COPPER

A PS Audio Publication

Issue 223 • Free Online Magazine

Issue 223 Audio Anthropology

Joy to the World

Joy to the World

Here's a legendary pair: a 1970s Quad 405 amplifier and Quad FM-4 FM tuner (introduced in the 1980s), both courtesy of Vintage Chief.com. Even today the 405 is prized for its sweet sound quality, 100 watts per channel output from a compact design, and the FM-4 is a capable tuner with seven (why not six? or eight?) presets.

 

 

Teppaz turntables bring joy! They might not rival a VPI or a Linn or a Clearaudio, but they sure look great and are making this music-loving family very happy.

 

 

The mighty EMT 927A Studio Plattenspieler. Introduced in 1951, this German-made professional broadcast turntable weighed more than 80 pounds, featured a 16-inch platter and was built to an incredibly high standard. Courtesy of Wikimedia Commons/Nobsy (Diskussion).

 

 

Here's another fantastic German disc spinner the Telefunken Tonograph, also designed for professional studio use, circa 1940s. Hardly any information about this is available online, including what that odd thing is around the spindle. Courtesy of Wikimedia Commons/Maximilian Schönherr.

 

 

This isn't your editor in his basement, but it could be, or some of our Copper readers. Radio World, July 1929.

 

More from Issue 223

View All Articles in Issue 223

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Joy to the World

Joy to the World

Here's a legendary pair: a 1970s Quad 405 amplifier and Quad FM-4 FM tuner (introduced in the 1980s), both courtesy of Vintage Chief.com. Even today the 405 is prized for its sweet sound quality, 100 watts per channel output from a compact design, and the FM-4 is a capable tuner with seven (why not six? or eight?) presets.

 

 

Teppaz turntables bring joy! They might not rival a VPI or a Linn or a Clearaudio, but they sure look great and are making this music-loving family very happy.

 

 

The mighty EMT 927A Studio Plattenspieler. Introduced in 1951, this German-made professional broadcast turntable weighed more than 80 pounds, featured a 16-inch platter and was built to an incredibly high standard. Courtesy of Wikimedia Commons/Nobsy (Diskussion).

 

 

Here's another fantastic German disc spinner the Telefunken Tonograph, also designed for professional studio use, circa 1940s. Hardly any information about this is available online, including what that odd thing is around the spindle. Courtesy of Wikimedia Commons/Maximilian Schönherr.

 

 

This isn't your editor in his basement, but it could be, or some of our Copper readers. Radio World, July 1929.

 

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: