Copper Magazine · Issue 115 · A free PS Audio publication
Issue 115 FEATURED

The Earth's Heartbeat: Native American Music

The Earth's Heartbeat: Native American Music

All plants are our brothers and sisters,
they talk to us and if we listen, we can hear them.
If we wonder often, the gift of knowledge will come.

– Arapaho nation literature[1]

You’ve seen and heard it before: American Indians playing drums and other instruments while vocalizing in a language you don’t understand. At least that’s how Native American music has generally been depicted in films and on television. But unless you happen to have studied and already enjoy the music of indigenous tribes, there’s much to be discovered about this rarely explored area of music.

Indian culture is closely tied to nature, and music has always played a meaningful role in this relationship. Although the earliest examples of Indian music can be found in documents written by European explorers, researchers believe American Indian music dates back many centuries before those documents were written.[2]

There are hundreds of Native American tribes throughout the United States and every tribe has music that reflects its own traditions. Music performances tell stories about a tribe’s heritage, wars, triumphs and defeats, are essential for ceremonies and celebrations, and employed for specific purposes like asking for rain or a successful hunt.[3] From invoking spirits and speaking to the dead, from singing prayers and songs to curing the sick, traditional Indian music is an integral part of people’s daily lives and  includes some of the most haunting songs and instrumentals you’re likely to hear.

The most important instrument used in Indian culture is the human voice. Solos, duos and group singing are common but unlike most European music, early American Indian music generally doesn’t include vocal harmonies and can often sound “out of tune.”[4]  For example, when people sing together they may perform on pitch (blended unison) or without trying to sing exactly together (unblended unison). The Inuits use throat singing which produces a wailing sound by tightening and loosening the muscles in the throat, and may emphasize vibrato (a rapid, slight variation in pitch) as part of the aesthetic. When several tribes meet to share each others’ music, vocables (words that don’t have meanings) are often substituted for actual words so everyone can sing the songs performed by other tribes.[5] Adding unconventional rhythms and accompanying them with irregular drum beats results in music that can sound unusual and complex.

Even though vocal harmonies may not be present, Indians do create harmonies by merging instruments built from materials found in nature. The three most significant types of instruments used by almost all of the tribes are drums, flutes, and rattles.

Turtle shell rattle made by Tommy Wildcat, 2009. Courtesy of Wikimedia Commons.

Drums are the oldest instruments on earth and the ones most important to Native Americans. Drums are thought to speak to the player: The vibrations help the player tune into the natural frequency of the earth and bring balance and renewal to the drummer. Numerous oral traditions refer to drumbeats as the earth’s heartbeat (the spirit of life) and rapid drumming can signal the manifestation of a spirit presence.

The drums are usually made using hollowed logs or wooden frames with animal skin stretched across the opening. Some small drums are hand held, single-sided drums on a frame; other small drums like water drums are created by stretching a moist, tanned hide over a wooden vessel or gourd filled with water. Extremely large drums are built so many men and women can play the instrument simultaneously when Indian nations come together to share songs and dances. The process of creating and playing a drum combines earth, air, water, and fire — all of the earth’s elements each with its own sound — resulting in an instrument that represents the circle of life.[6] Because of their significance, small Native American drums often become treasured family heirlooms: They stay with the family for generations and are played during family gatherings.

The Native American flute is believed to be the third oldest known musical instrument in the world. Created after drums and rattles, bone flutes date back over 60,000 years. Originally played for personal reasons like meditation and healing, one of its uses was for finding a mate. A common Dakota legend about the creation of the wood flute tells the story of a young man who wanted to attract the attention of a maiden:

“A very long time ago there was a young man who was very interested in a beautiful young girl. He was always trying to get her attention, but she never seemed to notice him. Whenever she was present he would ride his horse proudly, but nothing he did seemed to attract her. One day when the girls were down by the river getting water, the young man went down to the river and began diving off rocks and swimming across the river, to show her how skilled he was, but again she paid him no mind.

Dejected, the young man walked into the nearby old growth forest and sat down at the base of a long dead cedar tree. As he sat there thinking about this girl, a woodpecker landed on a hollowed limb that was over his head… the limb had been hollowed over time from the wind and weather. The woodpecker began to peck holes….tap, tap, tap……… along the length of this hollowed limb…….. tap. tap, tap…….as the woodpecker pecked, the limb broke off and fell next to the young man…[and] as the wind blew over this hollow limb with the holes in it, he heard musical voices coming from it. He picked it up and found that when he blew into this limb and covered the holes, he could make beautiful, mournful music to match the feelings in his heart. He sat there for a time making up haunting melodies.

The young girl heard this music coming from the old growth forest, and it was such a soulful sound that it captured her heart. She followed the sound of music into the woods, where she saw him sitting there at the base of this cedar tree playing this first flute that was given to him by the woodpecker, and as she listened she fell in love with his music and fell in love with him. They went off hand in hand to live happily ever after.”[7]

Two Native American flutes crafted from branches by Robert Willasch, 2010.

The story is also a cautionary tale: It says that once you find a mate, you should put the flute away and never play it in public again. If you do play it in public, you might attract another possible mate’s attention.

The indigenous flute is unique to Native Americans and has a distinctive sound that differs from the flutes we’re more familiar with.[8] Wood and bone flutes were utilized for  many purposes including entertainment (e.g., the Lakota Tribes used the flute for courting and love songs), dancing, healing, meditation, and spirit calling ceremonies (e.g., the Hopi Tribe had flute societies that performed prayer ceremonies). Some listeners today feel there is almost nothing more relaxing and meditative than authentic Native American flute music because it enables them to feel more connected to the natural and spiritual world around us.[9]

Other significant melodic and percussion instruments played by various tribes include the Apache fiddle made from the stalk of an agave plant, rattles created from gourds or bones like small horns filled with seeds or other objects, and turtle rattles made from the shell of a turtle filled with objects like cherry pits.[10] Along with the drum and flute, the rattle was one of the most meaningful, significant and valued instruments used by most tribes:

An Apache musician playing the “Apache fiddle,” 1886. Courtesy of Wikimedia Commons.

“When you see Native American rattles, you may not realize all that they symbolize. The rattle is an instrument of independence. It is a piece that utilizes what the Native Americans refer to as the three kingdoms or nations. The animal kingdom is represented by the container or feather decorations used on the rattle. The mineral kingdom is represented by rocks used for sound or the paint used for decoration. The plant kingdom is represented by the container (if a gourd is used) or the wooden handle of the rattle. The Native Americans realize that spiritual energy can be derived from the trance like state that can be induced by music. The rattle causes our bodies and minds both to respond to it. Some cultures believe that music can unblock energy within our bodies and thus heal us of ailments.  The beating of the rattle helps break up stagnant energy that is blocking the natural flow within your body. It can also help us focus on our souls, our cores. If you sit quietly alone or with friends and shake a Native American rattle, the music will help you clear your mind and open a doorway to a different emotional place.”[11]

Or at the very least, open your ears and help you explore a different style of music.

Salish Indians on July 4th Stand by Tepees Near St. Ignatius Mission, Flathead Reservation, Montana, 1903. Note men in the center playing the same large drum.

[1] “Arapaho,” in Indigenous Peoples’ Literature (Indians.org).

[2] The term “Indian” usually doesn’t include culturally and linguistically distinct groups like the Inuits (Eskimos). Inuits belong to the indigenous population of the Arctic and subarctic regions of Greenland, Canada, the United States and far eastern Russia (Siberia), and their history dates back thousands of years. These groups are nonetheless considered peoples of the Americas along with the Indians of North, Central and South America.

[3] Some Indians believe music comes to them in their dreams and is performed upon wakening.

[4] An attractive Navajo healing song for two voices in the newer style of harmonized chanting can be found at youtube.com/watch?v=3S2He2Ypvq4.

[5] Vocables are also used on their own as a musical style.

[6] “How to Play the Four Elements on Drums,” at youtube.com/watch?v=b6UOFw5jNy  is an informational video that demonstrates the sound of each element. Another informational video, this one explaining the significance of the drum, can be found at  youtube.com/watch?v=cXw4iHh71yc.

[7] Story as told by Phillip Lane (Phillip Brown Bear), a Lakota Elder, to flute maker Roger McGee  (wind-dancer-flutes.com).

[8] The Native American flute is unique because it has two air chambers: one located at the top, the other at the bottom with finger holes. Over time the instrument evolved and was carved using all types of hard and soft woods depending on what was available in the area and the sound the player wanted to produce.

[9] Try listening to “Heart is sad, The Morning Song” for flute at youtube.com/watch?v=h1pxzStAAwk. Stay tuned after that selection: It’s followed by a variety of chants and songs.

[10] “Native American Shamanic Meditation Drums for Healing Body, Mind and Soul” includes a rattle, drums and an accompanying explanation of Shamanism at  youtube.com/watch?v=XXsX7fNzJcE.

[11] “Native American Rattles” (Indians.org).

More from Issue 115

View All Articles in Issue 115

Search Copper Magazine

#236 Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered by Frank Doris Nov 02, 2026 #236 The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove? by David Chesky Nov 02, 2026 #236 More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out by Frank Doris Nov 02, 2026 #236 An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it by Frank Doris Nov 02, 2026 #236 Never Ignore Your Inner Voice by B. Jan Montana Nov 02, 2026 #236 Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One by Joe Caplan Nov 02, 2026 #236 Transmission: A Powerful Horn-Loaded Album from the Huntertones by Ray Chelstowski Nov 02, 2026 #236 Les Quatre Saisons du Québec: a New “Four Seasons” on Tour and on ATMA Classique by Robert Schryer Nov 02, 2026 #236 From The Audiophile's Guide: A Glossary of Terms for Today's Audio Systems, A – M by Paul McGowan Nov 02, 2026 #236 From The Listening Chair: An Introduction to Audiophile Tweaks by Howard Kneller Nov 02, 2026 #236 The Vinyl Beat Grew Two Inches Since October! by Rudy Radelic Nov 02, 2026 #236 How to Play in a Rock Band, Part 29: Figuring Out How to Play the Songs by Frank Doris Nov 02, 2026 #236 The Return of the Residents: Eskimo is On the Road by Wayne Robins Nov 02, 2026 #236 PS Audio in the News by PS Audio Staff Nov 02, 2026 #236 The People Who Make Audio Happen – Fun In Las Vegas at…CES 2026? by Harris Fogel Nov 02, 2026 #236 The Forms of Things Unknown by Frank Doris Nov 02, 2026 #236 Prophetic by Peter Xeni Nov 02, 2026 #236 Here's Looking at You, Kid by Rich Isaacs Nov 02, 2026 Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026

The Earth's Heartbeat: Native American Music

The Earth's Heartbeat: Native American Music

All plants are our brothers and sisters,
they talk to us and if we listen, we can hear them.
If we wonder often, the gift of knowledge will come.

– Arapaho nation literature[1]

You’ve seen and heard it before: American Indians playing drums and other instruments while vocalizing in a language you don’t understand. At least that’s how Native American music has generally been depicted in films and on television. But unless you happen to have studied and already enjoy the music of indigenous tribes, there’s much to be discovered about this rarely explored area of music.

Indian culture is closely tied to nature, and music has always played a meaningful role in this relationship. Although the earliest examples of Indian music can be found in documents written by European explorers, researchers believe American Indian music dates back many centuries before those documents were written.[2]

There are hundreds of Native American tribes throughout the United States and every tribe has music that reflects its own traditions. Music performances tell stories about a tribe’s heritage, wars, triumphs and defeats, are essential for ceremonies and celebrations, and employed for specific purposes like asking for rain or a successful hunt.[3] From invoking spirits and speaking to the dead, from singing prayers and songs to curing the sick, traditional Indian music is an integral part of people’s daily lives and  includes some of the most haunting songs and instrumentals you’re likely to hear.

The most important instrument used in Indian culture is the human voice. Solos, duos and group singing are common but unlike most European music, early American Indian music generally doesn’t include vocal harmonies and can often sound “out of tune.”[4]  For example, when people sing together they may perform on pitch (blended unison) or without trying to sing exactly together (unblended unison). The Inuits use throat singing which produces a wailing sound by tightening and loosening the muscles in the throat, and may emphasize vibrato (a rapid, slight variation in pitch) as part of the aesthetic. When several tribes meet to share each others’ music, vocables (words that don’t have meanings) are often substituted for actual words so everyone can sing the songs performed by other tribes.[5] Adding unconventional rhythms and accompanying them with irregular drum beats results in music that can sound unusual and complex.

Even though vocal harmonies may not be present, Indians do create harmonies by merging instruments built from materials found in nature. The three most significant types of instruments used by almost all of the tribes are drums, flutes, and rattles.

Turtle shell rattle made by Tommy Wildcat, 2009. Courtesy of Wikimedia Commons.

Drums are the oldest instruments on earth and the ones most important to Native Americans. Drums are thought to speak to the player: The vibrations help the player tune into the natural frequency of the earth and bring balance and renewal to the drummer. Numerous oral traditions refer to drumbeats as the earth’s heartbeat (the spirit of life) and rapid drumming can signal the manifestation of a spirit presence.

The drums are usually made using hollowed logs or wooden frames with animal skin stretched across the opening. Some small drums are hand held, single-sided drums on a frame; other small drums like water drums are created by stretching a moist, tanned hide over a wooden vessel or gourd filled with water. Extremely large drums are built so many men and women can play the instrument simultaneously when Indian nations come together to share songs and dances. The process of creating and playing a drum combines earth, air, water, and fire — all of the earth’s elements each with its own sound — resulting in an instrument that represents the circle of life.[6] Because of their significance, small Native American drums often become treasured family heirlooms: They stay with the family for generations and are played during family gatherings.

The Native American flute is believed to be the third oldest known musical instrument in the world. Created after drums and rattles, bone flutes date back over 60,000 years. Originally played for personal reasons like meditation and healing, one of its uses was for finding a mate. A common Dakota legend about the creation of the wood flute tells the story of a young man who wanted to attract the attention of a maiden:

“A very long time ago there was a young man who was very interested in a beautiful young girl. He was always trying to get her attention, but she never seemed to notice him. Whenever she was present he would ride his horse proudly, but nothing he did seemed to attract her. One day when the girls were down by the river getting water, the young man went down to the river and began diving off rocks and swimming across the river, to show her how skilled he was, but again she paid him no mind.

Dejected, the young man walked into the nearby old growth forest and sat down at the base of a long dead cedar tree. As he sat there thinking about this girl, a woodpecker landed on a hollowed limb that was over his head… the limb had been hollowed over time from the wind and weather. The woodpecker began to peck holes….tap, tap, tap……… along the length of this hollowed limb…….. tap. tap, tap…….as the woodpecker pecked, the limb broke off and fell next to the young man…[and] as the wind blew over this hollow limb with the holes in it, he heard musical voices coming from it. He picked it up and found that when he blew into this limb and covered the holes, he could make beautiful, mournful music to match the feelings in his heart. He sat there for a time making up haunting melodies.

The young girl heard this music coming from the old growth forest, and it was such a soulful sound that it captured her heart. She followed the sound of music into the woods, where she saw him sitting there at the base of this cedar tree playing this first flute that was given to him by the woodpecker, and as she listened she fell in love with his music and fell in love with him. They went off hand in hand to live happily ever after.”[7]

Two Native American flutes crafted from branches by Robert Willasch, 2010.

The story is also a cautionary tale: It says that once you find a mate, you should put the flute away and never play it in public again. If you do play it in public, you might attract another possible mate’s attention.

The indigenous flute is unique to Native Americans and has a distinctive sound that differs from the flutes we’re more familiar with.[8] Wood and bone flutes were utilized for  many purposes including entertainment (e.g., the Lakota Tribes used the flute for courting and love songs), dancing, healing, meditation, and spirit calling ceremonies (e.g., the Hopi Tribe had flute societies that performed prayer ceremonies). Some listeners today feel there is almost nothing more relaxing and meditative than authentic Native American flute music because it enables them to feel more connected to the natural and spiritual world around us.[9]

Other significant melodic and percussion instruments played by various tribes include the Apache fiddle made from the stalk of an agave plant, rattles created from gourds or bones like small horns filled with seeds or other objects, and turtle rattles made from the shell of a turtle filled with objects like cherry pits.[10] Along with the drum and flute, the rattle was one of the most meaningful, significant and valued instruments used by most tribes:

An Apache musician playing the “Apache fiddle,” 1886. Courtesy of Wikimedia Commons.

“When you see Native American rattles, you may not realize all that they symbolize. The rattle is an instrument of independence. It is a piece that utilizes what the Native Americans refer to as the three kingdoms or nations. The animal kingdom is represented by the container or feather decorations used on the rattle. The mineral kingdom is represented by rocks used for sound or the paint used for decoration. The plant kingdom is represented by the container (if a gourd is used) or the wooden handle of the rattle. The Native Americans realize that spiritual energy can be derived from the trance like state that can be induced by music. The rattle causes our bodies and minds both to respond to it. Some cultures believe that music can unblock energy within our bodies and thus heal us of ailments.  The beating of the rattle helps break up stagnant energy that is blocking the natural flow within your body. It can also help us focus on our souls, our cores. If you sit quietly alone or with friends and shake a Native American rattle, the music will help you clear your mind and open a doorway to a different emotional place.”[11]

Or at the very least, open your ears and help you explore a different style of music.

Salish Indians on July 4th Stand by Tepees Near St. Ignatius Mission, Flathead Reservation, Montana, 1903. Note men in the center playing the same large drum.

[1] “Arapaho,” in Indigenous Peoples’ Literature (Indians.org).

[2] The term “Indian” usually doesn’t include culturally and linguistically distinct groups like the Inuits (Eskimos). Inuits belong to the indigenous population of the Arctic and subarctic regions of Greenland, Canada, the United States and far eastern Russia (Siberia), and their history dates back thousands of years. These groups are nonetheless considered peoples of the Americas along with the Indians of North, Central and South America.

[3] Some Indians believe music comes to them in their dreams and is performed upon wakening.

[4] An attractive Navajo healing song for two voices in the newer style of harmonized chanting can be found at youtube.com/watch?v=3S2He2Ypvq4.

[5] Vocables are also used on their own as a musical style.

[6] “How to Play the Four Elements on Drums,” at youtube.com/watch?v=b6UOFw5jNy  is an informational video that demonstrates the sound of each element. Another informational video, this one explaining the significance of the drum, can be found at  youtube.com/watch?v=cXw4iHh71yc.

[7] Story as told by Phillip Lane (Phillip Brown Bear), a Lakota Elder, to flute maker Roger McGee  (wind-dancer-flutes.com).

[8] The Native American flute is unique because it has two air chambers: one located at the top, the other at the bottom with finger holes. Over time the instrument evolved and was carved using all types of hard and soft woods depending on what was available in the area and the sound the player wanted to produce.

[9] Try listening to “Heart is sad, The Morning Song” for flute at youtube.com/watch?v=h1pxzStAAwk. Stay tuned after that selection: It’s followed by a variety of chants and songs.

[10] “Native American Shamanic Meditation Drums for Healing Body, Mind and Soul” includes a rattle, drums and an accompanying explanation of Shamanism at  youtube.com/watch?v=XXsX7fNzJcE.

[11] “Native American Rattles” (Indians.org).

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: