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The Copper Interview
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Issue 134
The Yamaha Influence, Part One
Is a music instrument manufacturer that also makes home audio…
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Issue 140
Guy Michelmore: Film and TV Composer, YouTube Educator
Guy Michelmore is a creative powerhouse. His talents have made…
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Metallica: An Inside Look
When my good buddy James asked if I’d like to…
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Issue 139
Acoustic Guitarist Extraordinaire: Gordon Giltrap, MBE
Modern-day troubadour and acoustic-guitar pioneer since the 1960s, Gordon Giltrap,…
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VMP Anthology: The Story of Herbie Hancock
Vinyl Me, Please (VMP) is a company dedicated to creating…
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In Part One (Issue 137), producer/composer/musician C.J. Vanston talked about…
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Dr. Fang Bian of HIFIMAN
HIFIMAN manufactures high-end headphones, headphone amps, portable music players, headphone…
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Record producer to the stars and Hollywood film composer C.J.…
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Dr. Patrick Gleeson: The Interview, Part Three
Musician, engineer, producer, professor of 18th Century English literature?! You…
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Engineer/Producer Tom Newman: From Virgin Records to Tubular World and Beyond
The birth of Virgin Records, the recording of Mike Oldfield’s…
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Paul Brett: Guitarist, Designer and Collector of Rare Instruments
Paul Brett is a renowned guitarist, performer and recording artist.…
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Issue 141
Guy Michelmore: Film and TV Composer and Educator, Part Two
In Part One (Issue 140), Guy Michelmore revealed many insights…
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Issue 134
Sylvia Massy: Pushing Sonic Boundaries With a Rock and Roll Attitude
From her punk and hard rock roots as a musician,…
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Issue 132
Dr. Patrick Gleeson: The Interview, Part Two
Musician, Engineer, Producer, Professor of 18th Century English Literature?! You…
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Issue 131
Talking With Nason Tackett of Hear Technologies
When it comes to comparing audio equipment like speakers or…
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Dr. Patrick Gleeson: The Interview
Musician, Engineer, Producer, Professor of 18th Century English Literature?! You…
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Issue 129
Bend Me, Shape Me: Collecting Flexi Discs
When I was working at Goldmine magazine we tried again…
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Issue 127
Caring for Records: Mark Mawhinney of Spin-Clean
Spin-Clean offers its Spin-Clean Record Washer MkII vinyl record cleaning…
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Issue 124
Walter Schofield of Krell Industries, Part Two
In Part One (Issue 122) we interviewed Krell Industries’ Walter…
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Issue 123
A Conversation with ZVOX’s Tom Hannaher
ZVOX may seem like a bit of a different choice…
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Issue 122
A Talk With Walter Schofield of Krell Industries
Well-known industry veteran Walter Schofield has been part of the…
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Interview With Gary Gottlieb of the Audio Engineering Society
Unlike other scientific fields that are related to physics, the…
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Issue 163
Pristine Classical: Preserving Priceless Historical Recordings, Part Two
In Issue 162, we profiled Pristine Classical, a company dedicated…
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Issue 180
Back to Analog – Academy Award-Winning Songwriter John DeNicola is Having The Time of His Life
“(I’ve Had) The Time of My Life” was the Billboard…
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An Interview With Mobile Recording Innovator David W. Hewitt, Part Two
We began our interview with mobile recording pioneer David W.…
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Issue 178
An Interview With Mobile Recording Innovator David W. Hewitt, Part One
David W. Hewitt is one of the pioneers in designing…
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Issue 175
Interview: Lori Lieberman Returns To “Killing Me Softly” 50 Years Later
In 1972, Lori Lieberman’s self-titled debut album was released on…
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Issue 174
Piper Payne – A Mastering Engineer For Next Generation Music, Part Three
After establishing her reputation as a mastering engineer in Oakland,…
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Issue 173
Piper Payne: A Mastering Engineer For Next-Generation Music, Part Two
After establishing her reputation as a mastering engineer over the…
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Issue 172
Piper Payne: A Mastering Engineer for Next-Generation Music, Part One
Despite her relative youth, Piper Payne has forged a formidable…
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Issue 170
The Colors of Music: Synesthetic Artist Melissa McCracken Sees and Paints What She Hears, Part One
We’ll begin this article by having artist Melissa McCracken give…
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Issue 165
How Does a Vinyl Record Even Sound Good at All? Talking With Lewis Hopkin, Vinyl Mastering Engineer, Part Two
We began our interview with Lewis Hopkin of Stardelta Audio…
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Issue 164
How Does a Vinyl Record Even Sound Good at All? Talking With Lewis Hopkin, Vinyl Mastering Engineer, Part One
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Issue 120
Quilter Labs’ and QSC Audio’s Pat Quilter, Part Three
Founded in 1968 as Quilter Sound Company, QSC Audio has…
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Issue 159
Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part Four
With multiple Grammy Award wins and nominations to their credit,…
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Issue 158
Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part Three
With multiple Grammy Award wins and nominations to their credit,…
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Issue 157
Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part Two
Jim Anderson and Ulrike Schwarz have multiple Grammy Award wins…
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Issue 156
Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part One
Married couples who work in the same field can often…
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Issue 150
Shannon Parks and his Magic Puffin
My Leatherman multi-tool is indispensable. Although I bought it as…
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Issue 146
The Man with No Name? Michael Baugh Interview, Part Two
In Part One (Issue 145) we talked to multifaceted guitar…
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Issue 145
The Man with No Name? Michael Baugh Interview, Part One
What do you get when you blend pyrotechnic guitar virtuosity,…
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Issue 143
Jo Quail: An Eclectic Approach to the Cello, Part Two
In Part One of our interview (Issue 142), cellist Jo…
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Issue 142
Jo Quail: An Eclectic Approach to the Cello, Part One
Classical, rock and progressive music influences, percussive, looping and other…
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Issue 52
Audio Fidelity: Andrea Bass
[Back in Copper #44 I devoted a Vintage Whine column…
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Issue 73
Tom Fine: New Mercury Living Presence Analog Releases Part 1
[Tom Fine is a second-generation audio engineer, specializing in mastering…
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Issue 60
Kamel Boutros
Cairo-born Kamel Boutros is a modern New York City Renaissance…
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Issue 61
Conversing With Choueiri: Part 2, Going to the Mattresses
In Part I of my conversation with Professor Edgar Choueiri,…
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Issue 60
Conversing With Choueiri: Part 1, It’s Not Rocket Science
High-end audio is not rocket science … but don’t you…
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Issue 58
Rikki Farr, Part 3
[Copper‘s Dan Schwartz had a lengthy conversation with concert promoter/raconteur…
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Issue 57
Rikki Farr, Part 2
[Part 1 of Dan Schwartz’s conversation with Rikki Farr appeared…
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Issue 55
Lalo Schifrin
Hailing from Buenos Aires, Argentina, composer Lalo Schifrin has had…
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Issue 56
Rikki Farr, Part 1
[Rikki Farr had a long career as a raconteur and…
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Issue 54
Audio Fidelity: Bobby Palomino of The Teemates, Part 2
[After the advent of the British invasion, pioneering audiophile label…
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Issue 53
Audio Fidelity: Bobby Palomino of The Teemates, Part 1
[We’ve previously written about the pioneering audiophile label Audio Fidelity…
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Tom Fine: New Mercury Living Presence Analog Releases Part 2
[Tom Fine is a second-generation audio engineer, specializing in mastering…
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Issue 51
Tom Fine, Part 3
[Tom Fine is an archival/recording/mastering engineer, and if if his…
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Tom Fine, Part 2
[Tom Fine is an archival/recording/mastering engineer, and if if his…
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Issue 49
Tom Fine, Part 1
[Tom Fine is an archival/recording/mastering engineer, and if if his…
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Issue 46
Kavi Alexander, Part 2
[Part 1 of John Seetoo’s interview with recording engineer/producer Kavi…
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Issue 45
Kavi Alexander, Part 1
Kavi Alexander considers creating music to be a sacred act,…
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Issue 39
Dennis Ferrante
[This is a little different from previous Copper interviews as…
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Steve Hoffman, Part 2
[In the first part of this interview, Steve and John…
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Steve Hoffman, Part 1
Steve Hoffman is one of the most highly-regarded mastering engineers…
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Chad Kassem
Chad Kassem is the founder and owner of a number…
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Issue 99
John Meyer, Part 1
John Meyer is a legendary pioneer in the field of…
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Issue 119
Pat Quilter: Sound Reinforcement and Amp Guru, Part Two
In Part One (Issue 118) Pat Quilter and John Seetoo…
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Issue 118
Pat Quilter of QSC: Sound Reinforcement and Solid-State Amp Guru, Part One
Since Quilter Sound Company was founded in 1968 and incorporated…
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Issue 117
A Conversation with Sota Sound Inventions
Sota Sound Inventions offers turntables ranging in price from the…
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Issue 116
John Grado of Grado Labs, Part Two
In Part One (Issue 115), John Seetoo and John Grado…
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Issue 115
John Grado of Grado Labs, Part One
Grado Labs was Founded in 1953 by Joseph Grado and…
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Issue 113
Steve Hoffman – Mastering Legend and Audio Restoration Magician
If you have listened to any popular music from the…
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Issue 104
Ohm Acoustics, Part Two: An Inside Look
The Columbia Street Waterfront District of Brooklyn is technically in…
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Issue 103
Ohm Acoustics’ John Strohbeen: Audiophile Engineering, Brooklyn Style
New York City’s Brooklyn is famous for a number of…
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Issue 101
John Meyer Interview, Part Three
To recap from Part One (Issue 99) and Part Two (Issue…
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Issue 100
John Meyer, Part Two
To recap from Part One (Issue 99): John Meyer is…
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Issue 30
David Chesky
[David Chesky is a co-founder of audiophile label Chesky Records…
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Issue 97
Tony Visconti, Part 2
[ Part 1 of John Seetoo’s interview with Tony Visconti…
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Issue 96
Tony Visconti, Part 1
When Marc Bolan and David Bowie put Glam Rock on…
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Issue 85
Jack Joseph Puig, Part 2
[Part 1 of John Seetoo’s talk with engineer/producer Jack Joseph…
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Issue 84
Jack Joseph Puig, Part 1
Amassing an impressive body of engineering and producing work, stretching…
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Issue 83
Leslie Ann Jones, Part 2
[Part 1 of John’s interview with Leslie Anne Jones was…
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Issue 82
Leslie Ann Jones, Part 1
While there are engineers who have become celebrities in their…
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Issue 81
June Millington, Part 3
J.S.: At AES NYC recently, Waves Audio had a panel…
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Issue 79
June Millington, Part 1
Before the Runaways, before the Go-Go’s, before the Bangles –…
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Issue 80
June Millington, Part 2
J.S.: This is for June Millington, the record producer. When…
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