COPPER

A PS Audio Publication

Issue 46 • Free Online Magazine

Issue 46 Opening Salvo

Issue 46

Issue 46

Welcome to Copper #46!

For music lovers, it is the best of times and the worst of times. I'd wager that we have greater access to a larger library of recorded music than at any time since---well, since recorded music became available. The bad part? A lot of the current output is unlistenable, both musically and sonically.

In the spirit of the Thanksgiving holiday as observed and celebrated in in the US, I'll focus on the "best of times" part. I'm thankful for the good stuff; thankful for the growth of Copper and of our faithful readership; thankful for the opportunities I have to work with talented and interesting people.

And I'm thankful that one of those talented people is about to return to our pages. Professor Larry Schenbeck's Too Much Tchaikovsky column will return, beginning next issue.

Dan Schwartz leads off #46 with the story of how the megahit song, "All I Wanna Do" was created by the Tuesday Night Music Club; Richard Murison has fallen in love a little bit with Jenna Mammina, as many of us have---and thanks to Cookie Marenco, Copper readers have a special deal on Jenna's latest album and other titles from Blue Coast Records; Jay Jay French reviews the first batch of albums, as the '67 Psychedelic Shootout continues; Duncan Taylor looks at the special problems of recording drums; Roy Hall tells an incredible tale of Botticelli, Nazis, and heartbreak; Anne E. Johnson has a twofer this issue, with a look at indie artists Hurray for the Riff Raff, and a survey of the recorded catalog of the beautiful music of 16th-century composer Heinrich Isaac; Woody Woodward looks at the beginnings of  The Band in The Hawks; and I obsess yet again over the rights of musicians and what sampling means,  and wonder if, when it comes to audio gear, is older always better?

John Seetoo concludes his in-depth interview with recording engineer/producer Kavi Alexander; A.J. Hernandez continues his survey of southern Italian wines; and new contributor Aaron Berger examines which is better for active listening---singles? Or LPs?

Copper #46 concludes with another classic audio cartoon from Charles Rodrigues, and a Parting Shot from Albuquerque. 

To all who celebrate Thanksgiving, we wish you a happy holiday; and to those who do not---thanksgiving as a practice isn't a bad idea.

Until next issue---enjoy!

Cheers, Leebs.

More from Issue 46

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#226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025

Issue 46

Issue 46

Welcome to Copper #46!

For music lovers, it is the best of times and the worst of times. I'd wager that we have greater access to a larger library of recorded music than at any time since---well, since recorded music became available. The bad part? A lot of the current output is unlistenable, both musically and sonically.

In the spirit of the Thanksgiving holiday as observed and celebrated in in the US, I'll focus on the "best of times" part. I'm thankful for the good stuff; thankful for the growth of Copper and of our faithful readership; thankful for the opportunities I have to work with talented and interesting people.

And I'm thankful that one of those talented people is about to return to our pages. Professor Larry Schenbeck's Too Much Tchaikovsky column will return, beginning next issue.

Dan Schwartz leads off #46 with the story of how the megahit song, "All I Wanna Do" was created by the Tuesday Night Music Club; Richard Murison has fallen in love a little bit with Jenna Mammina, as many of us have---and thanks to Cookie Marenco, Copper readers have a special deal on Jenna's latest album and other titles from Blue Coast Records; Jay Jay French reviews the first batch of albums, as the '67 Psychedelic Shootout continues; Duncan Taylor looks at the special problems of recording drums; Roy Hall tells an incredible tale of Botticelli, Nazis, and heartbreak; Anne E. Johnson has a twofer this issue, with a look at indie artists Hurray for the Riff Raff, and a survey of the recorded catalog of the beautiful music of 16th-century composer Heinrich Isaac; Woody Woodward looks at the beginnings of  The Band in The Hawks; and I obsess yet again over the rights of musicians and what sampling means,  and wonder if, when it comes to audio gear, is older always better?

John Seetoo concludes his in-depth interview with recording engineer/producer Kavi Alexander; A.J. Hernandez continues his survey of southern Italian wines; and new contributor Aaron Berger examines which is better for active listening---singles? Or LPs?

Copper #46 concludes with another classic audio cartoon from Charles Rodrigues, and a Parting Shot from Albuquerque. 

To all who celebrate Thanksgiving, we wish you a happy holiday; and to those who do not---thanksgiving as a practice isn't a bad idea.

Until next issue---enjoy!

Cheers, Leebs.

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