COPPER

A PS Audio Publication

Issue 22 • Free Online Magazine

Issue 22 MY TURN

Shinola Audio

Shinola Audio

The name Shinola is most familiar as part of a common expression—which I’m sure you know. As often happens over time, the inherent sense of that expression has become lost (as in the case of “you can run, but you can’t hide”—which I’ll rant about another day). Shinola was a shoe and boot polish, launched in 1907.  Known for its high shine, it became popular with GIs in the World Wars, and that expression became common usage. Shoe polish versus… see, in that context, the expression makes sense….

Tom Kartsotis founded Fossil watches in 1984, and eventually sold his interest in the company, which had grown to include a number of other  brands such as Relic, Skagen Denmark, and Zodiac. In 2011, Kartsotis and his partners in a new company, Bedrock Brands—yes, Kartsotis is a fan of the Flintstones— were scrambling for a name for their proposed new watch company. After that familiar expression appeared during the discussion, the group went on to license the name Shinola. Since then, the company established a Detroit headquarters in an old GM facility, the Alfred A. Taubman Building. In addition to the company’s creative and administrative departments, the headquarters contains a watch-assembly facility with the capacity to produce half a million watches per year, as well as a facility which produces watchbands and an increasing variety of bags and other leather goods.

The company’s flagship retail store nearby in the Cass Corridor contains bicycle-assembly facilities, behind glass, in full view of store customers. Recently, another assembly area appeared behind glass for the Runwell Turntable, the first product of the new Shinola Audio division.

Director of Shinola Audio is Alex Rosson, familiar to audiophiles as founder and former CEO of Audeze (and for the record, it’s AW-deh-zee, like “Odyssey”, not aw-DEEZ). After leaving Audeze, Rosson was approached by Tom Kartsotis, and they discussed the idea of assembling audiophile-quality turntables in Detroit. Two years of cooperation with VPI Industries’ Mat and Harry Weisfeld and metalworking company  MDI Manufacturing  followed, and the Runwell Turntable was launched in November.

The Runwell has full audiophile cred: massive main bearing and aluminum platter, coupled with belt-drive and a US-made motor; the tonearm is derived from a VPI gimbaled arm. Shinola’s expertise is evident in the sleek industrial design and ease of use: the Runwell’s solid oak plinth and radiused contours evoke vintage turntables from Thorens and Braun, and the modular phono preamplifier and factory-installed Ortofon Blue cartridge make the unit plug-and-play. Future iterations will include a Shinola-made moving-coil cartridge and a variety of preamp options, including a bypass.At $2,500, the Runwell isn’t inexpensive, but nothing about the unit is cheap; construction is massive, performance promises to be excellent, and it’s a thing of beauty.

On November 21st I accompanied a group of journalists from the mainstream media and audio pundits Michael Fremer and Scot Hull on a tour of the Shinola headquarters, including the watch and leather facilities. At the store, Alex Rosson walked us through the turntable assembly area. That evening there was a block party to celebrate the launch of Runwell, including a performance by J Mascis at Jack White’s Third Man Records store nearby. In the back of the Third Man store, we were fortunate to see an amazing recording and mastering studio,as well as a new record-pressing plant, all presently under construction. We couldn’t photograph that area, but believe me, Mikey Fremer nearly plotzed.

News of the Runwell has provoked the usual skepticism and kvetching from audiophile armchair quarterbacks. But: Shinola has the talent and resources to produce attractive, high-performance audio products, and the marketing muscle to sell them to regular people. What’s not to like?

Shinola table Fremer Michael Fremer checking out the Runwell on display in the flagship Detroit store.
Shinola Runwell w speakers Runwell paired with limited-edition active speakers: a complete system.
Shinola turntable window The window to the turntable assembly area at Shinola's flagship Detroit store.The sign reads: FOR THE LOVE OF MUSIC WAIT UNTIL YOU HEAR WHAT WE'RE DOING NEXT.
Shinola behind window Initial assembly of a Runwell Black Friday Edition turntable, behind same window.
Shinola Runwell final Final assembly of a Runwell Black Friday Edition.
Shinola Runwell batch A finished group of Runwell Black Friday Editions, after final QC.
Shinola Rosson Shinola Audio Director Alex Rosson herding cats/writers. Mikey is at right.
Shinola bikes The bicycle assembly area in Shinola's flagship Detroit store. Scot Hull is at left.
Shinola watches hull The watch assembly area in the Shinola factory, with Mr. Hull dapper in a hairnet.
Hairnet I suppose I really should refrain from making snarky comments....

More from Issue 22

View All Articles in Issue 22

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Shinola Audio

Shinola Audio

The name Shinola is most familiar as part of a common expression—which I’m sure you know. As often happens over time, the inherent sense of that expression has become lost (as in the case of “you can run, but you can’t hide”—which I’ll rant about another day). Shinola was a shoe and boot polish, launched in 1907.  Known for its high shine, it became popular with GIs in the World Wars, and that expression became common usage. Shoe polish versus… see, in that context, the expression makes sense….

Tom Kartsotis founded Fossil watches in 1984, and eventually sold his interest in the company, which had grown to include a number of other  brands such as Relic, Skagen Denmark, and Zodiac. In 2011, Kartsotis and his partners in a new company, Bedrock Brands—yes, Kartsotis is a fan of the Flintstones— were scrambling for a name for their proposed new watch company. After that familiar expression appeared during the discussion, the group went on to license the name Shinola. Since then, the company established a Detroit headquarters in an old GM facility, the Alfred A. Taubman Building. In addition to the company’s creative and administrative departments, the headquarters contains a watch-assembly facility with the capacity to produce half a million watches per year, as well as a facility which produces watchbands and an increasing variety of bags and other leather goods.

The company’s flagship retail store nearby in the Cass Corridor contains bicycle-assembly facilities, behind glass, in full view of store customers. Recently, another assembly area appeared behind glass for the Runwell Turntable, the first product of the new Shinola Audio division.

Director of Shinola Audio is Alex Rosson, familiar to audiophiles as founder and former CEO of Audeze (and for the record, it’s AW-deh-zee, like “Odyssey”, not aw-DEEZ). After leaving Audeze, Rosson was approached by Tom Kartsotis, and they discussed the idea of assembling audiophile-quality turntables in Detroit. Two years of cooperation with VPI Industries’ Mat and Harry Weisfeld and metalworking company  MDI Manufacturing  followed, and the Runwell Turntable was launched in November.

The Runwell has full audiophile cred: massive main bearing and aluminum platter, coupled with belt-drive and a US-made motor; the tonearm is derived from a VPI gimbaled arm. Shinola’s expertise is evident in the sleek industrial design and ease of use: the Runwell’s solid oak plinth and radiused contours evoke vintage turntables from Thorens and Braun, and the modular phono preamplifier and factory-installed Ortofon Blue cartridge make the unit plug-and-play. Future iterations will include a Shinola-made moving-coil cartridge and a variety of preamp options, including a bypass.At $2,500, the Runwell isn’t inexpensive, but nothing about the unit is cheap; construction is massive, performance promises to be excellent, and it’s a thing of beauty.

On November 21st I accompanied a group of journalists from the mainstream media and audio pundits Michael Fremer and Scot Hull on a tour of the Shinola headquarters, including the watch and leather facilities. At the store, Alex Rosson walked us through the turntable assembly area. That evening there was a block party to celebrate the launch of Runwell, including a performance by J Mascis at Jack White’s Third Man Records store nearby. In the back of the Third Man store, we were fortunate to see an amazing recording and mastering studio,as well as a new record-pressing plant, all presently under construction. We couldn’t photograph that area, but believe me, Mikey Fremer nearly plotzed.

News of the Runwell has provoked the usual skepticism and kvetching from audiophile armchair quarterbacks. But: Shinola has the talent and resources to produce attractive, high-performance audio products, and the marketing muscle to sell them to regular people. What’s not to like?

Shinola table Fremer Michael Fremer checking out the Runwell on display in the flagship Detroit store.
Shinola Runwell w speakers Runwell paired with limited-edition active speakers: a complete system.
Shinola turntable window The window to the turntable assembly area at Shinola's flagship Detroit store.The sign reads: FOR THE LOVE OF MUSIC WAIT UNTIL YOU HEAR WHAT WE'RE DOING NEXT.
Shinola behind window Initial assembly of a Runwell Black Friday Edition turntable, behind same window.
Shinola Runwell final Final assembly of a Runwell Black Friday Edition.
Shinola Runwell batch A finished group of Runwell Black Friday Editions, after final QC.
Shinola Rosson Shinola Audio Director Alex Rosson herding cats/writers. Mikey is at right.
Shinola bikes The bicycle assembly area in Shinola's flagship Detroit store. Scot Hull is at left.
Shinola watches hull The watch assembly area in the Shinola factory, with Mr. Hull dapper in a hairnet.
Hairnet I suppose I really should refrain from making snarky comments....

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment: