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Random Article
Featured
Featured
Issue 129
Playing the Back Holes
One of my favorite motorcycling buddies, Ralph, invited me over yesterday…
Featured
Issue 130
Role Models
Roy Hall’s article in the last issue triggered some disquieting school…
Featured
Issue 130
Koss: the Granddaddy of Audiophile Headphones
As listening to music on headphones and earbuds has become…
Featured
Issue 131
A Conversation With Mark O’Brien of Rogue Audio
Rogue Audio manufactures a wide range of tube, solid-state and…
Featured
Issue 132
Nils Lofgren – A Retrospective Look at a Musician’s Musician
Once upon a time, I was a young assistant manager…
Featured
Issue 132
Totally Transparent
When it comes to conversation, occasionally we may preface what…
Featured
Issue 133
Groove Essentials: Four80East
This story began with hamsters and a squeak toy over…
Featured
Issue 133
The Flow of Influences On Buying Equipment
What influences the equipment you buy? Make no mistake, none…
Featured
Issue 134
More of My Favorite Things
In addition to the recordings I included in the first…
Featured
Issue 134
All About That Bass
When I moved to Seattle in 1980 I lived in…
Featured
Issue 134
Small Town Charm, Big Town Music: My Father’s Place
Bruce Springsteen frequently sings about the grit and hardships of…
Featured
Issue 135
The Yamaha Influence, Part Two
In Part One (Issue 134), we looked at Yamaha as…
Featured
Issue 135
Camaraderie
We called him Brother Crawford because that was the protocol…
Featured
Issue 135
London “Decca” Cartridges: Unique Design, Timeless Quality
Decca cartridges are unique transducers with quite a bit of…
Featured
Issue 136
The Jazz Side of Henry Mancini, Part Two
We left off our last survey of the jazz side…
Featured
Issue 137
The Jazz Side of Henry Mancini, Part Three
In our last installment (Issue 136; Part One appeared in…
Featured
Issue 137
White-Knuckling It:
John Lennon/Plastic Ono Band – The Ultimate Collection
The 1970s dawned with a blistering hangover as the 1960s…
Featured
Issue 137
Strategy
Despite no record of accidents ever, or tickets for the…
Featured
Issue 138
Chris Whitley: A Nonconformist
The definition of a nonconformist is “a person whose behavior…
Featured
Issue 139
Self-Help Before YouTube
Have you ever wondered how we learned to do things…
Featured
Issue 140
What Was the B.F.D. About R.E.M.?
My neighbor is a generation younger than me. I’ll call…
Featured
Issue 140
A Charmed Life
One of the attendees I met at The Home Entertainment…
Featured
Issue 140
Born-Again Brahms
The intrepid Hungarian pianist András Schiff has pressed against received…
Featured
Issue 141
Taking Control: A Personal Journey
In issue 140, I told the story of Carter, a…
Featured
Issue 141
I Hear Music…
This is an attempt to describe how I experience one…
Featured
Issue 142
Facing the Music
Oliver: Wanna shot of single malt, Terry? Terry: Still…
Featured
Issue 142
AES Show Spring 2021, Part Four: Gaming Sound, Rupert Neve
As a result of COVID-19, the Audio Engineering Society’s AES…
Featured
Issue 142
Sustaining Creativity
Many years ago, I owned and ran a UK guitar…
Featured
Issue 143
The Audio Butterfly Effect
The best-fitting suit is a well-tailored one. You likely would…
Featured
Issue 143
10 Great Music Documentaries
A lot of people turned to binge watching during the…
Featured
Issue 143
Classic Rock Reissues: Real Value or Sonic Head Fake?
In the consumer packaged goods biz, it’s common practice for…
Featured
Issue 144
Some Notable Analog Recordings, Part Three
As I mentioned in my previous article (Issue 142), I…
Featured
Issue 144
Lyle Mays – Composer, Arranger, Producer and Keyboardist, Part One
It’s been a year and a half since we lost…
Featured
Issue 144
The Future of Jazz Clubs: a Crossroads and a Conundrum
For some time, many music industry critics and pundits have…
Featured
Issue 145
Lyle Mays – Composer, Arranger, Producer and Keyboardist, Part Two
Part One (Issue 144) covered Lyle Mays’ recordings as a…
Featured
Issue 145
Self-Help Before YouTube: More Records to Improve Your Life
Have you ever wondered how we learned to do things…
Featured
Issue 145
Every Picture Tells A Story, Or, How I Recreated My Record Collection, and Then Some
Today’s renaissance of vinyl as a chosen physical music format…
Featured
Issue 145
Phil Keaggy – A Lifetime of Making Joyful Noises, Part One
“Use guitars to reinforce your Hallelujahs!” Psalm 33:2, The Message:…
Featured
Issue 146
Alternate Realities –
Janácek: Piano Works
Janácek: Piano Works Lars Vogt, piano Ondine ODE1382-2 With his…
Featured
Issue 146
Burt Bacharach, Part One – The Early Years
Burt Bacharach is one of those composers who I’ve listened…
Featured
Issue 146
Phil Keaggy – A Lifetime of Making Joyful Noises, Part Two
Part One of this series (Issue 145) covered Phil Keaggy’s…
Featured
Issue 147
Beyond the Firesign Theatre: Other Comedy Troupes of the 1970s
(WARNING: You may be exposed to adult content and humor…
Featured
Issue 147
Burt Bacharach, Part Two: Make Way for Dionne Warwick
Part One in Issue 146 covered Burt Bacharach’s early years,…
Featured
Issue 147
1960s Rock Band Rhinoceros: Hype (and Then, More Hype)
Way before Menudo there was Rhinoceros. Rhinoceros was a late…
Featured
Issue 148
Burt Bacharach Part Three: Big Screen, Little Screen
Like many prolific composers, Burt Bacharach was called upon to…
Featured
Issue 148
Stream of Consciousness: Better Sound From My Computer Audio, Part Two
In Part One (Issue 147), we looked at the value…
Featured
Issue 148
Phil Keaggy: A Lifetime of Joyful Noises, Part Three
In Part One (Issue 145), we looked at Phil Keaggy’s…
Featured
Issue 149
Stage Door Tommy
It’s never too early for a young boy to start…
Featured
Issue 149
Phil Keaggy: A Lifetime of Joyful Noises, Part Four
In Part One (Issue 145), we looked at Phil Keaggy’s…
Featured
Issue 149
Choosing New Speakers: Sensitivity and Room Size
In a previous article (Issue 147) we considered the reality…
Featured
Issue 150
150: What’s In a Number?
150 is the magic number this month. 150 bi-weekly issues…
Featured
Issue 150
Some Notable Analog Recordings, Part Three
Part One and Part Two of this series appeared in…
Featured
Issue 150
1960s Music Magic: Revisiting NYC’s Fillmore East, Greenwich Village (and More)
New York’s famed Fillmore East closed 50 years ago this…
Featured
Issue 150
The 150 Greatest Albums Made By Women
In 1979, WBCN-FM in Boston offered its listeners a fantastic…
Featured
Issue 152
Collector as Minimalist
Before my upcoming trip to the record store, I comb…
Featured
Issue 151
Shop Class
In my first installment, “When I Was A Boy,” (Issue…
Featured
Issue 151
The Knob With the Misleading Name
Component audio systems were still comparatively rare when my college…
Featured
Issue 151
Words and Music by Stephen Sondheim
Readers don’t necessarily rely on Copper for theatrical news, but…
Featured
Issue 152
Let It Be:
Director Peter Jackson’s
Get Back
Provides Much-Needed Context
Nearly eight-hour Get Back documentary is revelatory for fans Like…
Featured
Issue 152
Burt Bacharach in the 1960s and 1970s: Artists Who Had Him Covered
The Burt Bacharach and Hal David songwriting machine was running…
Featured
Issue 152
Nobody Told Me There’d Be Days Like These:
Get Back
Get Back, directed by Peter Jackson Peter Jackson’s Get Back…
Featured
Issue 153
A Tale of Two Different Systems
I was recently asked by two friends (independently of one…
Featured
Issue 153
The Audiophile’s Cat
A few days ago, Hobbes, our creamsicle-colored fur-ball of 12…
Featured
Issue 153
Fun With YouTube
YouTube is an amazing place. You can see stuff there…
Featured
Issue 153
Vinyls
To the tune of “Royals” by Lorde I’ve never seen…
Featured
Issue 154
Ohm’s Law
In Issue 151 (“Shop Class”), I made a note to…
Featured
Issue 154
Audio Plans for the New Year
A new year always brings New Year’s resolutions, and it’s…
Featured
Issue 155
Uncle Influencer
I recently watched the Ben Affleck and George Clooney film…
Featured
Issue 155
The Blues Project:
Projections
It was my 13th birthday when my mother inquired if…
Featured
Issue 155
John Wasserman, Critic – Part One
Critics and reviewers, in general, are an oft-maligned bunch, and,…
Featured
Issue 156
Luiz Eça and Tamba Trio: Brazilian Music Pioneers
When the Brazilian music of the 1960s comes to mind,…
Featured
Issue 156
Nelson Pass Blues
To the tune of “Creeque Alley” by the Mamas &…
Featured
Issue 157
John Wasserman, Critic, Part Two
In Part One (Issue 155), we were introduced to the…
Featured
Issue 157
La Música de Puerto Rico
By the time this article comes out, I will have…
Featured
Issue 157
McGowan Park
Based on “MacArthur Park” by Jimmy Webb, as recorded by…
Featured
Issue 158
John Klemmer, Part Two: The Saxophone Touch
Part One (Issue 157) covered John Klemmer’s early recordings from…
Featured
Issue 158
Three Days with Frank Sinatra, Part One
Bill and Judy Green hosted parties for the Who’s Who…
Featured
Issue 159
The Day the Music Died
Dear intrepid reader: I’m sure when you first saw the…
Featured
Issue 159
10 More Great Music Documentaries
A lot of people turned to binge watching during the…
Featured
Issue 159
Three Days With Frank Sinatra, Part Two: Graduation Day
It had been a year since I saw Frank Sinatra…
Featured
Issue 160
The Audiophile’s Opinion, Or, Why You Should Join (Or Start) an Audiophile Club
Many years back, along with about a dozen fellow audio…
Featured
Issue 160
Three Days with Frank Sinatra, Part Three: The Cole Porter Suite
I’m sure it was pizza and ice cream that soothed…
Featured
Issue 161
The A&M Records Story, Part Two
In our last article (Issue 160), I presented some of…
Featured
Issue 161
The Year Was 1977
In 1976, I began using an engagement calendar as a…
Featured
Issue 161
The Global Supply of Vacuum Tubes: What Happens Now?
Several weeks back, Jay Jay French discussed in his article,…
Featured
Issue 162
A Pre-Entry-Level Analog MP3 Killer
This is the first in a series of semi-serious reviews…
Featured
Issue 162
The A&M Records Story, Part Three
Our last installment (Issue 161) found A&M in transition, moving…
Featured
Issue 162
Hearing Loss – Now It’s Getting Personal
After recently interviewing Scott Newnam of Audio Advice (Issue 161…
Featured
Issue 163
Gazing Back Into the Abyss
This past May 2 marked the ninth anniversary of thrash…
Featured
Issue 163
Live Versus Recorded Music
I went to a rock concert a couple of weeks…
Featured
Issue 163
Customer Relationship Management: Give it Some Stick!
Almost 20 years ago, my family and I took over…
Featured
Issue 163
Rallying With Lemons, Part One
I’ve liked cars back since my days as a youngster…
Featured
Issue 164
Rallying With Lemons, Part Two
In the first half of this travelogue of the 2022…
Featured
Issue 164
The Secret History of Tribute Albums, Part One
Are there two Americas? Are they red versus blue, conservative…
Featured
Issue 164
My Favorite Venues, Part One: Colorado
In my article, “My First Speakers” (Issue 158), I touched…
Featured
Issue 164
Bascom H. King: In Memoriam
With reminisces by Paul McGowan and Frank Doris The late…
Featured
Issue 165
The Secret History of Tribute Albums, Part Two
The news occasionally carries a story about the World’s Worst…
Featured
Issue 165
Cats and Dogs…Well, Mostly Cats (Part One)
(Cat haters might want to hit the “Next” button, but…
Featured
Issue 165
John Cooper Clarke: Bard of the People
Poets are not exactly part of mainstream culture these days.…
Featured
Issue 165
My Favorite Venues, Part Two: Colorado
In my article “My Favorite Venues, Part One” (Issue 164),…
Featured
Issue 166
Favorite Venues, Part Three: Madison Square Garden
After completing my relocation back to the East Coast, I…
Featured
Issue 166
The History of A&M Records, Part Five
The 1980s proved to be even more successful for A&M…
Featured
Issue 166
Getting the Most From an A/V Receiver: Yamaha’s Web Editor Setup Tool, Part One
Yamaha has recently released a slew of A/V receivers in…
Featured
Issue 167
The Exotic Sounds of Madagascar
Most people’s knowledge of Madagascar comes from nature documentaries or…
Featured
Issue 167
Why I Quit Buying New Vinyl
Vinyl is a medium which my opinion is torn on.…
Featured
Issue 167
Cats and Dogs…Well, Mostly Cats (Part Two)
(Cat haters might want to hit the “Next” button, but…
Featured
Issue 167
Getting the Most from an A/V Receiver: Yamaha’s Web Editor SetUp Tool, Part Two
In Part One (Issue 166), we briefly covered some of…
Featured
Issue 167
Reconsider Baby:
Elvis
, the Movie
Among other things, Elvis Presley invented the rock ’n’ roll…
Featured
Issue 167
The Los Angeles and Orange County Audio Society Visits Sunny Components
I first met Sunil Merchant at T.H.E. Show in 2021,…
Featured
Issue 168
Where To Buy (High-Quality) Classical Downloads
With the recent resurgence of interest in vinyl, we are…
Featured
Issue 168
The A&M Records Story, Part Six: The 1980s into the 1990s
The transition from the 1980s to the 1990s would be…
Featured
Issue 168
The Musical Instrument Museum: A National Treasure
Jeff Weiner has been a volunteer museum guide/docent at Phoenix,…
Featured
Issue 168
Vinyl and the World’s Best Stereo System
Many of us prefer to listen to vinyl over other…
Featured
Issue 168
Pet Sounds: My Dogs Explained by Album Titles
“There is no you,” Trent Reznor sang. “There…
Featured
Issue 169
Stepping Out of the Limelight
Many stories have been written about sidemen who became stars…
Featured
Issue 169
Back on the Lemons Rally, Part One
“Lemons Rally is not a race!” Rallymaster Jeff barked out…
Featured
Issue 169
Musical Roots: A Trip Around the World
The Musical Instrument Museum (MIM), located in Phoenix, Arizona, is…
Featured
Issue 169
Thieves, Golden Boys, and Trust in the Retail Sector
Some of you may have read in my previous articles…
Featured
Issue 170
Lemons Rally: Rust Belt Ramble, Part Two
Day Two: “Big Bucket, Big Bridges, Big Tree, Big Day”…
Featured
Issue 170
My Retail Customers: Of Chalk and Cheese
Working in retail perhaps may better be thought of as…
Featured
Issue 170
Confessions of a CD Addict, Circa 1986
File under “what comes around, goes around.” I wrote the…
Featured
Issue 171
Diagnosing Audiophilia
Patient: Dr. Krebs, I think I have acute audiophilia. Dr.…
Featured
Issue 171
Jazz Producer Creed Taylor: In Memoriam
August 22, 2022 marked the passing of legendary jazz producer…
Featured
Issue 171
The Beacon Theatre’s Sphere Immersive Sound in Action
The last show I had seen at the Beacon Theatre…
Featured
Issue 171
The Colors of Music: Synesthetic Artist Sees and Paints What She Hears, Part Two
In Issue 170, Melissa McCracken shared with our readership the…
Featured
Issue 171
Long Live Excellent Customer Service
In my humble experience, I think it’s true to say…
Featured
Issue 171
Lemons Rally: Rust Belt Ramble, Part Three
Day Three: “Steel City, Oil City, Silo City” Good morning!…
Featured
Issue 172
What’s in a Name? MIRTAS – The Music Instrument Retail Training Apprenticeships Scheme
From December 2013 and for several years afterward I worked…
Featured
Issue 172
Take a Walk in Wonderland: Revisiting the Musical Instrument Museum
In previous Copper articles (Issue 168 and Issue 169), I…
Featured
Issue 172
Classical Music for a Desert Island, Part One
Over the past few months, our esteemed editor Frank Doris…
Featured
Issue 173
The History of A&M Records, Part Eight: Jazz on A&M
Like almost every well-known record label, A&M Records also made…
Featured
Issue 173
Classical Music for a Desert Island, Part Two
Part One of this series on desert island classical music…
Featured
Issue 173
The Best of CES Awards
On the top floors of 30 Rockefeller Center sits the…
Featured
Issue 173
Long Live Rock
For a while now, I have been thinking about how…
Featured
Issue 174
The History of A&M Records, Part Eight: Horizon Records
In 1975, A&M Records established a subsidiary jazz label called…
Featured
Issue 174
The Golden Decade for Popular Music…The 1950s?
I belong to a music-listening group consisting of five people…
Featured
Issue 174
Retail Therapy
I never trained as a psychologist. Instead, in my retail…
Featured
Issue 174
Classical Music for a Desert Island, Part Three
Part One and Part Two of this series on desert island…
Featured
Issue 175
In Memory of Ramsey Lewis
Three Grammy Awards. 80 albums. Five gold records. A National…
Featured
Issue 175
There’s No Flop in MoPOP
On a long-ago eighth grade school trip to New York…
Featured
Issue 175
New Classical Recordings: Igor Levit’s
Tristan,
and
Beethoven for Three
from Ax, Kavakos and Ma
Igor Levit – Tristan (Sony, 2022) Emanuel Ax, Leonidas Kavakos, Yo-Yo Ma…
Featured
Issue 176
A Trip to Eindhoven’s Philips Museum: Like a Kid in a Candy Store
Ever since my grandmother Edna gave me a transistor radio…
Featured
Issue 176
The A&M Records Story, Part Nine: CTI Records
This is a special installment in our A&M 60th Anniversary…
Featured
Issue 176
A Visit to The University of Rhode Island Guitar Festival
I first heard about the University of Rhode Island Guitar…
Featured
Issue 177
London’s Klooks Kleek: A Sixties Music Breeding Ground
1960s British music aficionados are likely familiar with many of…
Featured
Issue 177
A Look At Ravel’s Works for Orchestra
One of the popular mantras in audiophilia is “garbage in,…
Featured
Issue 177
A Most Dedicated Record Collector
If someone offered you $30,000 for just one out of…
Featured
Issue 177
The Earth’s Heartbeat: Native American Music, Redux
All plants are our brothers and sisters, they talk to…
Featured
Issue 178
The Rock & Roll Hall of Fame Is Not Rock and Roll
The full telecast of the November 5, 2022 Rock &…
Featured
Issue 178
Stuffy Shmitt: Portrait of an Artist
In the 1990s I worked at the North Star Pub…
Featured
Issue 178
Some Holiday Music Favorites
I might be a bit of an outlier. I typically…
Featured
Issue 179
Nearly $400 Poorer, Here Are My 2022 Black Friday Record Store Day Purchases
File under, “inside the head of a Record Store Day…
Featured
Issue 179
Exploring CTI Records, Part One: 1969 – 1971
At the end of the A&M 60th anniversary series in…
Featured
Issue 179
The Life and Times of a Sony Audio Engineer: Talking with Aston Sharman
I first had the pleasure of becoming recently acquainted with…
Featured
Issue 179
Tim Riley’s Best Albums of 2022
Country-pop surges, even as Shania Twain and Margo Price stare…
Featured
Issue 180
Exploring CTI Records, Part 2: The Subsidiaries
CTI Records had been an independent label for only a…
Featured
Issue 180
Dig This: Philadelphia’s Vibrant Vinyl Scene
I spent a lot of time in Philadelphia when I…
Featured
Issue 180
Home Entertainment Formats Over the Past 50 Years and How They Influenced Each Other
Technological advances in the 1970s brought unprecedented conveniences for consumer…
Featured
Issue 181
How I Aced My Stress Test
The Little Record of Calm: Favorite Adagios (1999) Featuring artists…
Featured
Issue 181
Exploring CTI Records, Part Three: CTI Plays the Classics
Over the course of the history of jazz, many jazz…
Featured
Issue 181
My Favorite Yes Album:
Drama
When I bought Drama (1980), my first Yes record, I…
Featured
Issue 181
Lounging with in Ear Monitors, Part Two
There are so many in-ear monitors (otherwise known as IEMs,…
Featured
Issue 12
Fully Armed
Once we have established a firm base for our turntable,…
Featured
Issue 12
The Boganyi Piano
Born into a musical family in 1974, Gergely Boganyi was…
Featured
Issue 11
Son Of 10 More Forgotten Artists
Again with the self-indulgence: Of late, I’ve been listening to…
Featured
Issue 11
Death Of The Brand
The term “brand” is thrown around pretty indiscriminately these days.…
Featured
Issue 13
How I Spent My Summer Vacation
I freely admit that I am a nerd. Aside from…
Featured
Issue 14
London Calling
Ending this series with a description of the UK hi-fi…
Featured
Issue 13
Points Of Pickup
The point of contact between the cartridge’s generator system and…
Featured
Issue 14
Subwoofery: Trick or Treat?
Part 2 – “Fast” bass? Really??? … … Just when…
Featured
Issue 15
Who Are The Modern Audiophiles?
I recently read this piece on industry website Dealerscope Magazine,…
Featured
Issue 16
Amplified & Equalized
Having generated a few milli- or micro-volts by our humble…
Featured
Issue 16
Wait A Minute!
We interrupt our regularly scheduled Subwoofery series for a Special…
Featured
Issue 17
Subwoofery: Smooth Operator?
Our last entry ended with this statement – “No matter…
Featured
Issue 18
Subwoofery: Location, Location, Location
The Listening Position: This series was implemented to assist music-loving…
Featured
Issue 18
Talking Direct
Back in my pre-teen youth, I had an undying love…
Featured
Issue 19
Subwoofery: The Basics
In Copper #18, we addressed the critical importance of getting…
Featured
Issue 19
That Listening Thing
I’ve been thinking lately about close listening, and the way…
Featured
Issue 20
iTunes Goes Classical
Those of us who are Classical Music fans are used…
Featured
Issue 20
Do You Even DIY, Bro?
Darren Myers’ Make It Yourself articles, run in Copper issues…
Featured
Issue 21
Understanding the Analog Obsession
“I don’t need no bike that don’t need me!” Harley…
Featured
Issue 20
Subwoofery: The Finale
Electronic Adjustments Ok, now that we’ve accomplished the bassic (pun…
Featured
Issue 21
Objective? Subjective? Who Cares?
Part 1: Human Nature. We just don’t get no respect,…
Featured
Issue 22
Objective? Subjective? Who Cares? Part 2
Part 2: Testing 1, 2, 3. Forget the stories and…
Featured
Issue 22
DPT: Three Critical Steps To Maximize Musical Engagement
It was about 7 years ago. I was voicing a…
Featured
Issue 23
Revenge of Son of Forgotten Artists Strikes Back!
No fear of running out of great musicians who may…
Featured
Issue 23
ACK Attack is BACK!!
ACK Attack for serious listeners, part one – [You may…
Featured
Issue 24
Science vs. Soul
When do the best measurements NOT yield the best musical…
Featured
Issue 24
CES: Images Only
I’ve editorialized about CES in the past, starting way back…
Featured
Issue 25
In Praise of Domestic Tranquility
You’d think I had promoted Two Buck Chuck over Chateau…
Featured
Issue 25
Vinyl: Vivid or Veiled?
You probably know that the vinyl LP is enjoying an…
Featured
Issue 26
Audio Myths
I’ve been involved with audio technology since the 1960s, and…
Featured
Issue 26
Something to Talk About
Recently, I was thinking about the many topics that my…
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Issue 26
“CNC” Moving Magnet Cartridge Phono Stage Conclusion
In issues 21 and 23, we featured a DIY phonostage…
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Issue 27
That Cartoon Guy
As we arrive at our first anniversary, it’s fair to…
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Issue 27
Kirin Light at the Buddha Bar
A group of audiophiles were enjoying lunch in La Jolla…
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Issue 28
The Answer Man
Your questions – My answers Following up from Copper #…
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Issue 29
The Answer Man
Part 2
Your Questions – My Answers, continued Continuing our look at…
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Issue 31
Simple Acoustics,
Complicated Spouses
When I was a teenager, I told a girl that…
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Issue 30
Professor Schenbeck Goes to a Show
Last month I was in Montréal for a professional meeting…
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Issue 31
What’s the Warmth in Tube Amps?
Why are we, as audiophiles, entranced by the reproduction of…
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Issue 31
More Q & A on Getting Better Sound
Continuing with our questions & answers series, I have two…
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Issue 32
Becoming a Curd Nerd
When I was eleven years old, Santa left a fondue…
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Issue 32
Axpona: Up Your Game, Exhibitors!
While watching Stereophile’s video of 2017 CES impressions, Peter McGrath…
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Issue 32
Audiophile Therapy
Do you remember that special feeling on the way home…
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Issue 33
The Return of Even More Neglected Artists!
Due to a “senior moment,” I missed the “thirties” in…
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Issue 34
A Dedicated Listening Room
Even if you want and can afford a dedicated room,…
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Issue 34
Munich!
When is a show not a show? When it’s a…
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Issue 34
Schwartz Tours the LA Audio Show
I had about half a day, Friday, at the Los…
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Issue 35
Montana Goes to the LA Audio Show
The LAX Sheraton (shown above with my good friend Jim…
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Issue 35
What’s Always the Most Important Component in Your System?
I’ve lost count of the number of homes I’ve visited…
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Issue 36
EQ, DSP, & You:
A Cautionary Tale
Some of this info was presented in the Copper Subwoofery…
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Issue 37
Has Music All Been Downhill Since 1969?
Some 30 years ago, I was involved in a debate…
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Issue 39
WAF
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Issue 37
Controversy Corner ?
Part One: Past 50? Is your hearing still good enough…
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Issue 38
Mistakes
If you’re human, you make mistakes. Sometimes they are driven…
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Issue 38
High-End Audio: In Need of Higher Fidelity to Itself?
Musings from a long-time listener upon entering the hi-fi industry…
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Issue 39
The California Audio Show Part 1
The Ninth California Audio Show took place July 26-28 at…
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Issue 40
The California Audio Show Part 2
Part 1 of my report on the California Audio Show…
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Issue 39
Spiking Your Speakers: What’s the Point?
Before we get started, a big IMO should go in…
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Issue 40
I Scream, You Scream—For Gelato? Sorbet?
The freezer section at the local grocery store is only…
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Issue 40
Out of Control
This article was first published in the Dubai-based English daily…
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Issue 40
The Death of High-End Audio?
We’ve all seen and heard the discussions concerning the so-called…
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Issue 40
A Critical Listener
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Issue 41
Welcome to the Smoke on the Water Jungle Sweet Paranoid War-Pig Child o’ Mine
Imagine John Cleese with a red dot on his forehead,…
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Issue 41
The Beauty of Song
Part 1
The magic of classical song springs from the fact that…
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Issue 42
The Beauty of Song
Part 2
[In the last issue of Copper, Jason Victor Serinus introduced…
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Issue 41
Always Be Closing
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Issue 42
Maybe You Should Pick THAT One….
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Issue 42
Not Everybody Was Kung Fu Fighting
The popularity of martial arts has grown exponentially in the…
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Issue 41
LP Playback: Is It Really Reference-Quality?
Is it truly superior if it has not one, but…
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Issue 42
CEDIA
The Custom Electronic Design and Installation Association — better known…
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Issue 45
Hi-Fis, Cars, and Planes
This Zenith portable stereo is the first stereo I remember…
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Issue 43
Tainted Judgment
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Issue 44
Confidence
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Issue 44
Digital vs. Analog,
Ad Nauseum
“What If Digital Had Never Happened?” writes Steve Guttenberg in the…
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Issue 43
RMAF Preview
In a year that’s seen some ups and downs in…
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Issue 43
Analogic
A wise man once said “the most difficult thing that…
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Issue 43
Classic Album Sundays
The heart of Classic Album Sundays is built around a…
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Issue 44
Confessions of a Beleaguered Music Fan
While most Copper readers are fans of different types of…
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Issue 43
The Agony of the Leaves
I’d never heard the phrase “the agony of the leaves”…
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Issue 44
Rocky Mountain Audio Fest 2017
RMAF this year was back to full size, with the…
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Issue 45
The Two Most Important People in the World
Let’s call my audio-show buddy Gavin. I first met him…
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Issue 45
Southern Italian Wines:
A Walk on the Wild Side, Part 1
It’s a Malbec world out there. Once upon a time,…
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Issue 46
Southern Italian Wines:
A Walk on the Wild Side, Part 2
Last time out Part 1 launched our safari through the…
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Issue 45
Diminished Capacity
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Issue 46
Sound Synonyms
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Issue 46
Singles? Or LPs?
We often feel that we haven’t fully grasped a musician’s…
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Issue 48
Everybody’s a Critic
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Issue 47
Jambox
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Issue 47
Torque
The house just down the hill was having a lawn…
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Issue 47
Southern Italian Wines, Part 3: Of Gods, Monsters, and Volcanoes
The wine history of Sicily, like that of most of…
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Issue 48
So This is Christmas…
“So this is Christmas”, sings John Lennon, “And what have…
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Issue 48
Cables: Time is of the Essence, Part 1
[If there’s a name that’s synonymous with wire and cables…
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Issue 48
“Go Tell Veronica…” – A Brief, Superficial Glimpse into Hanukkah Music
Adam Sandler, in his impish introduction on Saturday Night Live…
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Issue 49
Cables: Time is of the Essence, Part 2
[In the last issue of Copper, we began a series…
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Issue 50
Cables: Time is of the Essence, Part 3
[We began this series of articles by Belden engineer Galen…
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Issue 51
Cables: RCA Interconnects
There is no magic to good cables; it is adherence…
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Issue 49
No, Not John Entwistle
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Issue 50
As Real As It Gets
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Issue 51
I Got Your 3-Way Right Here
Featured
Issue 52
…But It’s An Honor!
Featured
Issue 51
CES: A Look Around
Our little world is categorized as “High-Performance Audio” (HPA) by…
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Issue 52
Schwartz Does NAMM
I’ve just been to my 41st NAMM show. I’ve only…
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Issue 53
QED, Bitches!!
Agnostics are often assumed to be wishy-washy—that they dither and…
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Issue 53
I…Buried…Paul….
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Issue 54
Thicker, Stronger….
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Issue 55
What Happened?
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Issue 56
Desert Island 1
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Issue 57
Desert Island 2
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Issue 54
Cables: XLR Interconnect Design
In the previous article in this series, we discussed the…
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Issue 55
Cables: Speaker Cable Design, Part 1
In this series, we’ve discussed the basics of audio cable…
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Issue 56
Cables: Speaker Cable Design, Part 2
Part 1 of this article in the previous issue ended…
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Issue 55
I. Don’t. Know.
I’ve been involved in theater most of my life—my parents…
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Issue 56
Show Report: Montréal Audio Fest
When Editor Leebs asked me to do a show report…
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Issue 57
Show Report: Axpona 2018
Normally, I’d think twice about visiting Chicago in April—winter has…
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Issue 58
Another Look at Axpona
What did Rudy find interesting at this year’s show? The…
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Issue 58
A Tough Sell
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Issue 59
Busted!
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Issue 60
It’s All In The Materials
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Issue 61
You May See Me Tonight With an Illegal Tweak
As I threatened to do in my last column , I…
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Issue 63
Counting Butterflies
I used to be a moderator of a now-defunct Indian…
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Issue 61
Restoring a Historic Pipe Organ on a Budget
[John Seetoo‘s interview with Kamel Boutros appeared in Copper #60.…
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Issue 61
The Painful Truth
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Issue 62
Testing 1
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Issue 63
Testing, 2
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Issue 62
Bird Brains
Acclaimed British biographer Jenny Uglow has published a new study…
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Issue 62
Gut Punches and Heavenly Strains
A few years ago, my old Spica TC-50s finally came…
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Issue 64
Simply Vicious
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Issue 65
Is It Live, Or…?
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Issue 66
Going Fast
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Issue 67
Seriously Out of Phase
Featured
Issue 65
Customers Behaving Badly
Customer: “There’s a violin in it.” Sales Manager: “What did…
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Issue 67
Wine Like Grandpa Used to Make
When I told Editor Bill Leebens that I write about…
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Issue 68
CEDIA 2018
San Diego is famous as a nice place to live,…
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Issue 69
Monterey Auto Week Part 1
“The Pebble Beach car show is this weekend,” followed a…
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Issue 70
Monterey Auto Week Part 2
[We began Rich’s tale of Auto Week in Copper #69,…
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Issue 71
BASS! How Low Can You Go? (Or: Another Take on RMAF)
This article’s title was taken from the great Chuck D…
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Issue 70
Rocky Mountain Audio Fest 2018 Part 1
The biggest news of the 2018 Rocky Mountain Audio Fest…
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Issue 72
AES NYC 2018
Since coming into existence 70 years ago and still going…
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Issue 71
Rocky Mountain Audio Fest 2018 Part 2
As pointed out in the last issue of Copper, the…
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Issue 73
Early Music in the Bay Area: Sackbuts and Crumhorns and Citterns…oh my!
It’s well-known for its fog, iconic bridge, wineries, redwood forests,…
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Issue 74
Val and Ed…and Amy
How would you react if you were suddenly face-to-face with…
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Issue 75
Top Dog
[There is no sexism intended by use of “man” in…
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Issue 75
The 50 Best Albums of 2018
For me, 2018 was a blur, and seemed to pass…
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Issue 75
“When Did THEY Do THIS To US?”
The other day I had the opportunity to meet with…
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Issue 76
Joan Rivers: Yutz, or Audiophile Hero?
More often than not, it used to be that weekday…
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Issue 77
Vade’s Recommended Reviewer Guidelines
Part of the fun of being an audiophile is reading…
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Issue 76
Records as Time Machines
After years of experience as a producer and engineer, I’ve…
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Issue 79
Don’t Call Them Q-Tips
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Issue 78
How About THX 1138?
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Issue 77
Don’t Even Think About It
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Issue 76
Scratchy Sound
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Issue 78
Audio Love
I know exactly when my love of audio began ̶ …
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Issue 79
The Florida Audio Expo
I lived on the Gulf coast of Florida for 15…
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Issue 80
…And Now We Are Three
Back in my younger days—say, the fall of 2015—Paul McGowan…
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Issue 81
Van Cliburn
In 1958, the Soviet Union announced its “First International Tchaikovsky…
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Issue 80
Copper at 3: the Writers Speak!
In the beginning, the idea that Copper would survive three…
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Issue 80
How to
Not
Market Speakers
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Issue 81
What’s Next?
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Issue 83
Multipath Distortion
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Issue 82
Sofar
I recently stumbled across an article naming the 30 best…
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Issue 82
Montréal Audio Fest
The 2019 edition of the Montréal Audio Fest took place…
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Issue 83
Axpona 2019, Part 1
Mid-April in Chicago once again presents us with Axpona, one…
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Issue 84
Axpona 2019, Part 2
[Part 1 of Rudy’s Axpona report was in Copper #…
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Issue 84
363 Days in Vietnam, Part 1
Most of what the average person knows about the Vietnam…
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Issue 85
363 Days in Vietnam, Part 2
[Our first installment from Michael’s book, 363 Days in Vietnam,…
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Issue 86
363 Days in Vietnam, Part 3
[Previous installments from Michael’s book, 363 Days in Vietnam, appeared…
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Issue 87
363 Days in Vietnam, Part 4
[Previous installments from Michael’s book, 363 Days in Vietnam, appeared…
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Issue 85
Rock & Roll Hall of Fame 2019: A Fan’s Minutes
Some of my biggest regrets come from agreeing to social…
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Issue 86
Fretting and Harping About Guitars
When I was a teenager in New York during the…
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Issue 85
Munich, Part 1
After last year’s High End show in Munich, I filed…
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Issue 86
Munich, Part 2
For all its admirable efficiency, there are some peculiar oversights…
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Issue 87
Munich, Part 3
Ready for another day at the Munich High End, looking…
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Issue 87
THE Show 2019, Part 1
It was difficult to convince members of the San Diego…
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Issue 88
THE Show 2019, Part 2
[Part 1 of Jan Montana’s report appeared in Copper #87—Ed.]…
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Issue 88
Munich, Part 4
[Previous installments of our Munich coverage have appeared in Copper…
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Issue 89
What Is It To You?
Rock and roll music – the music of freedom frightens…
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Issue 92
A Visit to a Linkwitz Open House
As the second day of the 2019 California Audio Show…
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Issue 94
Rocky Mountain Audio Fest 2019
Things change. That’s inevitable, and occasionally, it is for the…
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Issue 97
AES NYC 2019
For over 70 years, the Audio Engineering Society has been…
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Issue 98
Capital Audiofest 2019 Show Report
I’ve known about Capital Audiofest but hadn’t gone until this…
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Issue 98
Potent Potable
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Issue 99
Pretentious! (No, Progressive)
(An Introduction to Progressive Rock – the Most Critically Maligned…
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Issue 99
New York Audio Show 2019 Report: Part 1
New York has been host to audio shows for a…
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Issue 100
New York Audio Show 2019 Report: Part Two
Part One of this report appeared in Issue 99. As…
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Issue 100
Celebrating Cartoon Bob
Our Bob D’Amico aka Cartoon Bob has been with Copper…
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Issue 101
Mythical Stature: Gentle Giant, Part One
Gentle Giant, possibly the most musically and instrumentally diverse group…
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Issue 101
Thoughts on Hi-Res Music and Audio – An Insider’s Perspective
Let me start by saying I have deep respect for…
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Issue 101
Queen of the Salons
She was considered to be the Queen of the…
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Issue 102
Missing the Pazz and Jop Critics Poll
What’s Happening to Best Album of the Year Lists For…
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Issue 102
BandLab: Reviving Iconic Brands for Musicians
When Gibson Guitars was descending into its eventual Chapter 11…
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Issue 103
Mythical Stature: Gentle Giant, Part Two
In the first installment of this two-parter, the three Shulman…
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Issue 103
Lou Reed’s Berlin – Its Music from a Fresh Perspective
With the exception of Foley artists or people who collect…
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Issue 103
NAMM: An Audiophile’s Perspective
The National Association of Music Merchants has been around in…
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Issue 104
Cleveland Rocks. Does the Rock Hall?
The Rock & Roll Hall of Fame and Museum began…
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Issue 104
Mr. Don and the Delinquents
During the 1970s I had an opportunity to teach a…
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Issue 105
We’re an American (Prog) Band
There are many more American progressive rock bands than you…
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Issue 105
A Classic Turntable’s Forgotten Roots: the AR XA
When the AR XA turntable came out in 1961, it…
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Issue 105
Industry Viewpoint: Are Audio Dealers in Trouble?
Introduction by Paul McGowan, PS Audio: Magnepan and its loudspeakers…
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Issue 106
Are Audio Dealers in Trouble? Readers Respond
In Issue 105 we featured an Industry Viewpoint column from…
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Issue 107
Complete Recovery: Unusual Takes on Others’ Songs
Sometimes an artist is so taken with another artist’s song…
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Issue 107
Audio System Revelations: Electrostatic Ecstacy
I can trace my audiophile roots back to a certain…
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Issue 108
Ryuichi Sakamoto – A Musical Career Overview, Part One
Meeting one’s musical heroes can often take place in unexpected…
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Issue 108
Terry Kath: Chicago’s Guitarist Extraordinaire
In 1970 a dear friend, Hank Rau, introduced me to…
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Issue 109
Italian Progressive Rock, Part One: PFM
The major British progressive rock bands of the late 1960s…
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Issue 109
Ryuichi Sakamoto: A Musical Career Overview, Part Two
Part One focused on Ryuichi Sakamoto’s work in the groundbreaking…
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Issue 110
Elitism in Audio and Its Implications
Audio and music are passions. They can be a hobby,…
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Issue 111
Italian Progressive Rock, Part Two: Le Orme
Le Orme (“The Footprints”) is one of the most successful…
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Issue 111
Being an Audio Forum Moderator, Part Two
This is the second in our series of articles giving…
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Issue 112
Tales of an Audio Forum Administrator, Part Three
My last installment gave an in-depth look at what many…
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Issue 112
Songs of Praise From Unlikely Artists, Part One
Sex, drugs and rock and roll – the phrase is…
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Issue 113
Songs of Praise from Unlikely Artists, Part Two
In Part One of this series (Issue 112), I noted…
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Issue 114
Women Composers of Early Music
If you ask people to name a famous classical music…
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Issue 114
Songs of Praise from Unlikely Artists, Part Three
In Part One and Part Two of this series (Issues…
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Issue 115
The Earth’s Heartbeat: Native American Music
All plants are our brothers and sisters, they talk to…
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Issue 115
Italian Progressive Rock, Part Four
In this final installment, I’ll introduce you to three more…
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Issue 116
Audio Shows 101: What to Expect As A First-Timer
A guide for newbies to make the most of the…
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Issue 117
Busking: All the World’s a Stage
Did you hear the one about violinist Joshua Bell? During…
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Issue 117
Ten Great Guitar Solos
Full disclosure: I am not a musician – I play…
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Issue 118
Often Snubbed, Punk Rock is Alive and Well!
In the spring of 2018, an historic event took place…
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Issue 118
Unusual Musical Collaborations and Cameos (Part One)
It often comes as a surprise to music fans when…
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Issue 119
Record Store Day – An Alternative Opinion
I never really gave much thought to Record Store Day,…
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Issue 119
When Dire Straits Made a Springsteen Record
There has been a lot said about the importance of…
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Issue 120
Ear Flaps Up
Or, How I Learned to Stop Worrying and Love the…
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Issue 120
The Next Voice You Hear
“So you had better do as you are told/you better…
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Issue 120
Two Hands Clapping
It was a lot of money, even with the student…
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Issue 120
K-tel Records: Now That’s What We Call Music!
Since the late 1990s the Now That’s What I Call…
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Issue 120
A Conversation with Technics’ Bill Voss
Technics is a brand that needs little introduction to most…
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Issue 121
Visión Musical: The Mavericks’ En Español
“That voice!” I had just posted the newly released video…
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Issue 121
Birth of the Cool
Everyone wants to be cool. But what the heck is…
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Issue 122
An Assortment of Favorite Demo Recordings
Many audiophile magazines and internet sites compile lists of what…
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Issue 122
John, Paul, George, Ringo and Irving
Irving Bieler was one step away from joining the Swinging…
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Issue 122
Val and Eddie, Amy and Tom Revisited
Note: this article originally appeared in Copper Issue 74. In…
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Issue 123
Five Weeks in Mongolia, Part One
It’s morning in Ulan Bator, Mongolia. I feel green, shaken…
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Issue 123
10 More Great Guitar Solos
As I wrote in Issue 117: I am not a…
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Issue 124
Boogie Wonderland
A great man once wrote: “Once upon a time in…
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Issue 124
Holiday Songs You Should Be Spinning!
Most people who know me well are familiar with the…
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Issue 125
My War on LPs
My life took a swerve in the summer of 1974.…
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Issue 125
Interviewing Genesis in the 1970s – Part One
How I got to meet my idols. Me: “Hi, I’m…
Featured
Issue 125
Five Weeks In Mongolia, Part Two
Part One of this story ran in Issue 123. A…
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Issue 125
Concert T-Shirts: History in the Making
Recently, a college buddy posted a picture of himself on…
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Issue 126
Christmas Songs Worth Listening To
As the calendar days inexorably approach Christmas, the usual playlist…
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Issue 126
Hit the Board, Jack
When I was a teenager, no one understood how I…
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Issue 127
Stop, Hey, What’s That Sound?
In Issue 125, I told you about my war on…
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Issue 127
Shakin’ It: Ray’s Top 20 of 2020
2020 was a year that presented all of us with…
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Issue 127
Interviewing Genesis in the 1970s, Part Two
Or, How I Got to Meet My Idols My first…
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Issue 128
January’s Most Memorable Concerts
When you run through a list of the biggest rock…
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Issue 128
Music and the COVID-19 Era
In 1968 we learned about Revolution 9; in 2020 we…
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Issue 129
A Few of My Favorite Things
I have close to 3,000 CDs and LPs – a…
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