COPPER

A PS Audio Publication

Issue 29 • Free Online Magazine

Issue 29 VINTAGE WHINE

The Old Ways

There is a certain pleasure to be found in driving a vintage car. Many have a purity of purpose and directness of response that are absent in the overweight, safety-cage vehicles of the infotainment era.  On the other hand, practical concerns rear their ugly heads:  if I drive that 50 HP Beetle, can I merge into traffic without being obliterated by a semi? Or—having recently been through a wreck in which the airbags in my Saab deployed—how would the vintage Alfa I covet do, if that semi hit me? Would I live?

With blessedly few exceptions, such concerns don’t exist in our listening rooms…and if they exist in your listening room, you may want to re-think your domestic arrangements!  When it comes to using vintage gear, a few caps may need replacement in order for amps to work up to snuff, or speaker drivers may need new surrounds. Unless you’re dealing with some mad-scientist homebrew rig slewing kilovolts, your home stereo will probably not kill you. Probably.

There are folks who delight in refurbishing old gear, replacing those caps, gluing surrounds, cleaning up solder traces, filling the air with a cloud of Deoxit. Just to be clear: I am not one of those people.

As is the case with cars, I’m a really good diagnostician…but when it comes to hands-on repairs, things happen. Those one-in-a-million freak accidents become almost a certainty. So while I appreciate the joys of vintage gear, the putzing and fussing around is not a thrill for me. I like to come in after things have been brought up to snuff.

For the non-DIYer, then, what are the benefits of going vintage? There may be pride in owning something that took more effort to obtain than a readily-available new component. There may be a certain aesthetic satisfaction in the styling of older equipment, finding gear that blends into that mid-century modern home, rather than sticking out like that giant flatscreen does. There may be pleasure in the heft and mass of an old Sansui receiver, compared to today’s plasticky mass-market AV receivers. There may be pleasure in something that is simply built to last. Finally, as is often the case with vintage cars, there may be the fulfillment of a longtime lust, dating from the days of penniless teenagerhood.

Some combination of all those has led me to own half a ton of vintage speakers, ranging from the freakish and justifiably-rare (Plasmatronics) to the weird but wonderful (Spica Angelus) to big and brutish but kinda-mainstream (Altec Valencia). I admit that both the Spicas and Altecs appeal to my Eames loungechair-loving side, apart from their sound. There can be no such justification for the Plasmatronics, which look as though they barely escaped from the lab of a defense contractor…as was indeed the case. The Plas will never be daily-drivers; I approach them with them same wariness I’d have when firing up a large laser.

But: vintage electronics? No thanks. Not interested. There are enough excellent amps out today that I just don’t want to bother with old electronics, given my aversion to upkeep, tweaking, and so on. Yes, I can appreciate the joys of  vintage Marantz, Mac, H-K, Fisher, even Western Electric gear. I’ve owned them, and they can be lovely indeed.

But just as I would no longer tolerate a daily driver with a hand-choke or an iffy starter that required me to park on hills (both of which I lived with in my younger days), I want things to be enjoyable. And for me, part of that is just not having to worry about the equipment.

Your mileage may vary, of course. I envy those with enough zen in their makeup that they can build amps from scratch, or rebuild old gear. Maybe someday. Maybe when the memories of that wreck are farther in the past….

More from Issue 29

View All Articles in Issue 29

Search Copper Magazine

#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

The Old Ways

There is a certain pleasure to be found in driving a vintage car. Many have a purity of purpose and directness of response that are absent in the overweight, safety-cage vehicles of the infotainment era.  On the other hand, practical concerns rear their ugly heads:  if I drive that 50 HP Beetle, can I merge into traffic without being obliterated by a semi? Or—having recently been through a wreck in which the airbags in my Saab deployed—how would the vintage Alfa I covet do, if that semi hit me? Would I live?

With blessedly few exceptions, such concerns don’t exist in our listening rooms…and if they exist in your listening room, you may want to re-think your domestic arrangements!  When it comes to using vintage gear, a few caps may need replacement in order for amps to work up to snuff, or speaker drivers may need new surrounds. Unless you’re dealing with some mad-scientist homebrew rig slewing kilovolts, your home stereo will probably not kill you. Probably.

There are folks who delight in refurbishing old gear, replacing those caps, gluing surrounds, cleaning up solder traces, filling the air with a cloud of Deoxit. Just to be clear: I am not one of those people.

As is the case with cars, I’m a really good diagnostician…but when it comes to hands-on repairs, things happen. Those one-in-a-million freak accidents become almost a certainty. So while I appreciate the joys of vintage gear, the putzing and fussing around is not a thrill for me. I like to come in after things have been brought up to snuff.

For the non-DIYer, then, what are the benefits of going vintage? There may be pride in owning something that took more effort to obtain than a readily-available new component. There may be a certain aesthetic satisfaction in the styling of older equipment, finding gear that blends into that mid-century modern home, rather than sticking out like that giant flatscreen does. There may be pleasure in the heft and mass of an old Sansui receiver, compared to today’s plasticky mass-market AV receivers. There may be pleasure in something that is simply built to last. Finally, as is often the case with vintage cars, there may be the fulfillment of a longtime lust, dating from the days of penniless teenagerhood.

Some combination of all those has led me to own half a ton of vintage speakers, ranging from the freakish and justifiably-rare (Plasmatronics) to the weird but wonderful (Spica Angelus) to big and brutish but kinda-mainstream (Altec Valencia). I admit that both the Spicas and Altecs appeal to my Eames loungechair-loving side, apart from their sound. There can be no such justification for the Plasmatronics, which look as though they barely escaped from the lab of a defense contractor…as was indeed the case. The Plas will never be daily-drivers; I approach them with them same wariness I’d have when firing up a large laser.

But: vintage electronics? No thanks. Not interested. There are enough excellent amps out today that I just don’t want to bother with old electronics, given my aversion to upkeep, tweaking, and so on. Yes, I can appreciate the joys of  vintage Marantz, Mac, H-K, Fisher, even Western Electric gear. I’ve owned them, and they can be lovely indeed.

But just as I would no longer tolerate a daily driver with a hand-choke or an iffy starter that required me to park on hills (both of which I lived with in my younger days), I want things to be enjoyable. And for me, part of that is just not having to worry about the equipment.

Your mileage may vary, of course. I envy those with enough zen in their makeup that they can build amps from scratch, or rebuild old gear. Maybe someday. Maybe when the memories of that wreck are farther in the past….

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: