COPPER

A PS Audio Publication

Issue 51 • Free Online Magazine

Issue 51 VINTAGE WHINE

15,000 Pages!

15,000 Pages!

I started reading when I was 3. I say that not to evoke any particular reaction in the reader, but just to make clear the fact that I’ve been reading for a lot of years—nearly 59, now.

For over half of those years— thirty-one and a half, to be sorta-exact— John Atkinson has been at the helm of Stereophile magazine.

Think about that for a moment: that’s as many issues as there are days in a year, each and every one of which required scrambling for content, had last-minute crises of some sort (’cause there are always last-minute crises), required assuaging existential angst of one writer or another, all the while wrangling with some sort of corporate hierarchy.

The stack of 49 issues of Stereophile from the ’80s and ’90s (shown below) constitutes less than one-seventh of the number of issues that have come out during John’s reign. And this stack alone is over 15,000 pages.

Yikes. It makes me tired just to consider it.

As I suppose is obvious—and quoting my own Leebens’ Law of Life, here— things change. If we look down the masthead of S’phile ’93, we see a number of once-familiar names that are now MIA. At least from Stereophile.

Corey Greenberg? The one-time bad boy of high-end audio left S’phile to edit Audio  right before its demise (coincidence?? That’s mean…) , then went on to a Gadget Guy stint on the Today Show, where his most influential piece was, oddly enough, about wet shaving?!? That was a good while ago. Where is he now? Dunno. I suspect that he’d make an annoying 50-something.

Ken Kessler? Pretty much Mr. Audio for mainstream media in the UK, and more importantly, the Watch Guy for a zillion outlets in the UK and America. In North America, he occasionally writes for Copper and for SoundStage!-–and you might catch him zipping through CES, as seen in the surreal pic from the Venetian, below.


For the benefit of Mr. K….

Lewis Lipnick? Everybody’s favorite audiophile reviewer/bassoonist may be out of audio reviewing, but is still bassoonist and contrabassonist at the National Symphony. 

Sam Tellig? The Audio Cheapskate turned Sam’s Space has retired from writing, although he periodically berates his old friend/nemesis Roy Hall, and I  periodically try to persuade him to get back into the game. He also regales me with unprintable anecdotes.

Martin Colloms? These days, Martin edits the subscription-only HiFi Critic in the UK, and periodically pops out a new edition of his massive reference work, High Performance Loudspeakers. He assures me that the 7th Edition is coming…soon.

Steven Stone?: Former Boulderite turned Denverite Steven is busier than ever with TAS, Audiophile Review, Home Theater Review, diving, picking, recording—he’s a busy guy, for sure.

John Crabbe, Alvin Gold, Igor Kipnis? Sadly, all three of these august authorities have passed on—and likely a number more on the masthead, of which I’m unaware.

Robert Deutsch? The ever affable Bob is still writing for Stereophile, thankfully…

…as is Editor John Atkinson.  Thirty-one and a half years on, going on 400 issues, Lord knows how many pages, much less words—John keeps going.

And we’re grateful for it.

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#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

15,000 Pages!

15,000 Pages!

I started reading when I was 3. I say that not to evoke any particular reaction in the reader, but just to make clear the fact that I’ve been reading for a lot of years—nearly 59, now.

For over half of those years— thirty-one and a half, to be sorta-exact— John Atkinson has been at the helm of Stereophile magazine.

Think about that for a moment: that’s as many issues as there are days in a year, each and every one of which required scrambling for content, had last-minute crises of some sort (’cause there are always last-minute crises), required assuaging existential angst of one writer or another, all the while wrangling with some sort of corporate hierarchy.

The stack of 49 issues of Stereophile from the ’80s and ’90s (shown below) constitutes less than one-seventh of the number of issues that have come out during John’s reign. And this stack alone is over 15,000 pages.

Yikes. It makes me tired just to consider it.

As I suppose is obvious—and quoting my own Leebens’ Law of Life, here— things change. If we look down the masthead of S’phile ’93, we see a number of once-familiar names that are now MIA. At least from Stereophile.

Corey Greenberg? The one-time bad boy of high-end audio left S’phile to edit Audio  right before its demise (coincidence?? That’s mean…) , then went on to a Gadget Guy stint on the Today Show, where his most influential piece was, oddly enough, about wet shaving?!? That was a good while ago. Where is he now? Dunno. I suspect that he’d make an annoying 50-something.

Ken Kessler? Pretty much Mr. Audio for mainstream media in the UK, and more importantly, the Watch Guy for a zillion outlets in the UK and America. In North America, he occasionally writes for Copper and for SoundStage!-–and you might catch him zipping through CES, as seen in the surreal pic from the Venetian, below.


For the benefit of Mr. K….

Lewis Lipnick? Everybody’s favorite audiophile reviewer/bassoonist may be out of audio reviewing, but is still bassoonist and contrabassonist at the National Symphony. 

Sam Tellig? The Audio Cheapskate turned Sam’s Space has retired from writing, although he periodically berates his old friend/nemesis Roy Hall, and I  periodically try to persuade him to get back into the game. He also regales me with unprintable anecdotes.

Martin Colloms? These days, Martin edits the subscription-only HiFi Critic in the UK, and periodically pops out a new edition of his massive reference work, High Performance Loudspeakers. He assures me that the 7th Edition is coming…soon.

Steven Stone?: Former Boulderite turned Denverite Steven is busier than ever with TAS, Audiophile Review, Home Theater Review, diving, picking, recording—he’s a busy guy, for sure.

John Crabbe, Alvin Gold, Igor Kipnis? Sadly, all three of these august authorities have passed on—and likely a number more on the masthead, of which I’m unaware.

Robert Deutsch? The ever affable Bob is still writing for Stereophile, thankfully…

…as is Editor John Atkinson.  Thirty-one and a half years on, going on 400 issues, Lord knows how many pages, much less words—John keeps going.

And we’re grateful for it.

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