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I now hand over the column to our esteemed Larry Schenbeck:
Dear Copper Colleagues and Readers,
Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day.
I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper.
So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now.
The door is open, Larry, and we can’t thank you enough for your wonderful contributions.
In this issue: Larry Schenbeck delves into the Bach's St John Passion. Ken Sander makes friends with Roye Albrighton of Nektar and beyond. Ray Chelstowski interviews Allman Brothers, Rolling Stones and Sea Level keyboardist extraordinaire Chuck Leavell. Alón Sagee scales the heights of Nepal. Adrian Wu gets even deeper into reel to reel tape. I try some unsuccessful audio experiments. Rudy Radelic gets his Hampster Dance on with Four80East.
Anne E. Johnson appreciates the legendary jazz singer Dinah Washington and one of Canada’s greatest, The Band. John Seetoo visits the storied United Recording Studios. Tom Gibbs looks at reissues from the under-appreciated Ronnie James Dio-era Black Sabbath. J.I. Agnew continues with the biggest move of his life. Cliff Chenfeld recommends some contemporary rock artists. Russ Welton ponders how musical experiences influence gear purchases. Audio Anthropology gives a lot of sound for a nickel, while Peter Xeni undergoes environmental impact, James Whitworth experiences auditory masking and our Parting Shot from Rich Isaacs gets up close and personal.
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