Everything you ever wanted to know about audio, music and its reproduction is here. PS Audio co-founder and CEO Paul McGowan shares his more than 40 years of high-end audio experience, stories, interviews, and hilarious tales in this one-of-a-kind podcast. Ohm's Law is produced by PS Audio and presented ad-free for the community. Subscribe through your phone's podcast app and get the latest each day. And please, leave us a rating so others will join in.
Some of us are stuck with smaller sized rooms to place our 2-channel high-end audio systems. Is there a way to maximize that experience getting the most out of our system’s performance in a smaller room?
Speakers have far more distortion than electronics yet we seemed obsessed with distortion figures of stereo electronics. How much matters and how much is too much for good sound?
If you had all the money in the world and spent it on a high-performance 2-channel audio system how good would it sound?
Digital room correction should be the ultimate tool for best sound yet a great number of people not only distrust it, they actively work to avoid it. What’s the truth behind this digital manipulation of room parameters?
Our stereo components work hard on our behalf creating music. Is it necessary or desired to let them rest and get their strength back after a weekend off?
Are preamplifiers needed in a stereo system? Why not just put their guts into a power amplifier and have one unit for fewer boxes and a shorter signal path?
Do audiophiles listen more to music or their equipment? Many think that it’s either one way or the other and Paul helps set the record straight once and for all.
Is it possible or even desirable to compare the sound of live music to a pair of 2-channel loudspeakers in the design phase of a product?
The center channel in a 2-channel audio system is not real and is only imagined inside our heads. Would it be possible to extract a center channel from 2-channel stereo and add a 3d channel?
Will a big enough memory buffer solve the problem of digital audio’s jitter and clock requirements and render the digital audio source irrelevant?