COPPER

A PS Audio Publication

Issue 106 • Free Online Magazine

Issue 106 Opening Salvo

Issue 106

Issue 106

This issue's cover: conductor Leopold Stokowski (1882 - 1977). One of the greatest conductors of all time, Stokowski helmed the Philadelphia Orchestra, the NBC Symphony Orchestra and other top musical organizations and appeared on many famous RCA "Living Stereo" recordings, among others.

 

Streaming audio is wonderful. (Well, except for artists getting stiffed – not so nice.) We can just think of a song and a few mouse clicks later, hear it.

That said, so many of us like physical media. Whether we prefer the sound of vinyl, have been buying CDs since the 1980s or just like to collect stuff (guilty as charged), there’s a certain satisfaction with owning the music and knowing it’s yours, not for rent on some server that might as well be in Andromeda.

I saw an interesting parallel at last year’s PHOTOPLUS show. Photographic film is becoming more popular. Yep, that stuff that photographers load into their cameras in the dark. One of the booths, Freestyle Photo and Imaging Supplies, even had a sign that said, “Rediscover the World of Analog Photography.” It got my attention. Freestyle’s Patrick DelliBovi informed me that these days, they’re selling a lot of film, photographic paper and even new Polaroid SX-70 cameras! He told me that among other things, their customers want tangible and physical photos, not an ephemeral digital file on a computer or cloud. Sound familiar?

In this issue: new to these pages, consumer electronics writer an Ken Sander, who used to be the road manager for Kiss, tells what it was like. Anne E. Johnson gives us a slice of Bread and a look at early string-instrument composer and lutenist John Dowland. Robert Heiblim offers insight into the demographics of today’s listener. I reminisce about Harry Pearson’s haunted house. John Seetoo offers Part One of his CanJam NYC 2020 show report. What, technically, is linearity in audio? J.I. Agnew gives us straight talk in his new series.

Tom Gibbs gets introspective and a little melancholy with reviews of Beach Bunny, Ben Watt and more. Professor Larry Schenbeck views musical landscapes from Beethoven, Ives and others. Dan Schwartz asks: why is vinyl sounding more digital? Bob Wood tells about his last radio station gig. WL Woodward concludes his series on Grateful Dead sonic wizard Owsley “Bear” Stanley. We run some readers’ responses to the question Magnepan’s Wendell Diller asked in Issue 105: Are audio dealers in trouble? James Whitworth wonders why he can’t clean up his record, Audio Anthropology indulges in some casual listening and our Parting Shot visits a desolate yet storybook landscape.

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#228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026

Issue 106

Issue 106

This issue's cover: conductor Leopold Stokowski (1882 - 1977). One of the greatest conductors of all time, Stokowski helmed the Philadelphia Orchestra, the NBC Symphony Orchestra and other top musical organizations and appeared on many famous RCA "Living Stereo" recordings, among others.

 

Streaming audio is wonderful. (Well, except for artists getting stiffed – not so nice.) We can just think of a song and a few mouse clicks later, hear it.

That said, so many of us like physical media. Whether we prefer the sound of vinyl, have been buying CDs since the 1980s or just like to collect stuff (guilty as charged), there’s a certain satisfaction with owning the music and knowing it’s yours, not for rent on some server that might as well be in Andromeda.

I saw an interesting parallel at last year’s PHOTOPLUS show. Photographic film is becoming more popular. Yep, that stuff that photographers load into their cameras in the dark. One of the booths, Freestyle Photo and Imaging Supplies, even had a sign that said, “Rediscover the World of Analog Photography.” It got my attention. Freestyle’s Patrick DelliBovi informed me that these days, they’re selling a lot of film, photographic paper and even new Polaroid SX-70 cameras! He told me that among other things, their customers want tangible and physical photos, not an ephemeral digital file on a computer or cloud. Sound familiar?

In this issue: new to these pages, consumer electronics writer an Ken Sander, who used to be the road manager for Kiss, tells what it was like. Anne E. Johnson gives us a slice of Bread and a look at early string-instrument composer and lutenist John Dowland. Robert Heiblim offers insight into the demographics of today’s listener. I reminisce about Harry Pearson’s haunted house. John Seetoo offers Part One of his CanJam NYC 2020 show report. What, technically, is linearity in audio? J.I. Agnew gives us straight talk in his new series.

Tom Gibbs gets introspective and a little melancholy with reviews of Beach Bunny, Ben Watt and more. Professor Larry Schenbeck views musical landscapes from Beethoven, Ives and others. Dan Schwartz asks: why is vinyl sounding more digital? Bob Wood tells about his last radio station gig. WL Woodward concludes his series on Grateful Dead sonic wizard Owsley “Bear” Stanley. We run some readers’ responses to the question Magnepan’s Wendell Diller asked in Issue 105: Are audio dealers in trouble? James Whitworth wonders why he can’t clean up his record, Audio Anthropology indulges in some casual listening and our Parting Shot visits a desolate yet storybook landscape.

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