COPPER

A PS Audio Publication

Issue 202 • Free Online Magazine

Issue 202 Opening Salvo

Table of Contents – Issue 202

Table of Contents – Issue 202

Happy New Year everyone, from all of us!

Copper contributor Howard Kneller, founder of The Listening Chair, has launched a new Facebook group. As he notes, “This group is a civil place for audiophiles to discuss gear, learn about audio, and make friends. Our group is comprised of an eclectic mix of audiophiles, industry members, and music lovers.” You can check it out here: https://www.facebook.com/share/zJd2cfMLCbFQQQ8R/?mibextid=5OmYkq

In this issue: PS Audio’s own Paul McGowan looks at streaming services and sound quality. Rudy Radelic offers his favorite albums of 2023. Ken Kessler covers the Paris Audio Video Show, while Harris Fogel and I report on Capital Audiofest. I listen to the Analogue Productions 45 RPM vinyl edition of the landmark Genesis album, Selling England by the Pound, as well as some excellent vinyl reissues from Rhino High Fidelity. John Seetoo talks with musician/lawyer Alan Chapell, who has a singular perspective on the music business. Ray Chelstowski talks with Ari Teitel and Trenton O’Neal of New Orleans funk band The Rumble.

I report on the debut of the Stenheim Alumine Two.Five loudspeaker at New York’s fabled Power Station recording studio. Wayne Robins reviews Jeff Tweedy’s books, a concert, a Wilco album, and more. We have guest articles from AAA, FIDELITY and PMA magazines on Walter Stutz and a remarkable ReVox and Studer museum, the Audio Video Show Warsaw, and some classic vinyl recordings. Anne E. Johnson looks back at the music of Dan Fogelberg, and Alón Sagee revisits a sublime musical moment. PS Audio gets some positive reviews and best of 2023 nods. We close the issue with culture shock, late night entertainment, and the road not taken.

 

Contributors to this issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Anne E. Johnson, Ken Kessler, Claude Lemaire, Paul McGowan, B. Jan Montana, Sebastian Polcyn, Rudy Radelic, Wayne Robins, Alón Sagee, John Seetoo, Markus Thomann, Peter Xeni 

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

– FD

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#228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026

Table of Contents – Issue 202

Table of Contents – Issue 202

Happy New Year everyone, from all of us!

Copper contributor Howard Kneller, founder of The Listening Chair, has launched a new Facebook group. As he notes, “This group is a civil place for audiophiles to discuss gear, learn about audio, and make friends. Our group is comprised of an eclectic mix of audiophiles, industry members, and music lovers.” You can check it out here: https://www.facebook.com/share/zJd2cfMLCbFQQQ8R/?mibextid=5OmYkq

In this issue: PS Audio’s own Paul McGowan looks at streaming services and sound quality. Rudy Radelic offers his favorite albums of 2023. Ken Kessler covers the Paris Audio Video Show, while Harris Fogel and I report on Capital Audiofest. I listen to the Analogue Productions 45 RPM vinyl edition of the landmark Genesis album, Selling England by the Pound, as well as some excellent vinyl reissues from Rhino High Fidelity. John Seetoo talks with musician/lawyer Alan Chapell, who has a singular perspective on the music business. Ray Chelstowski talks with Ari Teitel and Trenton O’Neal of New Orleans funk band The Rumble.

I report on the debut of the Stenheim Alumine Two.Five loudspeaker at New York’s fabled Power Station recording studio. Wayne Robins reviews Jeff Tweedy’s books, a concert, a Wilco album, and more. We have guest articles from AAA, FIDELITY and PMA magazines on Walter Stutz and a remarkable ReVox and Studer museum, the Audio Video Show Warsaw, and some classic vinyl recordings. Anne E. Johnson looks back at the music of Dan Fogelberg, and Alón Sagee revisits a sublime musical moment. PS Audio gets some positive reviews and best of 2023 nods. We close the issue with culture shock, late night entertainment, and the road not taken.

 

Contributors to this issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Anne E. Johnson, Ken Kessler, Claude Lemaire, Paul McGowan, B. Jan Montana, Sebastian Polcyn, Rudy Radelic, Wayne Robins, Alón Sagee, John Seetoo, Markus Thomann, Peter Xeni 

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

– FD

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