March 29th, 2021

    Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience.

    I now hand over the column to our esteemed Larry Schenbeck:

    Dear Copper Colleagues and Readers,

    Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day.

    I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. 

    So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now.

    The door is open, Larry, and we can’t thank you enough for your wonderful contributions.

    In this issue: Larry Schenbeck delves into the Bach's St John Passion. Ken Sander makes friends with Roye Albrighton of Nektar and beyond. Ray Chelstowski interviews Allman Brothers, Rolling Stones and Sea Level keyboardist extraordinaire Chuck Leavell. Alón Sagee scales the heights of Nepal. Adrian Wu gets even deeper into reel to reel tape. I try some unsuccessful audio experiments. Rudy Radelic gets his Hampster Dance on with Four80East.

    Anne E. Johnson appreciates the legendary jazz singer Dinah Washington and one of Canada’s greatest, The Band. John Seetoo visits the storied United Recording Studios. Tom Gibbs looks at reissues from the under-appreciated Ronnie James Dio-era Black Sabbath. J.I. Agnew continues with the biggest move of his life. Cliff Chenfeld recommends some contemporary rock artists. Russ Welton ponders how musical experiences influence gear purchases. Audio Anthropology gives a lot of sound for a nickel, while Peter Xeni undergoes environmental impact, James Whitworth experiences auditory masking and our Parting Shot from Rich Isaacs gets up close and personal.

    Open Reel Tape: The Ultimate Analog Source? Part Two

    In the previous article in this series (Issue 132), we…

    Roye Albrighton: Nektar’s Diamond in the Rough

    [Editor’s Note: Ken previously wrote about progressive rock group Nektar…

    Be Here Now: Recommended New Rock

    Welcome to the new edition of Be Here Now, a column/playlist…

    United Recording Studios: An Industry Legend

    This year’s AES Fall Show 2020 was conducted virtually, due…

    Confessions of a Setup Man Part 12: Failed Experiments

    Many audiophiles are tinkerers. We’re constantly striving to squeeze the…

    Chuck Leavell: The Tree Man, A World-Class Keyboard Player

    Rock and roll documentaries have become fairly predictable. Over the…

    Bach’s Saint John Passion

    High on my list of all-time favorite Bach arias is…

    Our Staff

    Staff Writers: J.I. Agnew, Ray Chelstowski, Cliff Chenfeld, Jay Jay…

    The Band: Pulling Their Weight

    When Canadian rockabilly singer Ronnie Hawkins put together a backing…

    Getting High, Part Two

    In Part One (Issue 132), Alón began his quest to…

    The Big Move, Part Three

    In Part One and Part Two, J.I. Agnew wrote about the…

    Groove Essentials: Four80East

    This story began with hamsters and a squeak toy over…

    The Flow of Influences On Buying Equipment

    What influences the equipment you buy? Make no mistake, none…

    Dinah Washington: What a Difference the Blues Make

    St. Luke’s Baptist Church has served Chicago’s Black community on…

    A Hard Rain’s Gonna Fall

    Black Sabbath Mark II: Deluxe Edition Reissues

    My experiences with Black Sabbath go all the way back…

    Lend Me Your Ears

    A circa late 19th or early 20th century proto-jukebox. Listeners…

    Auditory Masking

    Up Close and Personal

    Tommy Castro plays some soulful blues on a well-worn Stratocaster.
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    Stop by for a tour:
    4865 Sterling Dr.
    Boulder, CO 80301

    Join the hi-fi family

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