AC wiring for a high-end sound system has special requirements most people do not know about. Here’s what to do.
How can you be certain that a particular amplifier/speaker combination won’t clip? Paul shares with us how that’s figured out.
Do you ever get tired of the endless upgrade process in high-end audio? What to do about burning out?
Recording studio gear is never the same quality standard as high-end home audio equipment. So, how come and does it matter?
The ceiling is the most often neglected surface area of any room where a stereo system is located. What should you do to make it better?
What’s it mean to have a sound signature? Paul walks us through this important topic.
To reproduce a big orchestral piece of music do you need big speakers? Find the unexpected answer.
Why do some amp manufacturers say they have high current amplifiers when it should be just their wattage?
If you’re not getting the stereo imaging you are hoping for, can that be fixed?
Why do some electronic components have better soundstaging than others?
Big beefy power amps weigh a lot and yet there are even bigger amplifiers that weigh next to nothing!
We’ve long heard about PS Audio’s upcoming loudspeaker line, but where are they? Here’s the scoop from Paul.
In one of Paul’s earlier videos he suggested it’s better to buy a newer amplifier than recapping an older, vintage amp. Here’s a customer response and question.
If an AC regenerator from PS Audio makes perfect AC, why would an expensive aftermarket power cord matter?
We hear about high and low damping factors for power amplifiers. But what is a damping factor, how is it calculated, and why does it matter?
There’s a lot of terms bandied about in high end audio. What is, exactly, an audio buffer?
Some viewers have noticed the vintage test equipment in the background of Paul’s videos. Paul tells us about his favorite, the HP 333A distortion analyzer.
The Audiophile’s Guide comes with two-discs: an SACD and a DVD data disc. Paul explains the difference between the two.
Do audiophiles love music or their HiFi systems more? Paul answers this age old question.
So many audiophiles assemble Frankenstein systems: components from many different brands. Is this a good or bad thing to do?
Do interconnects actually benefit from burn in? Fact or fiction?
If you don’t know what you’re missing how can you possibly know what to listen for?
PS Audio has the ultimate baseline music disc needed by every audiophile.
Are ribbon tweeters the best? And if so, why don’t more speaker manufacturers use them?
There are many connections on the backs of DACS like TOSLINK and coax and AES/EBU and USB. Which are best to use?
