COPPER

A PS Audio Publication

Issue 21 • Free Online Magazine

Issue 21 MAKE IT YOURSELF

“CNC” Moving Magnet Cartridge Phono Stage

My friend Bill and I wanted a simple phono pre-amp for shop use, one that was not expensive but would give high end performance. I like the KISS principle and picked the recommended circuit from the National Semiconductor datasheet using two LME49720 op amps.

Two sockets, two chips, two 9V batteries, a switch, two 100uf power supply caps and a handful of .1% and 1% resistors with Panasonic polypropylene caps assembled by Bill on a RatShack perf board and the simple little preamp sounded VERY good!  On initial listening to an acoustic performance it was open, airy and very detailed. It was much better than the internal phono pre of the “inexpensive” shop receiver.

For a total outlay under $50, we were quite pleased. I shared this breadboard phono pre amp with the good folks at Audiokarma.org.  The DIY crowd there then ran with it and went so far as to create PC boards and build of material lists.  The thread is over 125 pages, 2500 replies and 420,000 views. People from all over the world have built these little wonders that the group dubbed “CNC” for Charlotte, North Carolina. The pc board and BOM include switchable input loading so you can try different loads on your favorite moving magnet cartridge. Industry standard is 47k ohm. With the CNC you can also try 18k, 32k and 62k to fine tune the sound. There are also discussions about plugin power supplies so you are not reliant on batteries, including schematics and PC board layouts. I prefer batteries as they provide cleaner DC power. But if you forget to turn off the CNC after use there go your new 9 volts (ask me how I know…) Lantern batteries, rechargeable batteries or AGM batteries are also options. This thread is a wealth of DIY information, including tips on how to populate a pc board and tips on soldering.

http://audiokarma.org/forums/index.php?threads/another-super-high-end-phono-stage-no-expense-spared.371889/

You don’t have to have a premade PC board, but it does make assembly easier.

This pre-amp is also a great way to see for yourself if component changes affect the sound quality. Is there a difference in sound between types of capacitors? How about Op-amps? I believe there are audible differences, especially when you are amplifying a small signal in the millivolts. But don’t take my word for it. The CNC is affordable enough you can try the different components and listen and make your own decisions. My personal preference in op amps is either a pair of Burr Brown OPA2134 or replace the first Opamp with an LME4990 (you will have to put the surface mount chip on a Brown Dog adapter) or LM4562. I also prefer Polypropylene film and foil capacitors for the 1uf DC blocking/coupling capacitor, like the WIMA FKP series. You can also experiment with bypassing the 1uf with .1uf or .01uf caps. I like the Russian Teflon film capacitors as they are affordable and have a very clean top end.  Some folks swear by NOS or Russian paper in oil capacitors.

You will need a case for your pre amp. I have used jewelry boxes, cigar boxes and rat shack aluminum and plastic cases. Bill put the first board in a small, plastic toolbox. I have even gone to an arts and crafts store and used a basswood craft box that looked like a book with hinged lid. Use your imagination- repurpose something that will look cool on your shelf. Happy Listening!

Preliminary Bill of Materials:

Quantity Component
1 PCB Board
2  Resistors 0.25W,  100 ohm
 2 Resistors 0.25W, 130  ohm
 2 Resistors 0.25W, 180 ohm
 6 Resistors 0.25W, 300 ohm
 2 Resistors 0.25W, 2k2 ohm
 4 Resistors 0.25W, 3k3 ohm
 2 Resistors 0.25W, 16k ohm
 2 Resistors 0.25W, 33k ohm
 2 Resistors 0.25W, 82k ohm
4 Resistors 0.25W, 110k ohm
2 Resistors 0.25W, 150k ohm
2 8-Pin DIL Sockets
2 2-Way DIP Switches
2 4-Way DIP Switches
2 AD823 or OPA2134 or LM4562 Op Amps
4 Ceramic Capacitors, 100 nF
2 Polyester Film Capacitors, 47 nF
4 Polyester Film Capacitors, 68 nF
2 Polyester Film Capacitors, 1 uF
4 Electrolytic Capacitors, 22 uF
2 DG301 Screw Terminals, Two Positions
2 DG301 Screw Terminals, Three Positions
2 9V Batteries
2 9V Battery Connectors

Note: The schematic above should be considered preliminary. A complete, detailed schematic will appear in Copper #22, along with a source for finished circuit boards and a link to a Digi-Key shopping cart to simplify purchase of parts. For the PCB work and BOM we give credit and thanks to http://muffsy.com ! —Ed.


Board #1—before it was christened “CNC”.

 


“CNC” phono stage in flea market jewelry box.


Inside the jewelry box.


This wooden cigar box cost me $1 at the flea market.


The box had room for spare batteries. The holders were also from Digikey.

 


Second “CNC” phono stage in a Godinger jewelry box- RCA jacks moved to back.


“TurntableDaddy” Big Bill put board #1 in a cheap toolbox for shop use!


The extra space in the toolbox allowed use of lantern batteries.

More from Issue 21

View All Articles in Issue 21

Search Copper Magazine

#228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026

“CNC” Moving Magnet Cartridge Phono Stage

My friend Bill and I wanted a simple phono pre-amp for shop use, one that was not expensive but would give high end performance. I like the KISS principle and picked the recommended circuit from the National Semiconductor datasheet using two LME49720 op amps.

Two sockets, two chips, two 9V batteries, a switch, two 100uf power supply caps and a handful of .1% and 1% resistors with Panasonic polypropylene caps assembled by Bill on a RatShack perf board and the simple little preamp sounded VERY good!  On initial listening to an acoustic performance it was open, airy and very detailed. It was much better than the internal phono pre of the “inexpensive” shop receiver.

For a total outlay under $50, we were quite pleased. I shared this breadboard phono pre amp with the good folks at Audiokarma.org.  The DIY crowd there then ran with it and went so far as to create PC boards and build of material lists.  The thread is over 125 pages, 2500 replies and 420,000 views. People from all over the world have built these little wonders that the group dubbed “CNC” for Charlotte, North Carolina. The pc board and BOM include switchable input loading so you can try different loads on your favorite moving magnet cartridge. Industry standard is 47k ohm. With the CNC you can also try 18k, 32k and 62k to fine tune the sound. There are also discussions about plugin power supplies so you are not reliant on batteries, including schematics and PC board layouts. I prefer batteries as they provide cleaner DC power. But if you forget to turn off the CNC after use there go your new 9 volts (ask me how I know…) Lantern batteries, rechargeable batteries or AGM batteries are also options. This thread is a wealth of DIY information, including tips on how to populate a pc board and tips on soldering.

http://audiokarma.org/forums/index.php?threads/another-super-high-end-phono-stage-no-expense-spared.371889/

You don’t have to have a premade PC board, but it does make assembly easier.

This pre-amp is also a great way to see for yourself if component changes affect the sound quality. Is there a difference in sound between types of capacitors? How about Op-amps? I believe there are audible differences, especially when you are amplifying a small signal in the millivolts. But don’t take my word for it. The CNC is affordable enough you can try the different components and listen and make your own decisions. My personal preference in op amps is either a pair of Burr Brown OPA2134 or replace the first Opamp with an LME4990 (you will have to put the surface mount chip on a Brown Dog adapter) or LM4562. I also prefer Polypropylene film and foil capacitors for the 1uf DC blocking/coupling capacitor, like the WIMA FKP series. You can also experiment with bypassing the 1uf with .1uf or .01uf caps. I like the Russian Teflon film capacitors as they are affordable and have a very clean top end.  Some folks swear by NOS or Russian paper in oil capacitors.

You will need a case for your pre amp. I have used jewelry boxes, cigar boxes and rat shack aluminum and plastic cases. Bill put the first board in a small, plastic toolbox. I have even gone to an arts and crafts store and used a basswood craft box that looked like a book with hinged lid. Use your imagination- repurpose something that will look cool on your shelf. Happy Listening!

Preliminary Bill of Materials:

Quantity Component
1 PCB Board
2  Resistors 0.25W,  100 ohm
 2 Resistors 0.25W, 130  ohm
 2 Resistors 0.25W, 180 ohm
 6 Resistors 0.25W, 300 ohm
 2 Resistors 0.25W, 2k2 ohm
 4 Resistors 0.25W, 3k3 ohm
 2 Resistors 0.25W, 16k ohm
 2 Resistors 0.25W, 33k ohm
 2 Resistors 0.25W, 82k ohm
4 Resistors 0.25W, 110k ohm
2 Resistors 0.25W, 150k ohm
2 8-Pin DIL Sockets
2 2-Way DIP Switches
2 4-Way DIP Switches
2 AD823 or OPA2134 or LM4562 Op Amps
4 Ceramic Capacitors, 100 nF
2 Polyester Film Capacitors, 47 nF
4 Polyester Film Capacitors, 68 nF
2 Polyester Film Capacitors, 1 uF
4 Electrolytic Capacitors, 22 uF
2 DG301 Screw Terminals, Two Positions
2 DG301 Screw Terminals, Three Positions
2 9V Batteries
2 9V Battery Connectors

Note: The schematic above should be considered preliminary. A complete, detailed schematic will appear in Copper #22, along with a source for finished circuit boards and a link to a Digi-Key shopping cart to simplify purchase of parts. For the PCB work and BOM we give credit and thanks to http://muffsy.com ! —Ed.


Board #1—before it was christened “CNC”.

 


“CNC” phono stage in flea market jewelry box.


Inside the jewelry box.


This wooden cigar box cost me $1 at the flea market.


The box had room for spare batteries. The holders were also from Digikey.

 


Second “CNC” phono stage in a Godinger jewelry box- RCA jacks moved to back.


“TurntableDaddy” Big Bill put board #1 in a cheap toolbox for shop use!


The extra space in the toolbox allowed use of lantern batteries.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: