned. Thanks to the American History Radio website, which I’ve mentioned before, you can actually ready important papers and articles from the Bell Labs Record. For me, and for any audio history geek, this is a treasure trove and a massive time-sink.

Another story waiting to be told is that of the whole Fairchild saga. The four articles I wrote (in issues 757677, and 78) barely scratched the surface of that remarkable group of companies. Their pro audio side alone is worthy of a book.

Sticking strictly to hi-fi, Acoustic Research—AR—deserves a book all its own. Just as Fairchild did later in the semiconductor world, AR was an incubator that developed talent and was directly connected to the birth of dozens of companies, and was largely responsible for the Cambridge area once being the hotbed of loudspeaker development. It’s unfortunate that so many of the principals— Edgar Villchur, Henry Kloss, and Roy Allison amongst them— have passed on. We need to get Copper contributor Ken Kantor’s AR stories down while we still can. The coverage in Whine (issues 5, 6, and 7) just covered the high points. [FYI: the first AR piece in Copper #5 is mislabeled. Keep reading!-–Ed.]

So what companies would readers like to know more about? I’m afraid that limitations on available source material would force me to stick to US-based companies. Don’t bother with McIntosh—our friend Ken Kessler’s already written the book on that company. I’m thinking Marantz, Fisher and Dynaco deserve a closer look, as well as the many permutations of companies associated with Irving M. “Bud” Fried. Maybe even Audio Research.

What do you think?

Thanks for reading for the past three years, and for all your feedback!

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: