COPPER

A PS Audio Publication

Issue 106 • Free Online Magazine

Issue 106 Opening Salvo

Issue 106

Issue 106

This issue's cover: conductor Leopold Stokowski (1882 - 1977). One of the greatest conductors of all time, Stokowski helmed the Philadelphia Orchestra, the NBC Symphony Orchestra and other top musical organizations and appeared on many famous RCA "Living Stereo" recordings, among others.

 

Streaming audio is wonderful. (Well, except for artists getting stiffed – not so nice.) We can just think of a song and a few mouse clicks later, hear it.

That said, so many of us like physical media. Whether we prefer the sound of vinyl, have been buying CDs since the 1980s or just like to collect stuff (guilty as charged), there’s a certain satisfaction with owning the music and knowing it’s yours, not for rent on some server that might as well be in Andromeda.

I saw an interesting parallel at last year’s PHOTOPLUS show. Photographic film is becoming more popular. Yep, that stuff that photographers load into their cameras in the dark. One of the booths, Freestyle Photo and Imaging Supplies, even had a sign that said, “Rediscover the World of Analog Photography.” It got my attention. Freestyle’s Patrick DelliBovi informed me that these days, they’re selling a lot of film, photographic paper and even new Polaroid SX-70 cameras! He told me that among other things, their customers want tangible and physical photos, not an ephemeral digital file on a computer or cloud. Sound familiar?

In this issue: new to these pages, consumer electronics writer an Ken Sander, who used to be the road manager for Kiss, tells what it was like. Anne E. Johnson gives us a slice of Bread and a look at early string-instrument composer and lutenist John Dowland. Robert Heiblim offers insight into the demographics of today’s listener. I reminisce about Harry Pearson’s haunted house. John Seetoo offers Part One of his CanJam NYC 2020 show report. What, technically, is linearity in audio? J.I. Agnew gives us straight talk in his new series.

Tom Gibbs gets introspective and a little melancholy with reviews of Beach Bunny, Ben Watt and more. Professor Larry Schenbeck views musical landscapes from Beethoven, Ives and others. Dan Schwartz asks: why is vinyl sounding more digital? Bob Wood tells about his last radio station gig. WL Woodward concludes his series on Grateful Dead sonic wizard Owsley “Bear” Stanley. We run some readers’ responses to the question Magnepan’s Wendell Diller asked in Issue 105: Are audio dealers in trouble? James Whitworth wonders why he can’t clean up his record, Audio Anthropology indulges in some casual listening and our Parting Shot visits a desolate yet storybook landscape.

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#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Issue 106

Issue 106

This issue's cover: conductor Leopold Stokowski (1882 - 1977). One of the greatest conductors of all time, Stokowski helmed the Philadelphia Orchestra, the NBC Symphony Orchestra and other top musical organizations and appeared on many famous RCA "Living Stereo" recordings, among others.

 

Streaming audio is wonderful. (Well, except for artists getting stiffed – not so nice.) We can just think of a song and a few mouse clicks later, hear it.

That said, so many of us like physical media. Whether we prefer the sound of vinyl, have been buying CDs since the 1980s or just like to collect stuff (guilty as charged), there’s a certain satisfaction with owning the music and knowing it’s yours, not for rent on some server that might as well be in Andromeda.

I saw an interesting parallel at last year’s PHOTOPLUS show. Photographic film is becoming more popular. Yep, that stuff that photographers load into their cameras in the dark. One of the booths, Freestyle Photo and Imaging Supplies, even had a sign that said, “Rediscover the World of Analog Photography.” It got my attention. Freestyle’s Patrick DelliBovi informed me that these days, they’re selling a lot of film, photographic paper and even new Polaroid SX-70 cameras! He told me that among other things, their customers want tangible and physical photos, not an ephemeral digital file on a computer or cloud. Sound familiar?

In this issue: new to these pages, consumer electronics writer an Ken Sander, who used to be the road manager for Kiss, tells what it was like. Anne E. Johnson gives us a slice of Bread and a look at early string-instrument composer and lutenist John Dowland. Robert Heiblim offers insight into the demographics of today’s listener. I reminisce about Harry Pearson’s haunted house. John Seetoo offers Part One of his CanJam NYC 2020 show report. What, technically, is linearity in audio? J.I. Agnew gives us straight talk in his new series.

Tom Gibbs gets introspective and a little melancholy with reviews of Beach Bunny, Ben Watt and more. Professor Larry Schenbeck views musical landscapes from Beethoven, Ives and others. Dan Schwartz asks: why is vinyl sounding more digital? Bob Wood tells about his last radio station gig. WL Woodward concludes his series on Grateful Dead sonic wizard Owsley “Bear” Stanley. We run some readers’ responses to the question Magnepan’s Wendell Diller asked in Issue 105: Are audio dealers in trouble? James Whitworth wonders why he can’t clean up his record, Audio Anthropology indulges in some casual listening and our Parting Shot visits a desolate yet storybook landscape.

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